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Museum Expedition 1903, Museum Collection Fund
Wildcat (Tokotski) Kachina Doll. This Kachina has a body carved from one piece of cottonwood root. He is positioned with his PL leg and PL arm raised, slightly crouching. His kilt and sash with a fox tail hanging down the back are carved root. His cape is spotted fur. He wears a carved turtle rattle on the PR leg ankle. His hide bandolier is decorated with shells. He has a hide fringe on top of painted on boots. The white head mask has a snout with bared teeth, black goggle eyes set in a brown "bandit" type mask and he has black cat paws painted on his cheeks. Top of the mask has feathers. He has large red ears. Wildcat Kachina appears by itself during Angk'wa (a series of night dances). His prayers are for rain to increase their wildcat numbers so the Hopi can have more pelts.
Helele or Hilili are participants in a dance often chosen by a kiva to perform after the winter solstice ceremonies. This is possibly the Hilili Kachina known as the Corn Hilili. He wears a helmet style mask with long beard and feathered top. On his shoulders he wears a fur cape, body is painted red and he wears a painted dance skirt and sash. His chest and arms are painted red. He wears blue hide boots with red trim and has yarn tied around his calves.
Kachina doll with articulated arms. Footwear has been painted on the feet.
This Kachina is also spelled Mahedinasha.(taking away feces). He may come during the winter dance series or during the Koanne (the day when the Kachinas go home-six days after the Shalako). The dancers appear early in the morning and go through the village. When they come into the plaza they dance as a group accompanied by a drummer. They can sing nasty songs about the inhabitants of Kothluwala, (the spirit village where the dead Kachinas live) but really they are about the present day Zuni village. See Barton Wright, "Kachinas of the Zuni" for an explanation of how he became so ugly in appearance.
Eagle Dancer (Kwahu) Kachina Doll. Artist probably Henry Shelton as he is stylistically like those he carved in body sculptural form and hand treatment. A Kachina with outstretched arms made from one piece of cottonwood root. His arms have real feathers and down on them. He wears a carved dance skirt, a bandolier and a pelt sash that hangs down in the back. His helmet style mask is blue, topped with a yarn band and feathers and circled with a yarn ruff around the bottom neck area. His eyes are black slits, his yellow beak is open. He wears yarn ties around his calves. Although unsigned, he is stylistically like those carved by Henry Shelton in body sculptural form and hand treatment. The eagle dance is a prayer for good crops, rain, and plentiful eagle feathers as their feathers important in many ceremonies. The Kachina usually appears in a group of several forming a dance troop, squawking and imitating eagle behavior while the Koyemshi (mudhead clowns) sing to them. The sponsoring kiva must fast, abstain from sex, and no eating of salty or fatty foods before the dance.
Museum Expedition 1903, Museum Collection Fund
Rooster (Takawee)Kachina Doll Kachina body totally carved from one piece of cottonwood root. He has a muti-striped face and helmet type mask, black slit eyes and a yellow bird beak. He has a bare chest painted yellow on the PL side and blue on the PR. He wears a white cape, and holds a rattle in his PR hand and plant fibers in his PL hand. He wears a beaded necklace and jingle bells on the bands on top of his boots. This type of Kachina dates to the post-Spanish era when the Spanish brought chickens and roosters into the Hopi territory. Rooster Kachina may appear during winter kiva dances.
This Kachina may represent the one of the Hemushikwe who appear on the last day of the Shalako performances when the Shalako was traditionally given by the Muhewa Kiva.There are six of these impersonators, one for each kiva. The colors and symbols used in the tablita, or headdress, relate to the sky or sky elements. The body has earth elements. The mask may change but always contains symbols and colors that relate to clouds and from where the rain comes.
Mud Head (Koyemshi) Kachina Doll. The figure is carved totally from one piece of wood. He wears a black skirt and carries a rattle in his PR hand and ears of corn dangle from his PL hand. He wears a green bandanna around his neck. The painted boot moccasins have silver and turquoise ornaments on them. The Mud Head's role during dances consist of a group of 9 of them clowning around, using the audience for their jokes, often lewd behavior and comic relief but with the underlying message that their behavior is totally improper and such antics are not what is to be done.