Four lobed form with a hammered background. Nakago ana adjusted with chiseling and metal insert; open kodzuka and kogai. Front: man with copper hands and feet, gold belt, sits at right holding a copper fishing pole; his head is turned over his shoulder to a tree growing up the right side, branches spread over the top . Back: one tree branch incised at the bottom.

Oval-shaped sword guard with dark brown patina, four-lobed edge and raised rim. Triangular hole at centre with a three-lobed hole to one side, and an ovoid hole to the other side. One face has a low relief design of a prunus tree with blooms, and the reverse has a prunus tree with scattered bamboo leaves. Some gold overlay. The design includes an open area where the tree branches appear to pass through the hole. Nakago ana adjusted by chiselling and metal inserts; kodzuka and kogai open.

Circular, metal sword guard with triangular hole at centre, ovoid hole to one side, and three-lobed hole to other side. Low relief openwork design depicting a man holding a pike, with copper face inlaid and robe patterned with gold overlaid in zigzags, waves, pinetrees, mountain forms overlaid with gold lines, and a pagoda which is similarly overlaid. The reverse displays back views of all of the motifs seen on the front, and characters are incised on the back of the seppa dai. Nakago ana adjusted with metal inserts. Open kodzuka and kogai. Characters incised on seppa dai.

Oval metal sword guard. Guard is smooth and has a patina; polished shakudo seppa dai; open kodzuka and kogai. Front: man in sunken relief sitting right centre under a tree. He has face of inlaid copper, hat, sleeve, and knee of overlaid gold. He is reaching toward head of a writhing fish-dragon gazing up at him. The fish dragon's body is coiled and reappears at the top of the guard. Back: incised cloud forms with touches of gold overlay.

Four-lobed form with irregularly hammered background. Has an overall patina; nakago ana has chiseling and copper insert for adjustment to the blade; open kodzuka, no kogai. Front: at bottom in high relief a leopard looks upward to a bamboo in low relief growing up the right side and across the top; leaves overlaid with gold. Back: at bottom centre, several broad curved gouges and a series of dots suggest leopard's claw and pad marks; two gold and copper spots inlaid.

Oval-shaped metal sword guard with triangular hole at centre and ovoid hole to one side. Low relief depiction of a male figure with a hat and sword in profile on one face. The figure's face is copper inlay, the beard is incised, and the hat is gold inlay. Incised tree with one branch on reverse. Made of shicuichi (bronze and silver alloy), open kodzuka, no kogai.

Oval, metal sword guard with four-lobed edge, triangular hole at centre, and ovoid hole to side of centre. Surface slightly raised above rim on both sides, overall brown patina, lightly hammered background. Low relief design of a farmer with overlaid gold clothing standing on a road and holding a rope that is attached to a bronze inlaid water buffalo with overlaid gold bales on its back. The buffalo stands in shallowly incised swirls of water with gold and copper water plants. At top an incised line of mountain peaks with three inlaid copper snow drifts. Back: at bottom left an incised swirl of water, scattered with copper blossoms. Open kodzuka, no kogai.

Four-lobe shaped metal sword guard with raised gold rim, nanako (minute raised dots) background; seppa dai of highly polished shakudo, unsigned, shows chiseled adjustment marks; open kodzuka, no kogai. Front: pattern of chrysanthemums, cherries, and butterflies, in low relief overlaid in gold, stems in polished shakudo. Back: similar pattern.

Circular, metal sword guard with circular shape, triangular hole at centre, and ovoid holes to either side. Edge is ribbed. Low relief motifs both front and back include waves and carp at bottom, writhing dragons on either side, and a pearl above which moves freely within a flaming halo. The carp, dragons and pearl are overlaid with gold and all connected by openwork vines which are undercut. Ana, copper insert at base; seppa dai, undecipherable characters. Incised; both kogai and kodzuka openings.

Outside has two designs inside a circle like a broken key, and two scenes. One scene has two men sitting under a tree, one man is reading a scroll, and three mountains in the background. The other scene has water, three mountains, house, trees and clouds. Between scenes and designs is a red cloud pattern on gold. Bottom has a raised rim and around the rim is a red and gold plantain design. Everted rim at mouth with red band inside. Inscription of four red calligraphy characters on underside of base.