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Panel Bag2009.9.28

The Elizabeth Cole Butler Collection.

Culture
Plateau
Material
glass bead and cloth
Made in
“Plateau and Western Oregon” ?
Holding Institution
Portland Art Museum
View Item Record
Moccasins2009.1.28a,b

The Elizabeth Cole Butler Collection.

Culture
Cheyenne
Material
leather, rawhide hide and glass bead
Made in
“Plains” ?
Holding Institution
Portland Art Museum
View Item Record
Moccasins2009.1.27a,b

The Elizabeth Cole Butler Collection.

Culture
Sioux and Assiniboin
Material
leather, rawhide hide and glass bead
Made in
“Plains” ?
Holding Institution
Portland Art Museum
View Item Record
Vest2009.1.25

The Elizabeth Cole Butler Collection.

Culture
Plateau
Material
glass bead and cloth
Made in
“Plateau and Western Oregon” ?
Holding Institution
Portland Art Museum
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Child's Moccasins2009.1.21a,b

The Elizabeth Cole Butler Collection.

Culture
Sioux and Assiniboin
Material
leather and glass bead
Made in
“Plains” ?
Holding Institution
Portland Art Museum
View Item Record
Moccasins2009.1.19a,b

The Elizabeth Cole Butler Collection.

Culture
Blackfeet
Material
leather, rawhide hide and glass bead
Made in
“Plains” ?
Holding Institution
Portland Art Museum
View Item Record
Wedding Veil2009.1.8

The Elizabeth Cole Butler Collection.

Culture
Wasco
Material
glass bead, leather, dentalia shell, cowrie shell, metal coin and metal belt
Made in
“Plateau and Western Oregon” ?
Holding Institution
Portland Art Museum
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Blanket2009.1.7

The Elizabeth Cole Butler Collection.

Culture
Blackfeet
Material
wool, glass bead and leather
Made in
“Plains” ?
Holding Institution
Portland Art Museum
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Doll2009.1.6

The Elizabeth Cole Butler Collection.

Culture
Lakota
Material
leather, wool, cotton cloth and glass bead
Made in
“Plains” ?
Holding Institution
Portland Art Museum
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Amikuk Mask2006.10

Phillip Charette, whose Yup'ik name Aarnaquq was handed down in his family, is an artist who sees inspiration in traditional forms and creates visually potent statements using a variety of contemporary media. Historically, Yup'ik shamans used Amikuk masks in their healing ceremonies as a portal to travel into the spiritual world. Although the traditional style of Yup'ik mask was carved from wood, Charette uses a range of ceramic techniques to achieve the desired results and even models the clay to simulate the adze marks that appear on the surface of wooden masks. He researches every detail and each aspect has a symbolic reference. For example, the white paint around the eyes represent snow goggles and the red on the lips and interior of the nostrils represents blood, signifying the mask's strength, while the porcelain teeth are a reminder of the dangerous and powerful beings that inhabit the spiritual world.

Culture
American and Yup'ik
Material
raku, horsetail fired clay, porcelain, glass bead, red oak, feather, rawhide hide and paint
Holding Institution
Portland Art Museum
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