Square bag made with cotton appliqué. The surface is decorated with an orange square border followed by four concentric squares in orange, light orange, green and white. The middle has a dark blue cotton square with multi-coloured stripes embroidered in various patterns. Central square is bright orange. Arranged symmetrically at corners of appliqué design are small semi-spherical silver ornaments, two of which have a string of white shells, a blue bead and brown seeds hanging down. Tassels of multicoloured wool, strings of white-glazed clay beads, brown seeds, shells and squares covered in multicoloured thread hang from two corners of bag face. Two ends of black looped strap form sides of bag; finished off in orange appliqué and multicoloured tassels on the bottom edge.

Standing wood figure (ibeji) with black, disc-shaped, beaded waistband (discs of horn?). Head is capped with a conical headdress. Cap is decorated with two sets of vertical ridges and the back with four. Nine scarification marks radiate from and point downward from the navel. Extended arms have hands touching thighs. Has very short legs in relation to body and the feet are extremely large. Stands on circular pedestal. Body and base is heavily encrusted with red earth, and cap has traces of indigo. Has worn camwood patina.

Standing wood figure (ibeji) with large head wearing a cross hatched cap and loincloth. All facial features and breasts are enlarged. Pierced ears. Three vertical scars on the chin and three pairs of vertical scarification marks on cheeks with four horizontal ones below. Arms are extended with hands touching thighs. Black glass bead bracelet surrounds figure's right arm. Back bone is indicated by deep incised line on the back. Figure has short legs and large feet. On a base.

Standing wood female figure (ibeji). Elaborate headdress. All facial features, breasts, and ears are enlarged. Ears are pierced. Three vertical scarification marks on cheeks, and chin, and four horizontal ones on the cheeks. Arms are extended with hands touching thighs. A black glass bead bracelet hangs from the figure's left wrist. Backbone is indicated by deep incised line in centre of back. Has short legs and large feet. Stands on a plain circular pedestal. Grooves on figure are filled with red earth and in hair are traces of indigo.

Pouch of red wool with six sides and a blue ribbon border with white beads along the edge. Two beads lie flat and a third on edge. On one side there are is a four-petaled flower design in the centre, surrounded by concentric circles of different coloured beads, some in a zigzag pattern forming the otter design. Outside the circle there is a double-curl motif. On the other side there is a series of diamond shapes in the centre, surrounded by the "otter" design and the double curve motif. The beads are sewn on by the 'lazy stitch' method, the beads are threaded and looped to the material every sixth bead. The interior is lined with tan fabric.

Spoon carved from one piece of black mountain goat horn with a humanoid face inlaid with brown glass (?) carved at the junction of the bowl and handle. The handle is carved with transverse parallel lines.

Deep red-brown wood bowl in the shape of a seal. Shaped as a smooth, rounded seal's head at one end with inlaid oval abalone shell eyes surrounded by a carved tapering oval, a nose that has inward bored circular nostrils with a vertical ridge in between, and an open mouth showing a tongue. The other end is shaped as a tail enclosed by u-shaped piece representing flippers consisting of a central shell inset ovoid and three horizontal bands with eight, nine or ten small circular insets. Flipper design carved at each side behind the head consisting of a central shell inset ovoid, a split u, and four curvi-linear lines with four or five small circular insets along the upper three. The tail is also outlined by small circular insets. In between the side flippers and the back flippers, there is a central shell inset ovoid. Flat rim is inlaid with nine opercula. Back of seal is concave, forming a dish. Carved areas are inlaid with opercula, abalone, and beads.

Wood bowl in the shape of a seabird, probably a loon, with the neck extended outward and forward and the back hollowed to form a dish. The bird has circular abalone shell inlaid eyes surrounded by a plain tapering oval and a beak covered with red ochre. The body of the bird is painted black with eight oval opercula inset around the rim. On the upper surface of the tail, there is a face design that has small white circular inset bead eyes surrounded by an oval and a tapering oval, a nose, and an open mouth coated with red ochre showing four plain teeth.

Standing wood male figure (ibeji) on round base. Figure has a long trunk and arms on short stocky legs. Arms are at the sides. Has protruding stomach, nipples, buttocks, and genitalia. Large head with facial features in relief of large protruding eyes having incised eyelids. Arranged on each cheek, there are seven incised notches with three at the forehead. Large pierced ears placed far back on head. Earring of strung white shell(?) beads and one jasper disc. Tall pointed four-sided headdress with knob at top is patterned with incised lines, of which the recesses are filled with indigo. Arm on the right has plain silver bracelet. Two strings of dark horn beads at waist. Necklace of blue glass(?). Incising at back of head, spine, and stomach. Carved wood piece with dark brown patina and red camwood paste in areas.

A grass necklace consists of four chains of small circles of braided grass. At each end, the chains are combined to form two short ends. These are finished by tying on two, 3.5cm. long strings of multi-coloured glass (?) and metal (?) beads strung on a fine twined piece of grass to form the neck ties.