A red lacquer model temple (part a) with a roof (part b). The temple (part a) has three sides closed with glass and one shaped arch opening surrounded by a fence along both sides which leave an opening in front of the shaped arch opening and on its opposite side. The roof (part b) tapers upward along all four sides to a smaller square top at the centre. There is a bronze bell at each of the four corners of the roof (part b).

Folding paper hand fan with bamboo ribs. One side is painted with the image of a male figure in a rain cape walking by a stream with tall blades of grass in the foreground; backside is plain. A wristlet made from a thin green cord with a green bead at one end is attached to the bottom of the fan.

Necklace of beads, eight beavers and a George Washington Peace Medal. Necklace strung on string. The pattern starting from the centre back to the medal at bottom centre is one clear bead, one red, one clear, 26 mottled red, a beaver, one blue, three red repeated three times, followed by one blue bead and four red. The medal is oval. Engraved on it is a tree with a First Nations man with pipe and a man of European descent. Engraved below is “George Washington, President 1793”. On the back of the medal is coat-of-arms of the United States, together with engraved motto “e pluribus unum”. Maker’s mark stamped at bottom of medal. Maker’s mark also stamped on each beaver.

Seated female figure representing the Japanese empress (part a) dressed in imperial costume. Elaborate headdress of gold-coloured metal and beads. Predominantly red-orange and white. Stand (part b) is wood in the shape of a book covered with green cloth and having orange and white binding.

Three-dimensional male humanoid puppet: large head (part b) fits into body with vest and skirt (part a), and a control rod (part c) with a long shaft passes through the body and fits into the neck of the figure's head. The body has jointed arms, each with a long controlling rod attached. The figure has a gold painted torso and arms. Hands bent back at right angles, fingers slightly curved upwards. Face painted white, with narrow straight nose, slit-like eyes, with lowered lashes and narrow red mouth. Face cast in downwards gaze. Cap-like headdress and with elaborately carved gold jamang, topped by garuda (bird-shaped ornament); also with upper sumping and ngore. The figure is wearing a black velvet vest with a beaded star-shaped pattern on chest and a gold sequin at the centre. The beads are clear with a frosted finish, and green. Dark red velvet beaded apron with three star-shaped, clear sequins and metal beads in a T-shape at the centre. Light purple, orange, yellow and off-white batik skirt.

Long white blouse with embroidery and attached petticoat. The blouse has a keyhole neck opening with hand finishing and ties of twisted fibre. The bodice front has vertical black, red and yellow embroidered bands from shoulder to waist and embroidered and beaded bands at shoulder edge. The long set-in sleeves have underarm gussets and no shoulder seams. There is embroidery and beading from cap to cuff and are gathered into embroidered and beaded cuffs with hook and eye closures. The embroidery is of stylized vines and flowers in 'tent' stitch. A plain petticoat with a selvage hem is attached below the waist.

A woman’s headdress consisting of a crown and a broad panel that hangs down along the back. It is shaped from a piece of coarsely woven dark brown and blue textile and is heavily decorated with cowrie shells, red and white glass beads, and embroidery. The crown portion is embellished with closely-spaced rows of cowrie shells and a central strip of geometric shapes formed from red and white glass beads. There is a large brown and orange pom pom at the centre back. The “tail” is decorated with scattered small buttons of various kinds and small silver diamond-shaped ornaments. A costume jewelry brooch (gold with red and blue stones) is pinned in the centre. There is a strip of embroidered geometric shapes at the end of the “tail", and the bottom edge is finished with a braided fringe formed from the warp threads of the textile.

Blue lace making pillow, fully set up for lace making, with work in progress. The pillow is square with rounded corners, tightly stuffed with grasses or straw, covered with blue linen textile. A parchment lace-making pattern is pinned into position on the pillow; there is a length of finished lace, the near end of which is still in process. Approximately 60 threads and bobbins are attached and approximately 125 steel pins hold the thread in position on the pattern. Twenty-one spare bobbins are held in a pocket on the right hand side. A triangular pin cushion holds extra pins.

Long white blouse with embroidery and attached petticoat. The blouse has a wide neckline gathered onto twisted red and white cord, tied at center front. There are two vertical bands of red embroidery down the upper front and back. The long raglan sleeves have underarm gussets and multicoloured embroidery and beading from shoulder to cuff. The embroidery has stripes, floral and geometric motifs in cross-stitch, tent stitch, chain stitch and satin stitch with glass beads and gold metallic thread incorporated into the designs. A plain petticoat is attached below waist; the hem trimmed with lace made by pulling and reworking threads. The seams have decorative hand stitching.

Long cream blouse with embroidery. The blouse has a keyhole neckline with embroidered trim, hand finishing and ties of twisted fibre. The long sleeves have underarm gussets and lace trim (made by pulling and reworking threads). The embroidery is arranged in vertical bands on the upper front and back and sleeve ends. The bands have black stylized vines and red flowers in tent stitch and cross stitch, worked with heavy thread. The plain petticoat is attached below waist; machine-stitched hem.