Brown clay seated figure with hollow back. Formed facial features, open mouth, decorations around neck and chest and protruding belly. Hands resting on rounded belly. Sitting with knees bent. Some red slip remains.

Red-brown whistle with white slip. Hollow, rounded form with projecting mouthpiece and flat bottom. Two small holes in form, hole at mouthpiece, and round hole cut at bottom. Some modeling and incising at back. Whistle in the shape of an animal head, possibly a wild pig?

Two figures on boat-like base in black-finished clay. Figures have pinched faces, female torsos, wing-like arms, and hair knots, each with an added piece. Eyes are perforated. Markings are incised. Boat-like base has incised lines decorating edges.

Jar made of grey-white, coarse-grained clay. Blue-green thick, glaze covers entire surface. Flat base, cylindrical shaped body, turns inwards only slightly leaving a wide-mouthed vessel with a flat rim, separated from the body only by a shallow groove. Near the top of wall are two small pierced lugs. A vertical band in relief decorated with three grooves is situated under each lug. Surface badly worn and gouged.

Jar, made of cream, fine-grained clay with a few dark grits, hard-fired and light-weight. Exterior carefully smoothed. Black, thin, matt paint on a cream slip. Pyriform vase with a flat base and three vertically projecting, triangular shaped handles. Body narrows markedly toward bottom. Globular upper portion is covered with three rows of a black, scale-like pattern. Paint on neck and one band on top surface of rim. A broad band appears on the inside below rim.

Bowl made of Light orange clay, fine-grained with a very large amount of medium-sized flakes of gold mica. Dark red, thick and fairly glossy glaze, but badly worn. Low ring foot, straight flaring walls end in plain slightly thickened rim.

Jug made of light brown, very fine-grained clay. Red wash and black lustrous paint. Very articulated form imitating metal work. Flat base with one shallow groove on underside. Wide tubular lower portion with domed cap with protruding flat ledge, tall narrow neck, long curving spout, tall vertical handle rising above top of vessel. Base, lower portion of body, most of neck, spout and handle are solidly black. On domed top is a reclining female figure, wearing long chiton and jeweled collar. Hair is gathered into a large knot on top of head and partially covered with a headband. Left arm is extended behind her. Right arm is held in front of her with a metal bowl in right hand. Subsidiary decoration consists of a palmette at base of handle, stylized lotus blossoms on domed area and one floral decoration in white paint on tubular portion of body.

Lekythos vessel in fine-grained, light orange-buff clay. Black semi-lustrous glaze and red-brown and white thin matt paint. Low, plain ring foot, squat ovoid body narrowing towards top, short, very narrow neck, large trumpet mouth, vertical ribbon handle from neck to upper part of body. Background is black-glazed, mottled to red on mouth, black, vertical uneven strokes on neck, large palmette under handle, half-palmettes on body frame a female head in profile. Thick curly hair rendered in black is partially covered by a head-scarf. White dots on neck, ears, and in hair to indicate pearls. Facial details added in red-brown and black paint. Style is cursive and impressionistic.

Brown raku tea bowl with curved lip has black spattered brown interior. Exterior has glaze dripped down halfway in lighter brown with black flecks. Bowl has unglazed foot and small lower section.

Clay jar with rounded shoulder with blue stripe; narrow rim. Light brown crackled glaze over all. Several unglazed patches, pits and one gouge near base. Unglazed base has uneven rim and patches of glaze which show light green tinge.