Shinje Taita or Father Sun mask (part a). Face is long and narrow. Large light grey collar extends from under a prominent pointed chin. Face is painted red with small black eyebrows. There are holes for eyes, nostrils and mouth. Eyes are deeply set and close together, nose has a narrow ridge, and mouth has pursed lips. Solid black headband extends across the forehead with 15 holes along the top ridge to insert the 15 feathers (part b) into. Feathers are either brownish-red or white with brown stripes, and are tied together with thread. Two holes are drilled on each side of the mask, with a string attached to the lower holes. Back of mask painted black.

Carved male figure. Doll (part a) stands on large feet, legs spread, arms slightly akimbo and held away from the body. Legs are painted white, torso black, and face red. A black fuzzy beard surrounds the chin, mouth is open with small inset shell for teeth, eyes are made of the same shell, as is a headband tied around the forehead. A necklace of tubular sections of grass hangs down the chest, and arms have woven plant fibre sleeves. A bag of netting and plant fibre is slung over the left shoulder and adhered to the wood at the handle. A loin cloth of netting with long pieces of grass at back sits around the waist. Part b is a peice of netting similar to that of the loin cloth. Part c is a small feather grouping that attaches by a hole in the doll's head.

Headdress ornament (tua or kihi) of long narrow white feathers. At the core, feathers are tightly bound by fibre. Many more feathers are layered over top, held in place by tightly wrapped plant fibre, which is again bound by plaited coconut fibre, creating a handle.

Small Kachina doll. Carved from wood, doll has large rounded head with feathers attached at top and back, face painted with black lines for eyes above decorated cheeks and a red tubular snout. A thin cotton cord is tied around neck, hanging down the back of the doll. Shoulders are narrow, with arms kept close to sides, fists held in front of stomach. Torso is painted orange with green and yellow decoration, and a necklace at centre. Skirt is full and round, with red and black patterning down the right side. Legs emerge from beneath, painted red and grey.

Mai mask. Carving of a face is oblong and narrow, with a pointed head, a ridge running down forehead, and a prominent nose with a curved nostril free-spanning the lower part of the face. Mask is painted in swirls, short rounded lines, and colour blocks in shades of brown and dark yellow, with white lime pigment in the eye and nose area. Short grass surrounds the jaw as a bushy beard. Shells are inset into mud as eyes and at the top of the head, from which sprout fine cassowary feathers. Plant fibre is looped through the top. Interior of mask is concave.

Dance mask. Large conical head is made of woven rattan and wood covered with a layer of painted mud, grey on back, white and light red-brown on the face. A round flap stands up on top of head and a broad protruding skirt flares out at bottom front. Oval ears sit high on head, protruding from each side. A ridge runs down forehead to nose. Nose is long and thin, spanning from mid-face to front of skirt, with an open mouth underneath. Eyes are made of rings of weaving, protruding, with small bunches of feathers placed evenly around the ring. A thick edging of feathers line the sides and front of the face.

Mai mask. Carving of face is long and narrow, with a pointed head, a ridge running from forehead to nose, and a thick jaw area. A thin piece of shaped wood spans area from chin to bottom of mask. Face is painted in swirl and linear patterns in red, white and black. Jaw is covered in shells inset into mud, with layers of feathers and twisted plant fibre along chin and mask bottom. A collection of twine, feathers and grass is tied through a hole at top, creating a loop for hanging. Interior of mask is concave.

Shinje Taita or Father Sun dancer figure. Male figure (part a) wears long grey tunic, beige pants and shoulder wrap, and blue wrap across the opposite shoulder. The figure wears a red mask with black eyebrows, and prominent pursed lips. Headband across top of mask alternates yellow and green squares, and has several feathers protruding upwards from. Figure wears beaded necklace, alternating from red seeds to long wooden canine teeth. Figure holds a red spear in his left hand (part c), and a yellow bell (part d) in his right. Arms move at the shoulder, and legs at the hip. The wooden base (part b) with two leather footholds.

Standing wooden ancestor figure. Face takes the shape of a large oval mask with flattened cheeks, a sharp, raised ridge running from forehead to nose. Eyes are large inset shells, with three small animal claws are adhered to the forehead above. Nostrils are wide and lips protrude. Face is painted a light brown with dark brown and red-brown designs in small crescents and curving lines surrounding eyes and cheeks and tracing nose. Cowrie shells line chin and brow and cassowary feathers stand out from head and jaw to create hair and beard. Body stands with feet planted on a small rounded base, knees slightly bent, arms hanging at sides, stomach distended. Decorative bands are carved into lower legs and upper arms, and a plaque with carved face sits on chest. A woven loin cloth is tied around waist. Ties of plant fibre are at ankles, wrists, and ears.

Carved wooden figure. Figure's arms are down at side with legs slightly apart. The hair and eyes are made using seeds. There is a feather wrapped around the figure's right arm, and pieces of animal skin tied around both the neck and waist. The figure's right ear has a small hole in it - possibly indicating a piercing?