Two part arrow. First part is bamboo with notch at one end, five wide painted red bands at notched end, three feathers bound at top and bottom over bands. Second part is wood, fitted and bound to bamboo, narrows to blunt point.

Two part arrow. First part is bamboo with a notch at one end, blue painted curvilinear line and dot design is bordered at top with blue and red bands and yellow and blue bands at base, with three feathers bound at top and bottom, over painted design. Second part is wood, fitted and bound with fibre to bamboo, narrows to blunt point.

Two part arrow. First part is bamboo with notch at one end, yellow painted line design between two red bands, three feathers, bound at top and bottom, over painted design. Second part is wood, fitted and bound with fibre to bamboo, narrows to blunt point.

Long narrow straight arrow, one end notched and split, two feathers inserted into split, base of split bound with fibre. Red painted bands at top of split and blue band at base. Blunt point at opposite end. Wood cracked and chipped at point.

Two part arrow. First part is bamboo with notched end, three blue and yellow bands around end, three feathers bound at top and bottom over bands. Second part is wood, fitted and bound with fibre to bamboo, wood curves at join, narrows to blunt end.

Two part arrow. First part is bamboo with notched end, three blue and two yellow bands around end, three feathers bound at top and bottom over bands. Second part is wood, fitted and bound with fibre into the bamboo, narrows to blunt end.

Animal hide rolled and stitched with green thread with small flap of hide folded over at top. Quiver does not completely encase the ten ceremonial arrows it contains. Arrows have notched bamboo ends painted with red and blue bands or dots and the bamboo ends are fitted over blunt narrow wooden shafts and affixed with thread and glue. Some arrows have feathers bound to bamboo with thread.

Painted dance mask with twig headdress and cedar bark fringe. Mask has a very bulbous black forehead with white painted ridge above and below curving eyebrow band. Eyes are close to nose with round hole outlined in white and enclosed by a black eye-shape. A blue contoured teardrop shape expands out on both sides surrounded by a white band. Large hooked nose with white tip and curving band dividing the black top from the red bottom and extending to corners of mouth. Very large triangular nostrils on underside of nose. Tip of nose meets large rounded chin. Deep-set mouth is slightly opening showing 2 rows of even white teeth. Red curving, contoured split u-shapes on cheeks. There is a lip around outside of mask, painted with large blue circles. The areas between are natural cedar. Three partially red painted fir boughs (without needles) are mounted into metal springs in the top of the mask, 2 with masking tape and one with leather. White ostrich feathers are attached by white thread at 5 places and around cedar bark tuff at top front. Tuff is braided to sides. Cedar bark fringe on top back is loosely tied together with white string dyed brown. The string end has passed through hole on side where leather thong is tied. Thong also ties on opposite side and at top, centre. Thong is looped at centre back. Bottom cedar bark fringe is attached to bottom of mask with string which is loosely tied across fringe in 2 rows. Cedar bark strands alternate between natural and red dyed. Inside of mask is partially covered with red sprayed paint.

Mask (a) with flat top that has four feathers (b-e) inserted into a circular drilled hole at the top centre and is painted white with black and red details. The narrow forehead has large straight black eyebrows. The mask also has small semi-circular eye holes, a hooked nose with rounded semi-circular nostrils, a pursed protruding open mouth, a pointed chin, three crescentic ridged lines from the sides of the nose to the upper side rims. Two curved ridged lines and one painted line extend from mouth to temple, and there is a solid jaw line along side rims from temple to chin. On the reverse, grey-green cord has been looped and knotted through double holes drilled at centre top and on each side rim. Inscription.

Eagle transformation mask that has three beak portions joined by wedge-shaped pieces of wood fastened together by cloth and string; beak portions are pegged and hinged to an exterior wooden mount behind the interior human face mask; wood and string lever at base operates mask. Exterior closed: top of mask has three wedged shaped pieces painted white with black spots, down feathers glued to surface. Both upper beak portions identical with wedged shaped pieces above eye painted white with a solid black curvilinear design; black brows outlined in white; green face, white above beak and at jaw line; red optic liner, black and white eye; below black beak red nostril outlined in white; red lip band; wedge shaped pieces protruding from mouth are white with a solid black curvilinear design; underside of lower beak has two distinct painted parts; rear of beak, including wedge shaped pieces on either side, are painted white with black spots, down feathers glued to surface; upper portion of lower beak is black with a red lip band around three sides. Interior open: beaks painted black; red lip band visible on lower beak portion; beaks slightly concave, rim of upper beak portions graduate in depth; wedge shaped pieces form a circle around human face mask; dogfish design at the four cardinal points. Human face has hair inserted into drilled holes along top rim; white forehead has three green-grey u forms outlined in red, thin black line defines centre split u; black brows; green eye area and nose; eyes are white bored circles with red eye sockets; red nostrils; white cheeks have four solid green-grey u forms on either side of mouth; black moustache-like line extends from nostrils to corner of mouth; open red lipped mouth; white jaw area has four rows of short horizontal strips; black chin; black smudges on jaw and under lower lip.