Red gold and black human figure (part a) sitting cross-legged on a lotus flower--figure wears a headdress, flowing, open robes, and has both hands laid palm-up, one on top of the other, in her lap. Figure has a large rectangular hole on the back exposing the cavity within. Figure sits on a square red wooden base (part b)--faded paper glued to the front of base features an inscription that reads: "...commonly called The Goddess of Mercy...."

Seated, throned, male human wooden figure. Figure wears a hat-like object and flowing, open robes. Gold leaf(?) and red paint are visible in spots. Large piece of paper glued to the bottom carries an inscription: "A god from the temple of the soogenii at Canton, China, obtained when the temple was being demolished. 1923/donated by/Stewart ...."

An onament made of an elaborately knotted pink cord with a bell and two tassels attached. Above the bell, there is a loop, below which, there is a lozenge-shaped flat knotted shape. Below the bell, there is a smaller looped pattern. The bell is spherical with a slit in the bottom half. The bell is silver-coloured with inlaid discs of blue, purple, blue-green, and yellow enamel each with a Chinese character, and with lines of dots of the same colours in between. The two tassels are attached below the second knotted design. They have multicoloured strands and are wrapped at the top with gold thread that has a pattern picked out of the tassels’ strands on the surface of each wrapped area.

A small flat bag made of dark blue silk damask with an overall pattern of lozenges and small circles. At the top, the blue silk is folded inside where it is sewn with an invisible seam to the white cotton lining. Main body of the bag is shaped like a vertical rectangle with triangular projections on both sides created by folding and holding the folds in place with a circular pink cylindrical cord. The cord ends at the front with elaborate knots, culminating in five loops. Fastened to the three centre loops, there are stuffed triangles, one each of pink, yellow, and light green silk. Attached to the lower edge of each triangle, there are three, four, and five tabs, respectively, of silk fabric in various colours. Each triangle is embroidered with floral motifs and each has pompoms on the side points. The tabs fastening the top point of the yellow and pink triangles to the cord are wrapped in strips of silver and gold paper, respectively.

A small flat bag made of light blue-green and burgundy silk damask embroidered on both sides. At the top, the light blue-green fabric is joined to a red silk lining with an invisible seam held flat by groups of very fine stitches. Main body of the bag is shaped like a vertical rectangle with triangular projections on both sides created by folding and holding the folds in place with a pink cylindrical cord. The lower edge and the triangular projections at the sides of the bag are made of the burgundy silk which has been appliquéd onto the other fabric. Many motifs are embroidered onto the bag, all of which are heavily outlined in bright gold couching, sometimes with double threads. Motifs include stylized waves and rocks on the burgundy part with a swastika on each side at the bottom centre. On the pale blue-green part, there is a stylized Chinese ? character on each side at the top, below which, there is a fungus-like shape on the back. On the front, there is a stylized Chinese ? character, below which, there are two fungus-like shapes. Below this, there are two Chinese ? characters and a fungus-like design coming out of a rainbow-patterned circular form. The pink cord is worked into an elaborate knot ending in four loops and two knotted ends at the front and is knotted forming double loops on the back.

Necklace with handmade silver beads and seven gold-coloured solid crosses along the bottom. Each cross has zigzag engraving and is separated by four beads. The cross in the middle is slightly larger. Each cross has a maker's mark.

A small round bag made of red silk damask lined with white cotton fabric. Top of the bag is closed with pleating threaded onto two red cords joined at the ends with elaborate red, and gold knots and four tassels, two at each end. Two tassels are light green and pink while the other two are dark blue and yellow. All tassels are wrapped with gold thread at the top. Each tassel thread ends in a tiny circle. The upper edge of the bag is folder under to join the white cotton lining with an invisible seam. There are embroidered designs, some with gold couching, on both surfaces of the bag. On one side, there are four Korean? characters in different colours, below which, there are floral images. Below them, at the centre, there are two birds facing each other on a rainbow pattern. The other side of the bag is embroidered with pink and yellow flowers on green stems.

Light green damask furisode (振袖) with an abstract floral pattern. The neck and centre opening are edged with a wide patterned band. The sleeves have long hanging panels and an opening under the arms. The damask is woven containing a linear motif. The pattern has flower, leaf and cloud motifs in orange, purple, white, red, gold, blue and green on light green ground. The neck band is lined with cream striped silk and two strings have been stitched to create loops on the inner back.

One of a pair of embroidered panels on a horizontal rectangle of dark pink silk with a backing of yellow paper that is folded towards the front and pasted in place to form a frame. Each panel is finely embroidered with an arch shape open at the top made up of flowers, leaves, and four multi-coloured butterflies, one of which is near the bottom while the other is near the top of the side of the arch shape. One butterfly is in profile and the other with wings spread. The flowers are predominantly in shades of blue and green. Some details are couched in gold thread. Within the arch are four wide v-shapes of embroidered flowers and leaves opening toward the centre of the panel.

One of a pair of embroidered panels on a horizontal rectangle of dark pink silk with a backing of yellow paper that is folded towards the front and pasted in place to form a frame. Each panel is finely embroidered with an arch shape open at the top made up of flowers, leaves, and four multi-coloured butterflies, one of which is near the bottom while the other is near the top of the side of the arch shape. One butterfly is in profile and the other with wings spread. The flowers are predominantly in shades of blue and green. Some details are couched in gold thread. Within the arch are four wide v-shapes of embroidered flowers and leaves opening toward the centre of the panel.