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Kachina Doll (Thlamatona)03.325.4620

This kachina is wearing a cotton cloth skirt, armbands, and short moccasins. He has his entire chest painted. Wearing an elaborate headdress.

Culture
She-we-na
Material
wood, pigment, hair, feather, yarn and cotton cloth
Holding Institution
Brooklyn Museum
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Split Horn Headdress11.694.9050

The front of the headdress has a beaded headband in blue and white. From under the headband, trailing down the back is dyed red horse hair. Two long horns (beef horns) are on either side. A roach of bird skin and feathers is fastened to center of horsehair trailer. Four bands of dyed feathers are attached to a red wool trailer faced with cotton fabric that hangs down the back of the headdress. According to Sean Standing Bear 10/24/2000) the small concentric beaded circles on either side of the headdress are 'eyeballs.'

Culture
Osage
Material
horn, horse hair, rooster feather, hawk birdskin, hide, glass bead, fur, silk, wool, cotton and sinew
Holding Institution
Brooklyn Museum
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Shirt for Chief's War Dress50.67.1a

Tailored as an "over-the-head" garment, the shirt is constructed from four pieces of skin (front, back and two sleeves). It is laced together from elbow to wrist on both sides, but the triangular bib is sewn on. Lazy stitch beadwork has been used on the bib and shoulders. Both the front and the back of the shirt are elaborately painted which is unusual. The upper quadrant on the proper left side of the shirt is stained a dark grayish brown, the upper right is smudged with reddish stain. The painted designs on these colored areas probably represent a tally related to war exploits. On the brownish area, sixteen linear objects, possibly stylized rifles, have been drawn in paint, one above the other. On the right, in the area partially stained in red, are seventeen linear designs in brown, bifurcated on the right side that may represent horse quirts. The shirt is also painted on the back with five geometric shapes that almost certainly represent people (torsos are triangular with round heads, but facial features are not indicated). Designs that probably represent horse tracks are on the right lower sleeve in front and on the reverse on the right shoulder. The lower left sleeve at the wrist is decorated with evenly spaced rows of short slashes. The beads used to decorate the shirt are almost entirely large blue and white pony beads, although there are some tube beads on the epaulets and along the sleeve. The porcupine quills are dyed mainly orange and white. The two rosettes on the chest are quilled with brown fern stems and white porcupine quills and are also appliquéd with white pony beads. There are some remnants of white fur on the tips of the fringe at the hip of the shirt. One feather was attached to fringe. Hair locks are made partly of human hair and partly of horsehair dyed blue-green with a few light colored hairs interspersed among the locks. The locks are wrapped at the base with porcupine quills. This shirt is part of an outfit with leggings 50.67.1b, c.

Culture
Sioux, Yanktonai and Nakota
Material
pony bead, porcupine quill, buckskin, maidenhair fern stem, human hair, horse hair, dye and feather
Holding Institution
Brooklyn Museum
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Girl's Coiled Dowry or Puberty Basket (kol-chu or ti-ri-bu-ku)07.467.8308

This is a conical shaped basket with a stepped flag design in brown on natural fiber colored background. The shells and feathers are fastened to the exterior and extend out from basket. Although called a puberty basket it is thought that this basket was not necessarily used for puberty ceremonial. At the time it was collected it was thought that ceremony no longer was being practiced so such baskets were no longer being made for traditional practice. While it may have been intended for such, there is no physical evidence that it was ever used to hold water, and it is more likely that it was made for sale, an aestheticized version of a traditional form.

Material
willow, sedge root, bulrush root, acorn woodpecker scalp feather, california valley quail topknot feather, oilivella biplicata shell and cotton string
Holding Institution
Brooklyn Museum
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Kachina Doll (Kyanaque Kahana)03.325.4623

Curator Stewart Culin, when he collected this doll identified it as kyanaque ko-ha-na or Kanakwe. In his 1907 diaries he saw a performance of the Kanakwe dancers in the plaza in Zuni. This doll matches the description of the regalia these dancers were wearing exactly

Culture
She-we-na
Material
wood, pigment, cotton, hide, wool, feather, paper and metal
Holding Institution
Brooklyn Museum
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Dance Flute03.325.4700

This long, elegant flute is made from a sound piece of wood with a bell shaped gourd painted in black, yellow, blue and white. Sprigs of fir are tied around the middle.

Culture
She-we-na
Material
wood, gourd, plant fiber, pigment, feather and cotton cloth
Holding Institution
Brooklyn Museum
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Maskette2010-37/56

The paint is black, red, and green.

Material
wood, paint, leather, metal and feather
Holding Institution
The Burke: University of Washington
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Maskette2010-37/55

The paint is red and black. The string is black.

Material
wood, paint, feather, shredded cedar bark and string
Holding Institution
The Burke: University of Washington
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Headdress2010-37/51
Mbu Walg Kupun II2805/1

Large contemporary woven string bag (bilum) decorated with dyed stripes, different types of shells, chicken feathers, wooden beads, branches with seeds, small fan-shapes made of cut-up plastic packages, possum jaws, boar tusks and pieces of tapa cloth.

Culture
New Guinea: Kapia Ulgu
Material
plant fibre, paper mulberry bark, wood, seed, cowrie shell, chicken feather, plastic, jute fibre, possum jaw bone, natural dye, boar tusk, clam shell and oyster shell
Made in
Goroka, Eastern Highlands, Papua New Guinea
Holding Institution
MOA: University of British Columbia
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