Wooden book stand. X-shaped when open; collapses flat. The stand has a decorative panel composed of small pieces of painted wood mosaic with gold(?) inlay. The legs have simple scrollwork designs and an unpainted underside.

Illuminated Qur’an, with naskh script written in black ink and pages edged with gold leaf. Covers and spine made of black leather, with raised floral and curvilinear motifs throughout. Long oval in centre of each cover, with stamped motifs. Spine is undecorated. Flap closure attached to back cover. Flap lined in dark red cloth, covers lined with blue-grey paper. Each page of the Qur’an has lines of script, with circular motifs throughout sentences, bordered by simple red, black and gold lines. The first two pages are highly decorated. Motifs done in gold and blue, with pink, yellow, red and grey-green highlights throughout. Designs include plain lines, curvilinear lines, flowers, and hearts. Pink, blue and gold decorative bands divide sections of text. Some pages have floral and star-like designs along the edges. Designs done in pink, green, blue, yellow and gold.

Illuminated Qur’an with script written in black and green ink. Covers and spine made of brown leather, with painted designs on the covers. Front cover has a central oval-like shape, with curvilinear attachments on the sides. Back has an oval-like shape, with scalloped sides. Green floral designs inside of oval. Spine is undecorated. Covers lined with white paper. Each page of the Qur’an has lines of script, with red highlights throughout, bordered by stylized, gold leaf frames. Frames have dark blue lines protruding from all sides. Black and dark blue floral and curvilinear motifs decorate the frames. The first two pages of the Qur'an have additional decoration. The stylized frames have an inner white band with floral and dot motifs. Motifs done in white, pink, light blue and dark green. Some pages have large, green dots along the edges.

Illuminated Qur’an with script written in black ink. Covers made of brown leather, with incised and painted decorations. Spine made of painted cloth. Front cover has a raised, inner border, outlined in black paint on the outer edge and a wide band of gold leaf along the inner edge. Alternating incised lines and dots along the raised portion. Lines done in black, circles in gold. In the centre of the cover is a raised oval, with pointed ends, outlined in gold and black. Black curvilinear motifs across surface of oval, with impressed dots on each side. Dots are filled with gold leaf. Back cover has a raised, inner border, outlined in black and gold on either side. Covers lined with paper. Each page of the Qur’an has lines of script, with floral motifs throughout sentences, bordered by simple black and gold lines. The first two pages are highly decorated. Motifs are done in gold and blue, with pink, red, white and orange highlights throughout. Designs include curvilinear lines, feathers, flowers and arrows. Gold, red and blue decorative bands, with floral motifs, divide sections of text. Some pages have curvilinear designs along the edges. Designs are done in gold, blue and red, and filled with floral motifs. Pencil inscription on last page.

Illuminated Qur’an with naksh script written in black ink. Covers and spine made of brown-red leather, with identical floral, geometric and curvilinear motifs stamped both covers. Spine is undecorated. Edges of covers trimmed with two lines, circles in the corners. Raised, inner border, covered in motifs, surround a long oval. Circles in corners of raised portion. Ovals are filled with floral designs and bordered with curvilinear lines. Two bands, made of three plain lines and circles, extend from the top and bottom points of the ovals. They meet with the inner, raised borders. Flap closure attached to back cover, with matching designs along the surface. Spine of flap has stamped circles and lines. Flap and covers lined with white paper. Each page of the Qur’an has lines of script, with gold leaf and red paint highlights throughout, bordered by simple red and dark brown lines. The first and last page are highly decorated. Motifs on first page done in gold and blue, with dark purple, dark green, yellow and white highlights throughout. Designs include curvilinear lines, geometric forms, star-like shapes and flowers. Motifs on last page are done in gold, dark purple and blue. Designs are circular and curvilinear, text is written in red. Some pages of the Qur’an have characters written in red and black along the edges. Pages are numbered in pencil, in the bottom corners.

Woven rectangular textile composed of three pieces of fabric sewn together. Large ikat centre piece is woven in dark purple-red, light brown, green, and blue. The centre piece is flanked by two pieces of fabric with a red background decorated with intricately patterned gold thread designs.

Brooch of a filigree fish in profile. Fish has a small red jewel-like eye (glass or mineral?). A 25 Kurus Mehmed V coin is inset by the tail. The size and shape of the coin blends with the scales on the fish's body. The coin shows an open laurel wreath with a five-pointed star between the tips at top. In the centre, translated from Arabic "May he be victorious. Struck in Constantinople. 1327", while the reverse of the coin is plain. There are six small metal globules on various points of the fish. The back has a large pin, extending horizontally along the length of the fish.

Diamond-shaped breastplate painted with gold. Cross-shaped metalwork at centre, with five inset polished oval reddish-brown carnelian(?) stones, one at each end of the cross and one at the centre. Around the cross is a diamond-shaped band composed of small plaited chains of metal, then a row of small inset polished circular reddish-brown stones, and then a band around the outer edge of two plaited chains with a snaking line between. At the top is a small hooked attachment. Top edges decorated with attached triangular clover-shaped metal pieces. Bottom edge has a fringe of chains with diamond-shaped ornaments at the end. There are eight tassels, one on each side with two more hanging from long plaited fibres, and two more near the bottom edge. Each tassel composed of a metal cap, from which diamond ornaments hang from S-hooks around the edge, and dark green, dark pink, or dark eggplant purple fibre hangs from underneath with small white beads at the end.

Two piece wedding dress, consisting of a jacket style top (part a) and skirt (part b). Open front jacket with a stiff high-necked collar, made entirely of black silk. There are small slits on the sides and one up the back. Jacket has three frog closures. On either side of the bottom closures there are decorated ties. The jacket is embroidered with gold metallic thread. On the front and back of the jacket there are blooming flowers and vines. Along the top edge of the collar, sleeve cuffs, bottom hem, edges of the slits and jacket opening there are two tiers of scallops and then wave-like designs. The interior of the jacket has a pink silk lining. Small purple tag on interior of collar with Chinese characters embroidered in gold thread. The skirt is four-paneled, full length and made entirely of red silk. Skirt is closed at the back, towards the right side, with four metal button clasps and a cotton tie that spans the waist. Hanging from the bottom hem are strands of twisted white gold metal. The front and back panels of the skirt are straight and the panels on the left and right are pleated. Like the jacket, the skirt is embroidered with gold metallic thread. The bottom hem has a two-tiered scallop border. Above the tiers on the front and back panels there are wave-like designs and then large flowers and vines. Running along the pleats on the left and right panels there are smaller flowers and vines. The panel edges are all bordered with two-tiers of scallops.

Long black dress of linen, with sleeves decorated by light taupe silk on top, golden silk on sides, and a deep maroon velvet underneath. The cuffs are heavily embroidered. The sleeves are lined with a red floral patterned fabric. The front of the dress is heavily embroidered in red with a few accents in various colours in long panels extending from the waist down both sides of the skirt, and a square bib. The reverse has the same panels extending down the legs, but the designs are attached by a large section of embroidery across the bottom of the skirt. The hemline is edged by a thin plaited stripe in red, and another in off-white.