Faded rectangular band of woven cotton with geometric pattern of brown diamonds in supplementary weft; edges are woven in five bands of tan, red, brown, blue, and yellow. Ends bound together with strands from weaving. Excess binding is braided and strung with large seeds and metallic bells at each end. The bottom of the band has numerous strands of transparent beads of blue and red, along the entire length.

Two near identical beadwork tassels with seed endings. Tied together at top with excess strands. Each is woven in a like manner: six strands in white, purple and orange beads are woven into a cylinder with geometric patterns (diamonds and x's) in black, yellow, green, and red. The six strands then re-emerge from the cylinder, each ending in two seeds. A seventh strand, in green, purple, and red, and also ending in two nutshells, descends from the top of the tassel, through the cylinder, and hangs between the other strands at the bottom.

Rectangular band of woven beads in a geometric pattern: a central motif of two green chevrons extending from the edges with points meeting in the centre is repeated one and a half times. The chevrons are flanked by a yellow pattern proceeding from the centre to an alternating edge. White field; black edging. Nine strands (one black, eight orange) extend from the joined ends, with shell endings and large wooden black beads. The shells appear to be from crab legs.

Band of beadwork joined by binding ends of strands together. Geometric pattern in beads: extreme edges are black, followed by a triangular pattern of alternating green, white, and blue beads, followed by an orange stripe. The rest of the band has a complex pattern mirrored around a vertical line slightly off centre, in yellow diamonds and red, blue, white, black, and orange beads in field.

Rectangular strip of intricately woven beads. Ends finished with eleven strands of beads: nine black, two (central) green. Strip edged with black beads. Major component of bead pattern is diamonds, alternating blue and green with white and yellow surrounding. Blue, white, and yellow chevrons at edges.

Tall, cylindrical glass bottle covered with a woven sleeve. Design consists of horizontally arranged bands or rings--some with designs of birds in red and diagonal stripes in green--separated by bands of openwork and solid bands of yellow and red. Strips of glossy black material are inserted behind openwork.

Human face with a wrinkled forehead and large protruding ears, lips, eyebrows, and nose. The circular eyes are inset with mirrors and metal rims that are sunken in orange eye sockets. Long curvilinear grooves extend down the sides of the face to the shin from the ears. Cedar bark fringe attached at top of the head is short in the front and long in the back. The mask is painted with orange and blue on the forehead and ears, black brows with white underneath that extends down in a curve on either side of the face that forks at the end beside the mouth, orange around the eyes and on the nostrils and lips, orange and blue on the grooves at the sides of the face, and the remainder of the face is painted black.

Square bag made with cotton appliqué. The surface is decorated with an orange square border followed by four concentric squares in orange, light orange, green and white. The middle has a dark blue cotton square with multi-coloured stripes embroidered in various patterns. Central square is bright orange. Arranged symmetrically at corners of appliqué design are small semi-spherical silver ornaments, two of which have a string of white shells, a blue bead and brown seeds hanging down. Tassels of multicoloured wool, strings of white-glazed clay beads, brown seeds, shells and squares covered in multicoloured thread hang from two corners of bag face. Two ends of black looped strap form sides of bag; finished off in orange appliqué and multicoloured tassels on the bottom edge.

Standing wood figure (ibeji) with black, disc-shaped, beaded waistband (discs of horn?). Head is capped with a conical headdress. Cap is decorated with two sets of vertical ridges and the back with four. Nine scarification marks radiate from and point downward from the navel. Extended arms have hands touching thighs. Has very short legs in relation to body and the feet are extremely large. Stands on circular pedestal. Body and base is heavily encrusted with red earth, and cap has traces of indigo. Has worn camwood patina.

Standing wood figure (ibeji) with large head wearing a cross hatched cap and loincloth. All facial features and breasts are enlarged. Pierced ears. Three vertical scars on the chin and three pairs of vertical scarification marks on cheeks with four horizontal ones below. Arms are extended with hands touching thighs. Black glass bead bracelet surrounds figure's right arm. Back bone is indicated by deep incised line on the back. Figure has short legs and large feet. On a base.