Wooden paint bowl, or container, carved in the shape of a frigate bird. The bird's head projects out from one end of the bowl, with its tail at the opposite end. A knotted and looped hanging cord is attached through four holes spaced evenly around the upper edge. The cord is made of twisted fibres. The bird is roughly carved, with pencil marks indicating the design. Writing on base in red ink.

Wooden navigation figure. The carving is of two similar wooden figures attached along their backs and heads, facing in opposite directions. The figures end at their thighs, which attach to a base of lime 'cement' with stingray spines embedded in it, projecting downward. Eight spines were originally attached, with four on each side, but currently two are broken off at the base and four others are partly broken. The figure has a long knotted and looped fibre cord attached at the top of the heads.

Painting on a rectangular piece of slightly warped bark; depicts Njaljod (the Rainbow Serpent). Painting background is orange-red and the undulating serpent spans the entire width. Serpent has a thick body that narrows at the neck and tail, an oval-shaped head with an open mouth, and two small circular eyes. A long, white forked tongue extends from mouth, into bottom right corner of painting. Body of serpent is decorated with chevrons filled with cross-hatched bands; bands are dark yellow, maroon, black, and white. Lines dividing chevrons are maroon and decorated with alternating black and white dots. White bands run along curves of serpent, with maroon diagonal lines spaced throughout. White flowers extend from the bottom and top of serpent, at the centre of the painting. Wooden rods are tied to either side of painting, with plant fibre ties. Back of painting is undecorated; inscriptions written throughout and a paper label is adhered to centre. (Metal hanging hardware along top edge).

Yarn painting representing the pilgrimage of the Peyoteros. Square wood board has coloured yarn pressed into beeswax on one side to create an image. This painting represents the pilgrimage of the Peyoteros. Two separate groups of people that are travelling towards the centre of the scene, and in the middle are the chiefs. In their path are flowers. Above them, there is a blue gourd with a white candle, blue corn, blue and green deer head with a white candle on its head, brown and blue arrow, and portal design. Above, to the right, is a figure wearing a large headdress, bules, and a knapsack. Left of the sun is an eagle, carrying lengths of various-coloured material in its mouth. Below the bird is a seated figure next to a fire. Upper left, behind the singer, is an arrow, snake, and a bow. There is a house with an arrow and deer antlers outside, and inside are two bowls with a little deer. There is a thorn on the side of the house. In the five peyotes in the middle they have arrows on each side, and to the left there is a woman with her gourd and candle. Along the bottom, there are four spiders, snakes, people and cornfields. Along the right side, there is a house with two people to the left, and a woman on the right, behind whom is a dog.

Doll, in standing position, with a walrus tusk head. Eyes, eyebrows, and frowning mouth are incised; nose carved in relief. Incised elements coloured with black and red pigment(?). Figure is wearing reindeer fur clothing, consisting of long hooded parka and tall boots. Parka has grey-white bands running down chest, and along bottom edge. White fur belt wrapped around waist with brown trim along bottom edge; brown fur and red fibre fringe hanging along bottom edge of belt. Bands identical to belt wrapped around upper arms; green stripe decoration through centre. Fur and red fibre fringe also hanging from back of hood. Boots are white with red stitches along soles; beaded fur pompoms attached to knee of right boot. Doll has no hands.

Wood mask. Wide incised stripes have been carved vertically over the lower half of the face and in half circle patterns across the forehead. These have been filled with white creating a striped pattern. Down the centre of forehead is a ridge that widens and becomes the nose. Eyes are thin slits cut through the wood, with large rounded eyelids above and below. Mouth is a protruding cube, with white colouring the centre. Plant fibre is knotted to the chin, and hangs down. There are drilled holes spaced along the edge of the upper portion of the mask. The back of mask is concave and undecorated, with a black string tied to two of the holes.

Cartoneria or papier mache Judas devil figure. Standing figure with left arm forward, and right arm down at side. The face and large pointed ears are painted red, with inner ears painted blue with white outlines. The eyes are painted green, with black eyelids and eyebrows. The devil has two upright black horns, with a patch of synthetic hair adhered in between, and two more lengths adhered as a moustache. The chin is painted with black beard stubble. The body is painted green, with a blue painted neck scarf and matching blue boots, all with off-white details. Thin green string tied around neck and knotted. Vertical seam on back from construction.

Murik Lakes ancestor mask. Carving of an oblong and narrow face, with a prominent nose with a curved tip extending beyond the lower part of the face. The nose has two columns of holes drilled above the nostrils(?), and along the outer edge of each ear. Mask is painted red for the lips, ears, and extending down from the eyes to the nose, black on the lower portion of the face, extending up and around the eyes, and with white lime pigment in the designs on the forehead. The small eyes and mouth are cutout. Plant fibre is looped through the top. Interior of mask is concave.

Small flatbow (part a) and two arrows (parts b-c). Bow is rectangular in shape and has hexagon-shaped string nocks protruding from either end. Bow gently narrows at centre, for grip. Artist inscription written along lower section of bow, on belly. Arrows consist of points inserted into shafts; all parts are made of wood. The points are secured with fibre cord; painted dark red. Nocks are carved into shafts and whipped with fibre cord. Two helical fletch also secured to each shaft with cord, at top and bottom. Cresting along shaft; alternating stripes of red-orange and dark green. Points have thin triangular tips. The longer arrow (part b) has a protruding triangle decoration underneath the point, before flaring into the tang. The other arrow (part c) has no additional decoration. Triangle decoration is painted red-orange, tang painted dark green; other arrow (part c) only has a band of red-orange across the tang.

Dark red robe with a round neck, long sleeves, hoof cuffs, and a side opening with gold frog closures. There are slits in the centre front and back. Collar, side opening and cuffs are bordered with black and trimmed with dark gold floral motifs. Dragons, clouds and waves embroidered in silver throughout borders. The front, back and upper sleeves of the robe have five-toed dragon, pearl, fish, cloud, crane, gourd, mountain, Taoist symbols, and floral motifs; all done in silver embroidery. The lower sleeves are black and decorated with silver lines; cuffs and lower sleeves edged with a gold braid. Inner lining of cuffs is dark blue silk with circular symbols embroidered throughout; the rest of robe interior is plain light blue silk.