Boar tusk armband, with small bulul figure (rice deity). The main armband section is made of curved boar tusks, with the ends attached together using rattan basketry strands, to form a circle. At one side of the band, a small male wooden figure is attached, using rattan strands threaded through holes in the base and around the legs. The figure is in a sitting position with his knees up. The figure has a round bundle of black and grey feathers projecting upward from his head. Tangkil boar’s tusk armlet (sometimes referred to as an upper arm bracelet or armband) with a small standing wooden “Bulul” figurine from Ifugao tribe in Northern Luzon, Philippines. Worn on upper arm by men. Made of boar’s tusk. Men wear a pair of these during ceremonies and rituals such as the begnas ritual for the rice production. This material is now considered an heirloom. Nowadays, this ornament is popularly reproduced and worn during cultural festivals.

Round beaded staff with feathers and beads hanging from hide cords along the length. The staff is completely covered in beadwork, long stripes of animal fur and hide, so that the material of the staff itself is hidden. The top end has an elongated, off-white bird head carved in plastic (made to look like bone), ending in the pointed beak. A long hide thong attached along the side holds a combination of long brown feathers, and plastic beads on shorter thongs.

Dari (or dhari) feather headdress. Headpiece is shaped like an inverted-U, with a horizontal line through the middle. Three lines extend from the top of the centre line, connecting with the top edge; outer lines are curved, middle line is straight. All pieces are made of cane, wrapped in orange fibre. Headpiece has an outer border of plastic; connected to headpiece with black cane, shaped into a zigzag. White feathers protrude from outer edges of plastic, secured with black fibre; feathers in bottom corners are longer than rest and undecorated. Rest of white feathers have had their ends cut; each has three small triangles on either side and long diagonal lines at the tip. Large red seed is tied to the top centre of the headpiece and has three feathers extending from it. Long grey feather in the middle, framed by smaller white and black ones, is topped with a tuft of white feathers; secured to grey feather with white fibre.

Decorated dart blowgun. Long, thin cylindrical tube wrapped with brightly coloured threads in solids or in patterns by twisting two colours together. There are ten sections, each with a background colour with solids bands at centre, or a pattern with alternating bands a centre. The sections are yellow with black bands, blue and black with green and white bands, orange with light blue bands, yellow and black pattern with pink and black bands, purple with white bands, pink and white pattern with black and white bands, blue with yellow and light blue bands, purple and white pattern with yellow and black bands, orange with white bands, and light green with black bands. There are small white feathers included at random. One end has clear adhesive tape wrapped around it.

Small flatbow (part a) and two arrows (parts b-c). Bow is rectangular in shape and has hexagon-shaped string nocks protruding from either end. Bow gently narrows at centre, for grip. Artist inscription written along lower section of bow, on belly. Arrows consist of points inserted into shafts; all parts are made of wood. The points are secured with fibre cord; painted dark red. Nocks are carved into shafts and whipped with fibre cord. Two helical fletch also secured to each shaft with cord, at top and bottom. Cresting along shaft; alternating stripes of red-orange and dark green. Points have thin triangular tips. The longer arrow (part b) has a protruding triangle decoration underneath the point, before flaring into the tang. The other arrow (part c) has no additional decoration. Triangle decoration is painted red-orange, tang painted dark green; other arrow (part c) only has a band of red-orange across the tang.

Puffin head mask (part a) with multiple attachments (parts b-o). Puffin has a fish clamped in its multi-coloured beak, and four wide holes drilled around the back edge of its head. Eyes are triangular, with long lines extending from their bottom edges to back edge of mask. Circular area around eyes is undecorated; top, bottom and back of head are painted black. Two wood sticks tied in circles (parts b-c) attach to mask with short pegs (parts l-o); cormorant feathers, with wood carvings on tips, extend from outer circle (parts d-k). Carvings on feather ornaments consist of a thin bird head (part d), two fish (parts e-f), two fins (parts g-h), and three wings (parts i-k). Circular rings are painted orange-red; larger one has holes drilled through it for attachments to fit into. All wood attachments have black, dark red-orange, and light blue highlights painted across them; decorative incisions and elements carved in relief throughout. All cormorant feathers are dark grey-black. Metal ring attached to back of mask component, for hanging.

Cassowary feather headdress consisting of a curved, braided band with twisted ties on either end. Multiple feathers are bound tightly to pieces of reed(?) and the bundles are woven into two layers along the band. Feathers at front are red-brown and black; back feathers are a mix of white and light brown. Additional layer of bound reeds woven along back of band.

Wood mask depicting a bird woman. Face is heart-shaped with prominent brow and cheeks; sharp nose bridge divides face. Eyes protrude outward at an angle and are made of three tiers. Top of nose bridge is coloured with orange pigment; bottom half is covered in dark clay with small inset cowrie shells along the edges. Larger cowrie shells decorate centre of bridge. Below clay, crooked beak extends downward, covering chin. Same clay and cowrie shell design along bottom edges of mask; top edge is coloured with orange pigment. Mask is surrounded by an oval-shaped frame, wrapped in plant fibre; frame and mask are attached with rounded triangles, made of identical material. Woven into the frame are curved feathers; feathers are a mix of black and shades of brown. Mask back is flat.

Woven rectangular basket with a telescoping lid; lid secured with twisted ties that loop over basket, functioning as a strap. Basket is naturally coloured and undecorated. Basket base is formed with a coiled rod, wrapped in plant fibre. Lid covers entirety of basket and is decorated with dark brown designs. Patterns on front and back consist of: plain line, repeating hourglass-like shapes, geometric and meander patterns with "X"'s throughout, and two plain lines. Patterns on sides are connected lines framed with the same repeating hourglass-like shapes and two plains lines on the front and back sides. Top of lid has a thin rectangular band in the centre with repeating hourglass-like shapes; plain lines surround the band. Top of lid is formed with a coiled rod, wrapped in plant fibre; additional rod runs through centre, attaching front and back. Base of lid formed with stiff coils, attached with additional stiff coils, dyed dark brown. Groupings of feather decorations attached to each corner on top of lid, two more groupings on front and back bottom edge; feathers are a mix of red, grey, yellow, blue and green.

Small beaded apron with feather fringe along sides. Beads are made of seeds threaded onto a woven cream-coloured, cotton frame; cotton creates fringe along the bottom edge. Apron is light brown with dark brown meander patterns along the top and bottom edges. Feather fringe is a mix of black, red and yellow. Small ties along the top edge, on either side.