Mask with circular cut out eyes outlined by tin. Has a nose and an open mouth. Feathers secured to the top with resin in between two upright horns. Long brown fur on the chin. Cloth straps at the back.

Off-white woven goat wool blanket with herringbone twill weave and dark red trade cloth woven in along the top edge. Feathers and cedar bark are included in the weave. Fringe along one side.

Yam mask made of tightly woven plant fibre around a stick frame with a large crest edged with feathers, a long, narrow, circular ridge as a nose, large bulbous eyes, and a small protruding oval mouth and tongue. The face of the mask is mostly an ochre red, while the lower portion around the mouth is black at the bottom with tan areas from the lower outside edge to the black. The nose is a tall ridge along the entire face down to the mouth, mostly red but with white along the edge and black in line with the face. The eyes are large white woven balls which protrude from either side of the nose ridge, with tan irises and small holes in the centre. The crest is roughly triangular with rounded edges rising to a point above the face, edged with soft white feathers with brown tips. The crest begins at the top of the face with a black triangle, outlined by widening stripes to create the shape of the crest. These stripes are: tan, then a red stripe made up of loops of basketry to create a fence-like appearance, then a white stripe, then a black stripe made of loops of basketry, and then a final tan stripe along the edge. The edge of the woven crest is tied with string to a stick that goes around the edge, the feathers are attached to the stick. The back and inside of the mask are unpainted plant fibre.

Bow with three arrows sealed inside a plastic bag; bag is secured shut with a paper manufacturer's label stapled over the opening. Bow is wrapped with plant fibre and its string is made of the same material; arrows are attached to string and side of bow with plant fibre ties. Arrows have bamboo shafts, long wood tips, and pigment decorations along the tips; small feathers attached around bottoms of tips. Orange card inserted into bag, behind bow and arrows, with images of people using them; paragraph of text describes materials, decoration, and uses of bows and arrows.

Raven headdress, or mask, with long cedar bark fringe. Emerging from the top of the head is a short cedar bark fringe, as well as black feathers and two attached wooden wing panels. Two additional upright wooden wing panels are attached at the back, and one horizontal panel. The panels are carved in relief and painted black, brown and dark red on a black background. The beak is black, and mouth is red. The lower part of the beak is hinged with strips of hide(?), nailed in place, and a thin grey plaited rope is attached to the inside of the lower beak, and hangs down with the long fringe. The eyes are black, outlined in red and black on a white ovoid background; the brow is black. The inside of the headdress is hollow and lined with yellow foam on the upper portion. Two thick plaited ropes are nailed to the top, at the back, to hold the mask on the wearer. Attached along the top ridge is a twisted and dyed cedar rope.

Boar tusk armband, with small bulul figure (rice deity). The main armband section is made of curved boar tusks, with the ends attached together using rattan basketry strands, to form a circle. At one side of the band, a small male wooden figure is attached, using rattan strands threaded through holes in the base and around the legs. The figure is in a sitting position with his knees up. The figure has a round bundle of black and grey feathers projecting upward from his head. Tangkil boar’s tusk armlet (sometimes referred to as an upper arm bracelet or armband) with a small standing wooden “Bulul” figurine from Ifugao tribe in Northern Luzon, Philippines. Worn on upper arm by men. Made of boar’s tusk. Men wear a pair of these during ceremonies and rituals such as the begnas ritual for the rice production. This material is now considered an heirloom. Nowadays, this ornament is popularly reproduced and worn during cultural festivals.

Round beaded staff with feathers and beads hanging from hide cords along the length. The staff is completely covered in beadwork, long stripes of animal fur and hide, so that the material of the staff itself is hidden. The top end has an elongated, off-white bird head carved in plastic (made to look like bone), ending in the pointed beak. A long hide thong attached along the side holds a combination of long brown feathers, and plastic beads on shorter thongs.

Short wig made up of brown curly human hair (part a); an interior net of red yarn and plain cord holds the shape of the wig. Back edge of wig is decorated with a band of white feathers; front left and right corners of wig are decorated with small yellow flowers. Wig has six attachments, consisting of: a red parrot on a stick, that attaches to the top (part b); brown-black and white feathered wings, that attach at the front (part c); a spray of multi-coloured parrot feathers, that attach to the front of the wings (part d); two small white and yellow feathers, that stick out on either side of the wig (parts e-f); and a snake skin headband (part g). Large feather decorations (parts c-d) are missing attachments; small feathers are inserted into wig and held in place with their shafts. Headband has two ties on either side.

Dari (or dhari) feather headdress. Headpiece is shaped like an inverted-U, with a horizontal line through the middle. Three lines extend from the top of the centre line, connecting with the top edge; outer lines are curved, middle line is straight. All pieces are made of cane, wrapped in orange fibre. Headpiece has an outer border of plastic; connected to headpiece with black cane, shaped into a zigzag. White feathers protrude from outer edges of plastic, secured with black fibre; feathers in bottom corners are longer than rest and undecorated. Rest of white feathers have had their ends cut; each has three small triangles on either side and long diagonal lines at the tip. Large red seed is tied to the top centre of the headpiece and has three feathers extending from it. Long grey feather in the middle, framed by smaller white and black ones, is topped with a tuft of white feathers; secured to grey feather with white fibre.

Decorated dart blowgun. Long, thin cylindrical tube wrapped with brightly coloured threads in solids or in patterns by twisting two colours together. There are ten sections, each with a background colour with solids bands at centre, or a pattern with alternating bands a centre. The sections are yellow with black bands, blue and black with green and white bands, orange with light blue bands, yellow and black pattern with pink and black bands, purple with white bands, pink and white pattern with black and white bands, blue with yellow and light blue bands, purple and white pattern with yellow and black bands, orange with white bands, and light green with black bands. There are small white feathers included at random. One end has clear adhesive tape wrapped around it.