Long bolster cover. Rectangle of pale green cotton cloth has a shiny border stitched to sides and ends made of strips of the same fabric with songket supplementary weft design in gold covered thread.

Ceremonial outer skirt cloth. Songket style, multi-coloured orange and red checked cotton with gold continuous and discontinuous weft patterns and motifs.

Ceremonial skirt cloth (saput). Long maroon coloured cloth, hand woven on a back strap loom with discontinuous warp. The natural dyed silk is single sided and weft faced. Alternating rows of hand wrapped gold and silver thread designs decorate the central panel, framed within a gold border.

Ceremonial cloth in of songket brocade. Warp is red cotton, weft is purple silk, and the continuous and discontinuous supplementary weft is gold wrapped cotton thread. The centre motif of a traditional adat house is flanked by four karabau, or buffalo heads. The framing border of alternating gold filled squares and purple squares with crosses is thicker at the corners.

Ceremonial altar cloth (tok wi). Long rectangle of green silk with imbedded floral patterning is hemmed on three edges and has a border sewn along the fourth edge, consisting of three different strips of fabric hand embellished with couching techniques and embroidery in gold, silver and blue thread. Two edges are lined at the back with strips of an orange coloured silk.

Three gold plated fish hooks (parts a-c). The hooks are currently tied with yellow thread to a square piece of cardboard (part d) titled ‘Gold Fishhooks’.

Three-dimensional wolf head pendant carved from yew on a leather chain. Pendant has inlaid abalone squares around outside edge, and ovals as eyes and inlaid pieces around outer ear edges. Features around lips, inner ears and negative space of pendant are painted red. Copper cut-outs used as eyebrows, sides of nose, tongue, inner ears and claws of front feet. There are also very small circles of copper inlaid between the abalone along the edge. A fine braided leather chain with a gold clasp is attached through a gold fixture on the back of the pendant. Back has seven small holes, six of which contain copper rivets; artist signature Reid-'77.