Calungo hand puppet of a 'Casimiro Coco' character. Head and hands are carved from wood and painted. He has black skin, glass eyes with sparkles, orange wool hair and beard, red lips and eyebrows, metal teeth and prominent white eyelashes. His jaw is hinged, and is operated by a control wire under his chin. He wears a basketry hat, with the rim wrapped with light blue ribbon. His fabric body / tunic is sky blue with large pink flowers and green leaves, with a cutout floral pattern within. The fabric is adhered to the hands and head. Operated by inserting a hand inside the body of the puppet to control its head and movements.

Mask with trunk-like projection extending forwards from top of the head. Mask built on a wood frame, lined with woven plant fibre. Heavily decorated with cowries and areas of beadwork on forehead and around side. Face has cowrie shell eyes outlined with beads, and a wooden nose and mouth. Bottom edged with plant fibre, which has been split into finer pieces below the face.

Wand with heavily beaded handle. Three sections of bands of colours - dark brown, yellow, orange and light blue, with three sections of triangles in white, dark green, yellow and orange. There is a section where the shaft splits into four smaller pieces that are wrapped in light blue and black beads. Above the beading, the handle is wrapped in red fabric with two small loops of plant fibre cord attached. Extending from the other end is long, straight dark red-brown horse(?) hair over wood, that folds over on itself where the wood ends.

Carved and painted picture frame holding a coloured photo of the Goose Bay Cannery, behind glass. Each side of the frame has a pole with (top to bottom): seated eagle with wings folded in, downward-facing whale, and an Indigenous man depicted with long braids. Along the top is an eagle with its wings spread, and along the bottom is a sisiutl (double-headed serpent) with a central face of a supernatural being.

Wooden bovine headdress (or helmet mask). Carved from wood and covered with cloth and glass beads. The entire mask is decorated with bright blue beads, with eyes of red and white beads, nostrils and lips in red. The muzzle tapers somewhat between the head and nose, with the mouth open, exposing large block teeth and a tongue. There are small rounded ears, and two long horns that extend toward the back. There are short lengths of cord knotted at the back.

Tunic covered in beadwork. Short-sleeved, box-shaped, high neck with round neckline, and an open back with two ties at top and bottom. Neckline, sleeve cuffs, and hem edged in red. Beadwork is light blue, white and yellow in overall open net-like diamond pattern, with elongated, vertical, diamond patterns at both sides, repeated in small on the sleeves.

Beaded necklace with metal ornament hanging at the bottom. The necklace is composed of two strands of beads, featuring alternating sections of orange and white divided by a single blue bead. At the bottom hangs a small rectangular beaded panel with four repeating blue and orange triangles. Attached to the bottom of the panel, hangs a shaped piece of metal. The upper half is a half circle that joins into a stem-like projection. The whole metal piece has a thin, outwardly extending sharp point, running down through the centre.

Beaded necklace with six layers of square beadwork panels attached together at the centre. The first and third panel each have a three by three grid, second and fifth panel each have a hexagon, fourth panel has a hexagon-like shape with two triangular protrusions, and the sixth panel has a hexagon shape with one triangular protrusion. There are six ties running horizontally through the necklace, creating raised lines of beading. These horizontal pieces are mostly beaded in white, with a section of vertical stripes: red, green, black, yellow, black, green, and red. The fibre ties extend out on both sides, and have red colouring near the beadwork and at the ends, some of which are knotted.

Hunter's tunic (part a) with matching hat (part b). Tunic made of bright blue cloth. Rectangular black leather patches are attached all over, with long, thin strips of brown leather knotted to both sides, creating fringes. A few pieces are dyed red or green. White cowrie shells outline the neck, and are sewn in lines on the tunic. There is a five-sided pocket on the front, centre - with the three stitched edges lined in cowrie shells. The bottom edge is unfinished, and somewhat fringed from unravelling fabric. Small horns and small mirrors inset in leather are attached over the tunic. The woven hat has a circular mirror inset in leather between two curved horns at front, centre. A single row of cowrie shells lines the bottom edge.

Hunter's tunic (part a) with matching hat (part b). Tunic made of brown cloth. Rectangular black leather patches are attached all over, with long, thin strips of leather knotted to both sides, creating fringes. White cowrie shells outline the neck, and are sewn in lines on the tunic. Small horns and small mirrors inset in leather are attached over the tunic. The woven hat has three black leather patches with long, thin leather strips knotted on either side, evenly spaced on sides and back. At front, centre - there is a circular mirror inset in leather between two small horns. A single row of cowrie shells lines the bottom edge.