Rectangular metal amulet with concave, "pinched" sides. The amulet contains layers of rectangles, diamonds, and triangles in silver with gold a yellow and orange resin(?) diamond with a raised silver sphere set at centre. The front is etched with geometric designs and script. Strung on a long black fibre cord, which attaches at both upper corners of the amulet, with the ends hanging as tassels hang on either side of the amulet. Each tassel is wrapped with a brown and a green band. On the back, an etched square with diagonal lines within.

Rectangular metal amulet with concave or "pinched" sides. The amulet contains layers of rectangles, diamonds, and triangles in gold, silver and copper colours. A single black oval stone is set at centre. The front is etched with geometric designs and script. Strung on a long black cord, which attaches at both upper corners of the amulet. Two large brown leather tassels hang from the cord on either side of the pendant, and are each decorated with light teal bands and checkerboard or zigzag patterns in black and white at the top.

Plank mask (part a) with circular face and tall, vertical superstructure. The white face has two widely spaced concentric circle eyes, and a small tubular mouth, both within a ring of repeating red triangles. There is a black with red tip downward-curving projection attached to the diamond-shaped panel above the head. Diamond-shaped panels connect both ends of the long rectangular board. The board is painted with geometric and zoomorphic shapes in black or dark red on a white background. Surmounted by a crescent-shape. Long brown plant fibre hair (part b) is attached across the back of the face mask, and hangs down.

Plank mask with circular face and tall, vertical superstructure. The face has two large concentric circle eyes, and a small tubular mouth within a painted triangle. Long orange plant fibre hair is attached at the back of the face mask with blue cords, and hangs down. There is a black downward-curving projection attached at the centre of the forehead. Diamond-shaped panels connect both ends of the long rectangular board. The board is painted with geometric and zoomorphic shapes in black or dark red on a white background. Surmounted by a crescent-shape.

Carved and painted mask. The rectangular face section has two sunken rectangular areas on either side of the nose ridge, two rectangular cutout eye holes, and small pointed ears. The forehead is decorated with X's, creating a repeating diamond and triangle design that continues down each side of the face. The designs are painted dark red and black. The superstructure is a female figure with projecting breasts, square shoulders, arms bent at the elbow and held out to the sides. Her left forearm is shaped like a large ladle. She is wearing a red fibre skirt. She has red crest-like hair, and an earring in her left ear.

Ceramic vessel (part a) with a red-brown burnished surface and incised markings along the shoulder. The design features a solid horizontal line, with repeating arches underneath. Within the space between every second arch is a cross shape. The mouth is circular, with raised and flared lip, and the base rounded. Also a round wicker base (part b) for the pot to sit on.

Large textile that serves as a cover for the antelope puppet body frame (3420/99). Composed of three textiles, stitched together to create a large rectangluar textile, with another textile over the centre of the lower two. The top woven textile has horizontal bands of dark blue, dark green, and smaller bands of red, orange and green. There are small orange, red or white tassels in spaced in rows across the bands. The other two textiles form the bottom layer. One is red and white checkerboard, and the other is green and off-white checkerboard. There are roughly cut holes, three on one side, and two on the other, where puppets would be attached to the frame.

Tunic covered in beadwork. Short-sleeved, box-shaped, high neck with round neckline, and an open back with two ties at top and bottom. Neckline, sleeve cuffs, and hem edged in red. Beadwork is light blue, white and yellow in overall open net-like diamond pattern, with elongated, vertical, diamond patterns at both sides, repeated in small on the sleeves.

Large “V”-shaped halibut hook made of two pieces of wood. Arms are tied together with fibre cording at the angled end. Longer piece is thin and straight, thicker piece has a triangular head and an iron barb tied to its other end. Barb faces inwards and is at an acute angle. Wooden wedge tied to thicker arm with fishing twine. Twine is long, fraying and white-grey. The thin arm of the hook is carved into an otter-like figure, with a hole through its middle. A thick and braided piece of fibre cording, with a knotted loop end, is strung through the hole.

Hunter's tunic (part a) with matching hat (part b). Tunic made of bright blue cloth. Rectangular black leather patches are attached all over, with long, thin strips of brown leather knotted to both sides, creating fringes. A few pieces are dyed red or green. White cowrie shells outline the neck, and are sewn in lines on the tunic. There is a five-sided pocket on the front, centre - with the three stitched edges lined in cowrie shells. The bottom edge is unfinished, and somewhat fringed from unravelling fabric. Small horns and small mirrors inset in leather are attached over the tunic. The woven hat has a circular mirror inset in leather between two curved horns at front, centre. A single row of cowrie shells lines the bottom edge.