Vejigante carnival mask of painted paper mache construction. Mask is mainly painted a light grey-blue, with purple and white dots, and purple dashes on the horns. The white face with cut-out holes at the eyes and mouth. There are floral-like designs in gold and purple that spiral out from around the eyes. The eye sockets and nostrils are painted purple, with large false lashes glued to the upper edge of the eye sockets. Three long curved horns project out from the top and sides. The top, centre horn extends up, and curves forward, and has a small gold cross in front of green fern-like leaves. The right horn curls forward, in front of the face, and the left horn curls up and over the head. The top of the head is lined with four large red flowers with yellow stamens, and two orange and black butterfly. On both sides, a small painted white metal key hangs from the horns. The snout has a large open mouth with black stitching along the lips, and three pointed white teeth with red gums. Black, grey and red ribbons are tied to each side of the mask and hang down. The interior is painted red. Signed and dated inside.

Wooden figure consisting of an intricately carved face attached to a cylindrical rod that flares into a circular concave base; cloth ties threaded through holes drilled into either side of base. Face has a long thin nose with pronounced nostrils; raised oval-shaped eyes on either side of nose, underneath semi-circular brows. Mouth is open and oval-shaped, lips done in relief; chin extends downward in a sharp point. Large curved ears, with rectangles in front of them, protrude from either side of face; ridges carved across rectangles. Raised diagonal lines are carved across cheeks. Face is painted white; diagonal lines done in blue. The figure has tall, slanted hair carved on top and back of head, with two ridges carved through it. Hair, rod and base all done in black; ties are yellow-brown.

Thin, woven blanket or shawl in off-white gauze. Thin panels of dark blue with white chevron pattern and short white fringe down the short side edges. Four-layered textile composed of four long panels sewn together along one long edge.

Shemma cloth scarves (parts a-c). Three pieces of finely woven, gauzy cotton of different lengths and widths. Each piece has panels of embroidery in brown and black, with diamond-shaped motifs in pink, white, yellow and red – alternating between patterns of concentric diamonds and a large diamond composed of four smaller diamonds. Scarf or shawl (part a) is composed of two pieces of white gauze, sewn along one long edge, with embroidered panels down the short sides, with short sparse white fringe. Long shawl (part b) of white gauze with wide embroidered panels along short sides as well as two panels near centre. Small shawl (part c) of white gauze with embroidered panel along one long edge.

White gauze scarf, consisting of two panels sewn along the long edge, with cotton borders along the short sides. The borders are woven bands in a bright blue background with concentric triangles around diamond centres. The diamonds are outlined in various colours of white, dark purple-red, orange and yellow. Short white fringe.

Adinkra stamp of the 'Bi Nka Bi' (unity or peace) design, carved info a piece of calabash gourd. Part b is the handle, made of four sticks held togther by thread wrapped around the centre of the sticks. The gourd stamp (part a) has a deeply carved design of a circle with projections toward the outer edge and two inside. The back surface has four small holes where the pointed ends of the sticks are inserted, crossing midway up, at the thread, to form the handle.

Adinkra stamp of the 'Adinkrahene' (Chief Adinkra) design, carved info a piece of calabash gourd. Part b is the handle, made of four sticks held togther by thread wrapped around the centre of the sticks. The gourd stamp (part a) has a deeply carved design of concentric circles. The back surface has four small holes where the pointed ends of the sticks are inserted, crossing midway up, at the thread, to form the handle.

Large rectangular dyed and stamped cloth. The cloth has been dyed with a grid-like turquoise blue pattern (white ground), covered with repeating lines of stamped designs in black. The repeating designs appear to be rows with a spear, drum, axe, drum, spear, gourd(?), axe, circle (thumb piano?), spear, etc., however the order is not always consistent and some of the stamped ink in similar shapes varies a bit from one to another. The long sides are both selvedges; the shorter edges are unhemmed.

Large indigo patterned adire cloth. Indigo dyed cloth with startch resist designs covering front. There is a circular central design with 2 figures (kings?) with numerous concentric arc designs below. Along the bottom edge are five repeating dove motifs with grids of dots in between; above are two lines of letters and symbols. The rest of the cloth has a mix of designs of lions, animals, leaves, dots, and sun designs(?). The bottom is the selvedge; the top has a narrow finished seam; the sides have wide finished seams. The back is plain indigo.

Adinkra stamp of the 'Biribi wo soro' design, carved info a piece of calabash gourd. Part b is the handle, made of four sticks held togther by black thread wrapped around the centre of the sticks. The gourd stamp (part a) has a deeply carved design of two joined half circles with a diamond-like shape at the centre. The back surface has four small holes where the pointed ends of the sticks are inserted, crossing midway up, at the thread, to form the handle.