Coil woven rectangular cedar basket with cherry bark decorations.

Slat woven rectangular tray with two handles. Cedar with cherry bark and wild grass stem decoration.

Small birch bark basket with lid. Basket is made also using porcupine quills to design the sides and lid. Flower pattern on the top, X pattern on sides. Birch pieces are tied together using black thread.

Caroline A.L. Pratt Fund

Long, full-body mask of bark cloth with natural color fiber fringe at bottom. Object is narrow at top and wide at bottom held stiff by a wooden hoop. Upper portion painted black with a white face on one side and a tuft of fringe at the top. Center section is cream-colored with yellow and orange snakes separated into four parts by black and orange lines. Upper part of center section has side slits through which tubular brown arm sleeves protrude, their shape maintained by small wooden hoops at the top and bottom. A fiber fringe hangs from the sleeves. Condition is good.

Museum Expedition 1908, Museum Collection Fund

This large, globular basket was purchased from the proprietor of the hotel in Ukiah. According to Dr. Hudson, informant to Stewart Culin, the Museum's curator, it is called a "chi-mo", literally, "Son-in-law). This was given to a man by his mother-in-law or the nearest relative of the bride. After the gift of this basket they may not speak to or even look at each other again. Twined "dowry" baskets are among the largest of all Pomo baskets. The technique here is called lattice twining in which two flexible weft strands twist around an additional, rigid element as well as vertical warp strands. This considerably strengthens the basket. Most baskets with horizontal band designs have an intentional change to the pattern, called a dau. While exact significance is obscure it has been regarded as the doorway for the spirits to enter, inspect, and then leave the basket when it would be destroyed.

The object is a burden basket. The rim at the top is decorated with a basketry cord attached to the main basket at intervals of approximately 2 1/2 inches, creating a scalloped edge. The design is made by the imbrication techinque. Below the scalloped edge is a row of wolves with their tails up, (a characteristic marker of identity) circling the rim counterclockwise. There is a wave pattern throughout created by imbrication. There are four colors on the basket. The body of the basket is a natural warm brown color. The imbrication areas are natural light straw, natural? red, and dyed? dark brown. The basket is in good and stable condition. On the interior, there are some detached basketry fibers.

Feather fan with bark handle decorated with quillwork. The fan is circular with white feathers in the center and light blue, dyed feathers on the edges. A small bird body with brown and white feathers is affixed to the center.

Henry L. Batterman Fund and the Frank Sherman Benson Fund