Shiwan stoneware figure of Li Tieguai, the Daoist immortal who represents the sick and poor, dressed in beggar’s clothes and seated, with hands on his right knee, on a large double calabash gourd (hulu), glazed in copper red. The male figure is partially wrapped in a white blanket, and wearing a white knotted headband. Underneath him is a long crutch. The piece is hollow and stamped with the artist's seal along the bottom edge. Characters written along interior.

Pottery horse with partial sancai (three colour) glaze. Off-white standing horse with the saddle area and nose glazed in sancai colours of red and amber. The horse's head is slightly turned to the left, and it wears a green saddle on a chestnut coloured blanket. Red decorations across saddle. Predominantly unglazed body with areas of chestnut brown on the nose and forehead, and green and brown on the saddle. The horse is standing four-square on a rectangular base and has a short tail. Body is hollow.

Tang-style, sancai (three colour) glazed horse and female rider. Most of the horse and rider are glazed with amber, green and yellow, however the head of the rider is unglazed. The chestnut coloured horse has its head turned and is wearing a green saddle and blanket. The female rider is seated, wearing a chestnut coloured shirt and pants, and a green vest. The horse is standing four-square on a rectangular base and has a short tail. The horse body is hollow.

Sancai (three colour) glaze pottery court figure on an irregular-shaped base. The slender standing figure is wearing long court robes while slightly turning to one side, her face round with a double chin and high chignon, a scarf over her long amber dress reveals two upturned shoes. The glaze is predominantly brown, green and yellow tones. Figure is hollow.

Square ceramic tile with pomegranate motif carved in relief across front. Surface is glazed. Background is painted black, with a green tint. Three large pomegranates are growing from curving branches, that extend from top edge of tile. Leaves and offshoots, from same branches, decorate rest of surface. All are coloured dark green. White marks throughout design, highlighting veins in leaves and stem remnants on pomegranates. Five vertical ridges on back of tile. Manufacturer’s mark, Maw & Co., stamped between ridges.

Square ceramic tile with floral motif painted on front. Surface and sides are glazed. Background is off-white. Plain yellow border along edges, next to thinner band with black dots throughout. Central design of an ornate vase full of flowers. Vase has a wide opening, rounded shoulder, tapering base and flared foot. It is off-white and decorated with yellow, black and purple-red bands full of linear, geometric and curvilinear motifs. Three large hibiscus flowers extend from the vase, towards the top of the tile, and the left and right sides. Flowers are white and dark purple-red, with yellow centres. Offshoots of leaves, berries and smaller flowers fill rest of space. Most are done with black stippling, with larger leaves painted green and dark purple-red near the top. Raised grid across entire back of tile. Handwritten inscriptions on back.

Shiwan style pottery figure of the goddess Guanyin, the Buddhist bodhisattva of mercy in female form wearing long flowing priestess robes, glazed in celadon. She is standing and wearing a long, full light blue hooded robe, holding a baby boy in her left arm. She wears a golden brown headdress, with green gems, and a matching necklace. Figure is hollow. Interior has maker’s seal, impressed signature, and is signed by the artist.

Square ceramic tile painted dark teal with different designs overtop. Surface and sides are glazed. Entire background is dark teal with black dots throughout. Light blue quarter circles in each corner, with scalloped edges and curvilinear motifs inside them. Motifs done in white and light yellow. Small white and light blue flowers, with yellow centres, across surface, with three large circles towards centre of tile. All circles have a black border, off-white background and central light yellow design. Circle towards the left side has a fish, with curved lines and dots in the background. Motifs are done in light blue, imitating water. Circle towards the top has a flower with multiple black offshoots. Additional light blue offshoots in background. Last circle, towards right side, has a flying crane with light blue stalks in the background. Raised grid across entire back of tile. Manufacturer’s mark, Mintons China Works, stamped diagonally between squares.

A mixed media sculpture consisting of a Chinese-style blue and white ceramic plate with robotic prosthetics along the top and bottom edges. Plate has a concentric diamond pattern along border, with fruits designs inside curvilinear motifs throughout; cheek is undecorated. In the well, two robed figures are depicted standing on a terrace; sun, building and vegetation are in the background. Top edge of plate is partly squished by a triangular attachment from the top robotic prosthetic; attached to the main body with black cables. Both prosthetics are yellow with white stripes and grey panels. Top prosthetic has two silver-coloured jacks and two white, grey, and black blades extending from the left side. Bottom prosthetic has a black grill with two silver-coloured vents. Edition number painted on front of bottom prosthetic; artist signature and date made on back.

White ceramic sculpture of five upright baby-like standing figures, all facing the same direction, in a row. The first four are front sides, the fifth is the backside of the figure. All five stand on a raised base. Made of white clay with a clear glaze, however the base has some black on the side.