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The object is a burden basket. The rim at the top is decorated with a basketry cord attached to the main basket at intervals of approximately 2 1/2 inches, creating a scalloped edge. The design is made by the imbrication techinque. Below the scalloped edge is a row of wolves with their tails up, (a characteristic marker of identity) circling the rim counterclockwise. There is a wave pattern throughout created by imbrication. There are four colors on the basket. The body of the basket is a natural warm brown color. The imbrication areas are natural light straw, natural? red, and dyed? dark brown. The basket is in good and stable condition. On the interior, there are some detached basketry fibers.
Henry L. Batterman Fund and the Frank Sherman Benson Fund
Museum Expedition 1905, Museum Collection Fund
The object is a coiled, burden basket with imbricated geometric figures. There are some outer surface losses of light colored fibers. Overall condition good.
Henry L. Batterman Fund and the Frank Sherman Benson Fund
Henry L. Batterman Fund and the Frank Sherman Benson Fund
Henry L. Batterman Fund and the Frank Sherman Benson Fund
Hair brush with a woven handle with a loop.
The object is a basket with an imbricated pattern made from brown bark, yellow bark, and ivory-yellow grass wrapped over cedar root. Imbrication is a regular overlapping arrangement technique that is used exclusively by Native Americans of the Plateau and Northwest Coast areas. The Klikitat maker used a coil technique that is more like sewing than weaving. Coiled baskets are built up spirally from the center and require two components: the first is a central core of rods or grasses serving as a foundation for the second component which is a group of fibers that simultaneously wrap around the foundation and stitch the coils together. An awl creates holes in the foundation through which fibers are pulled or stitched. While sewing is in process, imbrication decoration is also going forward. Imbrication involves wrapping dyed grasses into the basket, forming an overlapping pattern. The basket is in stable condition.
The object is a woven flat bag of woven grass with a drawstring around the top. The designs of wool and grass on each side of the bag are different. One side has a diagonal striped design while the other has fringed triangles and diamond shapes arranged in a vertical pattern. Basic materials for bags like this one were originally hemp or grass but when cotton became available through trade, weavers switched to cotton. Dyed cornhusks were sometimes used for the designs. The particular patterns on this bag appear to show the influence of Plains' parfleche patterns on Northwest Coast weavers. After Europeans introduced the horse to North America, Native Americans from these areas interacted regularly. Soft woven bags like this one were often used to carry goods on horseback from one place to another or to simply store and protect berries, roots, and nuts from moisture and dust. The object is in good condition. Some of the wool is faded.