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Quilled Shot Pouch50.67.16

Decorated bags similar to this in size are sometimes referred to as "firebags" or "shot pouches" because they often held tobacco, flint and steel or a piece of touchwood for starting fires. This hide pouch combines elements of floral design and geometric patterns. Only one side of the pouch is decorated. The top of the pouch is quill embroidered with three simple foliate forms that contain alternating stems from which emerge bi-lobed leaves. The three plants grow from a crescent shape, a shape that may be read as a seed pod. Two quill woven strips that contain geometric forms are attached to the pouch. Both of these strips have white grounds with four major design elements on each, interspersed with small triangles and crosses. The top strip starts at the left with an eight-pointed star which is red at the center, then outlined in white on a brown field, outlined in turn in pink and the outer edge bordered in blue. The second element is also eight-pointed, as if a square and diamond are combined. At its center, a brown rectangle is surrounded by a larger rectangle of orange and red, then a white border, a blue border, then a pink border with projections at right and left, still another blue border, a white border, and finally, a brown border as the outer edge of the same form. The third element design is the same as the second and the fourth form is the same as the first. On the second, woven loomed quill strip, the first form on the left is an eight-pointed star with a brown and red checkered rectangle at center, surrounded by a white border on a blue field, surrounded in turn by a pink border, and then finally outlined in brown. The second form is irregular and may be described as a vertically oriented rectangle with a pronounced point emerging at right and left. At the center is a reddish strip, bordered and crossed horizontally in white, on a brown field that is surrounded by a blue border, then a pink border, a brown one, a white one, and then a final blue outline. The third element is the same as the second and the fourth is the same as the first. See supplemental Jarvis file in Arts of Americas' office.

Culture
Cree, Cree-Metis and Salteaux
Material
hide, dyed porcupine quill, deer hair, glass bead, thread and fur
Holding Institution
Brooklyn Museum
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Garter50.67.37d

This garter is loom woven probably without the use of a heddle. It has both the warp and weft made of thread with small seed beads. The beads are patterned with long lines of diamonds in black, yellow, and lavender. See other garters 50.67.37 a,b,c.shown in additional photogrpahs.

Culture
Chippewa, Hochunk and Plains
Material
thread, yarn and glass seed bead
Holding Institution
Brooklyn Museum
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Woman's Beaded Dress46.181

This Yakama dress was part of the Louis Comfort Tiffany art collection exhibited in a special Native American gallery in Laurelton Hall, his Long Island home. Tiffany was especially interested in collecting Native American baskets, totem poles, pottery, and dresses from peoples of the Plains and Northwest Coast regions. The elaborate bodice, although heavy, belies its bulk with the gracefulness of the shoulders and the wing forms for the sleeves. The curvature of the dress shape emphasizes the swaying of the fringe that would occur as the woman moved in the dress. Overall, the dress is in stable condition. The skin remains strong enough to support its beaded bodice. There were 6 bead-string breaks that were restrung onto cotton thread and stitched back into the dress by Conservation. The original vegetable fiber strings remain tucked away into the dress for research purposes. Special care is needed whenever handling this dress because of the fragility of the remaining vegetable fibers that hold the bead arrangements together.

Culture
Yakama
Material
buckskin, glass bead and metal coin
Holding Institution
Brooklyn Museum
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Saddle Bag (Atlsa Asisi)03.325.3768

Museum Expedition 1903, Museum Collection Fund

Material
hide, glass trade bead and cloth
Holding Institution
Brooklyn Museum
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Split Horn Headdress11.694.9050

The front of the headdress has a beaded headband in blue and white. From under the headband, trailing down the back is dyed red horse hair. Two long horns (beef horns) are on either side. A roach of bird skin and feathers is fastened to center of horsehair trailer. Four bands of dyed feathers are attached to a red wool trailer faced with cotton fabric that hangs down the back of the headdress. According to Sean Standing Bear 10/24/2000) the small concentric beaded circles on either side of the headdress are 'eyeballs.'

Culture
Osage
Material
horn, horse hair, rooster feather, hawk birdskin, hide, glass bead, fur, silk, wool, cotton and sinew
Holding Institution
Brooklyn Museum
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Necklace2008-208/5

The glass bead is blue.

Culture
Tlingit: Kake
Material
glass bead
Holding Institution
The Burke: University of Washington
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Necklace2008-208/4

The glass bead is blue.

Culture
Tlingit: Kake
Material
glass bead
Holding Institution
The Burke: University of Washington
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Necklace2008-208/3

The glass bead is blue.

Culture
Tlingit: Kake
Material
glass bead
Holding Institution
The Burke: University of Washington
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Necklace2008-208/2

The glass bead is blue.

Culture
Tlingit: Kake
Material
glass bead
Holding Institution
The Burke: University of Washington
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Basketry Bag ~ Miniature | Pendant2002-72/77

The glass bead is pink.

Culture
American
Material
cedar root, cedar bark, thread, glass bead and leather
Holding Institution
The Burke: University of Washington
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