«Associated with the baby sack is an irregularly shaped wrapper made from a number of tanned skins, probably from unborn animals. At irregular intervals along the edges are short ties of the same material. An infant would be wrapped in such a wrapper before being placed in the baby sack. » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982),

« An improvised pipe made from a piece of rolled birch bark tied with a short section of rawhide line is an important implement in bear hunting (fig. 9h). After an animal is killed, the hunters gather about it and smoke. Out of respect, the bear is also given a smoke with a pipe like this one (Speck, 1935, pp. 100-101). » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), p.17.

« A rectangular birch bark case of unknown use is sewn with twine at intervals on two sides and has a loop of the same material at the open end. It is decorated on both sides with identical floral designs (fig. 9m). » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), p.9, fig 9m (p.37). « Another set of nine patterns, which includes human forms, a fish, a canoe, and floral stencils, is described by Speck as having been used for bead and silk work (fig. 14). However, one of the patterns, that of a fish, was used on a previously described comb case (fig. 91). Speck (1935, pp. 190-191) has noted that for the Montagnais, the symbolic pictorial representation of a plant or animal was equivalent to the actual plant or animal and those portrayed were believed to come under the control of the individual human spirit. Dreams played a major part in suggesting the relationship between specific animals or plants and an individual. The spirit was strengthened by having its dream promptings obeyed and success in subsistence activities was thereby assured. » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), p.10, fig 9l (p.37). « A characteristic feature of these baskets is the presence of etched designs on tops and sides. The primary method of producing this ornamentation is by laying cut-out birch bark design patterns on the surface and scraping away the dark inner bark everywhere except where the design has been traced with the point of a knife. The positive design thus stands out dark against a light background (Speck, 1937, p. 71).» Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), p.9.

« The mouth is closed by a wooden plug (fig. 5i). A grease container made from the bladder sac of an otter was for cold bear grease that hunters carried with them to add to their food. The drinking of animal grease was also believed to induce dreaming and was thus an important element in the practice of magic (Speck, 1935, pp. 180-181). This specimen is in very poor condition and its original size and shape cannot be determined. » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), p.10.

« The consulting of oracles so as to determine where and when to hunt and to know the future with reference to the weather, illness, and personal matters was extremely important to the Lake St. John Montagnais. It is a subject that has been discussed in considerable detail by Speck (1935, pp. 138-147). A more recent discussion of the subject, with a different interpretation, is found in Tanner (1979, ch. 6). » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), p.19. « A bundle of narrow bark strips is described simply as "willow bark medicine." According to Speck (1917, p. 315), the bark of the red willow was scraped and steeped to make a mash that was put in a bandage on the head for a headache. It was also dried and smoked as a substitute for tobacco. » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), p.21.

« The collection contains a set of four birch bark cut-out patterns of floral motifs (fig. 13) used on one of the illustrated covered baskets (fig. 12). Another set of nine patterns, which includes human forms, a fish, a canoe, and floral stencils, is described by Speck as having been used for bead and silk work (fig. 14). However, one of the patterns, that of a fish, was used on a previously described comb case (fig. 91). Speck (1935, pp. 190-191) has noted that for the Montagnais, the symbolic pictorial representation of a plant or animal was equivalent to the actual plant or animal and those portrayed were believed to come under the control of the individual human spirit. Dreams played a major part in suggesting the relationship between specific animals or plants and an individual. The spirit was strengthened by having its dream promptings obeyed and success in subsistence activities was thereby assured. » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), p.10, fig 14 (p.42).

« The collection contains a set of four birch bark cut-out patterns of floral motifs (fig. 13) used on one of the illustrated covered baskets (fig. 12). Another set of nine patterns, which includes human forms, a fish, a canoe, and floral stencils, is described by Speck as having been used for bead and silk work (fig. 14). However, one of the patterns, that of a fish, was used on a previously described comb case (fig. 91). Speck (1935, pp. 190-191) has noted that for the Montagnais, the symbolic pictorial representation of a plant or animal was equivalent to the actual plant or animal and those portrayed were believed to come under the control of the individual human spirit. Dreams played a major part in suggesting the relationship between specific animals or plants and an individual. The spirit was strengthened by having its dream promptings obeyed and success in subsistence activities was thereby assured. » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), p.10, fig 14 (p.42).

« Two pot hooks of alder twigs are bent at one end to form a loop and lashed with spruce root. At the other end a hook is formed by a small branch (fig. 5c). » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), p.9, fig 5c (p.33).

« Two trays consist of three rectangular pieces of birch bark tied together with string. To prevent splitting, sticks the width of each end were split in half and secured on either side of the ends with spruce root (fig. 8). According to Speck, meat obtained through dream instructions was placed on these trays at the time of feasts. Rogers (1967, pp. 34-35) describes similar trays used by the Mistassini and he notes that they may have been used only for feast food. When not in use, these trays were rolled into a cylinder and tied. » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), p.8-9.