Round shallow dish broken, reassembled, and repaired. There are several visible cracks and one large missing piece at rim. The rim consists of eight foliated bracket-shaped lobes. This foliated effect echoes in the cavetto design of eight moulded double panels. Each panel contains emblems which are faintly discernible. The exterior surface is plain. Glaze is thickest around the rim. Centre has grit and sand integrated into the glaze. The foot ring is unglazed and shallow and there is a set of inked letter and numbers on the underside.

Miniature blue and white bowl with a very slightly everted rim and a bevelled foot which is contiguous with base. Ring of underglazed blue chrysanthemums and wind blown leaves around the rim. Body is thinly glazed and base is unglazed. An adhesive with inked letter and numbers on the underside.

A miniature blue and white bowl with everted rim and a prominent foot which is squarely cut. The exterior surface is decorated with two sprays of chrysanthemums with spiral centres and windblown leaves. A single chrysanthemum adorns the centre while a leaf-like motif circles the interior rim. All decorations are in underglazed blue. The foot ring is shallow and bevelled. The centre of the bottom raises to a peak. Left unglazed, the foot ring and underside reveal a buff-coloured clay body.

A ceramic bowl that has a steeply rounded form with an everted lip. The white porcelaneous body is grey-brown with iron specks where fired. There is a high foot which has an unglazed foot rim. The base is conical, and glazed. Interior has a floral motif in the centre, sketchily painted underglazed in bright blue, and two blue lines at junction of bottom and wall, one just below lip. Exterior has six separate, freely painted but similar, scrolling leaf, petal and vine motifs in bright underglaze blue evenly distributed around bowl. The thick grey-white glaze has numerous bubbles with iron specks and bare spots and pools into thicker white over painting, greying the blue tone.

Bead with slightly flattened ends. Overall pattern of concentric chevrons.

String of ceramic and glass beads. The ceramic beads are glazed with black lines, and the glass beads are black and white bands, with one that has concentric yellow and red amorphous shapes.

Jar with slightly rough brown-green glaze that stops just before the foot, rounded sides with vertical,elongated, indented areas emerging from the neck and base. The jar has a short foot and neck, with a slight lip at the mouth.

Box made of clay with base (a) and lid (b) that both have ten side panels. Both the lid and the base are glazed with dark grey and blue-grey triangular and leaf patterns bordered by lines on a light blue-grey ground. There is a small peak at the centre of the lid. The glaze is iron-speckled; the foot rim and base are unglazed, and there is a pontil mark on base; the box is glazed inside, and the lid is not. Junctions of panels marked by double lines in underglaze iron black.

Satsuma ware ceramic tea caddy (without its lid). Cylinder slightly incurved to flat unglazed string cut base displaying red-brown body. Matte, brown-flecked green glaze, of an orange peel consistency, pools to dark brown on the flat shoulder then ends short of the base in streaks and thick pools of green and yellow-white.

A small ceramic box in the shape of a flattened sphere. Flat unglazed base with minimal foot ring. A dense, glassy, blue-white translucent body. Box is vertically ribbed to foot, and lid vertically ribbed to junction with flat top. Top (part b) patterned with spray of moulded lotus leaves. Light yellow-white thin translucent glaze falls irregularly toward foot ring, pooling into deeper yellow drips. Interior dressed in white slip.