Rigid cylindrical basket (part a) with a separate lid (part b). Body of basket made of bark, covered in woven strips of rattan(?). It has a wide circular opening and square base, with a short foot. Basket is shaped with four exterior coils of rattan(?) around the top third, and two rods along each side. Rods and coils are dyed dark red, and tied to the basket with plant fibre. Three decorative bands woven around basket; two towards opening, one along bottom edge. Top two bands have identical patterns consisting of a grid with a zigzag overtop, zigzag is made of connected diamonds; bottom band filled with horizontal chevrons. All designs are done in dark brown. Entire back of basket is covered with vertical strips of rattan(?). Long piece of bark cloth looped through strips, forming three straps. Label attached to interior of basket. Lid is made of animal skin and has a long lip, that fits over the top of the basket. It has an internal circular frame, made of bark. Skin is stretched over the frame and secured with a rattan(?) coil, dyed dark red, and plant fibre ties.

Long knife (part a), whittling knife (part b) and scabbard (part c). Long knife has a deer horn hilt carved into the profile of a bird’s head. Hourglass-like designs and curvilinear motifs incised throughout. Protruding from the top of the bird’s head and the beak are sections of short black and red hair. Hole drilled through pronounced nostrils, for hanging or attachment purposes. Hilt grip covered with woven band of rattan. The blade is convex on one side, slightly concave on the other, and widens from the hilt. Tip is angled. The whittling knife has a small curved blade attached to a long, slightly curved handle. Blade end of hilt decorated with a wide band of braided metal. Blades of both knifes are secured to hilts with resin. The scabbard is composed of a wood sheath for the long knife and a bark sheath for the whittling knife. Wood sheath made of two pieces of wood bound together with rattan. Ties alternate between single dyed strands and thick decorative bands. Bands, woven with naturally coloured and dyed strands, consist of “X”-shaped designs, concentric circles and knots. Wood is painted dark red and has incised motifs, matching designs on long knife hilt, throughout. Bark sheath is undecorated and secured to wood sheath with plain rattan ties. Braided rattan carrying cord, with looped end, threaded through bark sheath.

Male doll, seated on a basketry base, with a stone face. Eyes and mouth are incised, wide nose and hair are carved in relief. Figure is wearing fur clothing, consisting of a parka, mittens, pants and boots. Mittens are hairless. Bottom edge of parka has leather fringe. Dark brown highlights down front of boot calves. Vamps have dark green embroidery along their edges. White stuffed dog, made of sheep skin, in front of doll. Dog is wearing a harness, trimmed with fur, and the doll is holding the leather reins in each hand. Basketry base is undecorated.

Tamer's headdress. Cedar bark headdress in the form of a rounded beak: two semi-circular flaps at front representing a beak with two long oval shapes that sit on top of beak, a hooked nose that projects out over the beak. Bunched cedar strips are attached at the top of the headdress frame with thick white string, and white string is wrapped around the base of the frame at the back. (Photos show mask without the nose piece; nose repaired in 2021.)

Head of a female Bunraku theatre puppet (part a) with stand (part b). She has a white oval-shaped face, long white neck and elaborate black coiffure. She has a wide nose, large light grey eyes and her eyebrows are light blue. Her lips are painted dark red, teeth are black. Her hair is pulled back into three buns. Front bun is secured with cord, and the centre bun is held in place with a kushi (comb) and kogai (hair tool). Both are made of black lacquered wood with iridescent plastic decorations embedded in them. Designs are floral and coloured red, light purple, white, light pink and light blue. The bottom bun is secured with a two-pronged, gold-coloured metal hair pin. The top has a circular medallion with a floral motif. The head is attached to a wooden rod with a handgrip. Two cords, with toggles, run through the grip, and into the head, to control neck and eye movement. The grip fits into a wooden stand (part b), supporting the head at an angle.

Male Bunraku theatre puppet (part a) wearing a long heavy robe. He has a removable head (part b) and separate sword (part c). The body has an internal wooden, bamboo and paper frame, with cords and rods throughout to control arm and hand movement. There are stuffed cloth bundles around the arms, legs and stomach for added dimension. The character is wearing a long-sleeved, front-closing under-robe, coloured dark orange with elaborate white embroidery across its entire surface. Motifs consist of circular dragons with curvilinear and floral lines in between. Overtop, the puppet is wearing a short-sleeved, vest-like robe. The shoulders and lower half are pleated. Coloured dark purple with a dark grey meander pattern background. Throughout there are embroidered circular dragons divided by rows of flowers; designs in white, dark orange and dark green. Matching belt tied around waist. White wooden hands extend past the sleeves. The head (part b) consists of a beige square-like face, long beige neck and styled black hair. He has a wide nose, large light grey eyes, and wide slanted eyebrows. A pointed diagonal red line is painted across both eyes, lips are done in a matching red. He has a light blue beard and moustache. Hair is pulled into a top knot, with a paper bow secured behind. Head is attached to a wooden rod with a handgrip. Multiple cords, with toggles, run through the grip and into the head, to control eye, eyebrow, mouth and neck movement. Maker's mark stamped onto base of head and along back of handgrip. The short curved sword (part c) is sheathed. It has a black hilt with a bronze-coloured metal pommel and guard. The sheath is black with a bronze-coloured metal cap. The sheath’s grip is dark brown and has light brown flowers painted across it. Brown, grey and white striped cord tied around the blade, to attach it to the puppet’s belt.

Mushroom-shaped, bark cloth pubic cover. Consists of a bamboo cylinder, wrapped in bark cloth and secured with plant fibre, and circular head. Cylinder extends from back of cover. Structure of head formed with an inner strip of bamboo. Front is painted white. Cylinder is visible from front, in centre, and painted red, with a matching dotted line bordering it.

Mouth organ (sompoton) made of bamboo pipes inserted into a dried gourd, sealed together with bees wax. Pipes are bundled together, with plant fibre ties, in two rows of four. Pipes in top row are all the same height, length of bottom pipes vary. Small holes along sides of pipes on outer edges. Gourd mouth piece has a circular body and long, thin neck that extends to the side.

Woven cedar bark screen with painted design in a horizontal orientation. Image is of two identical thunderbirds, bodies facing front and heads facing each other. Thunderbirds are outlined in black with formline designs throughout interior. Designs done in black with green and red-orange highlights. Each thunderbird has a curved horn on the back of their head and semi-circular shaped protrusion on top of their head. Thunderbirds have downward pointing wings and legs widely spread outward. Wings and tails have three feathers each and they are filled with dots. Wings have blue-grey dots, tail feathers have green. Main bodies are filled with red-orange dots, surrounding central designs, and head filled with blue-grey dots. Borders around all edges of screen are made of dyed(?) dark green-black strips of bark. The screen is edged with wide strips of bark.

A short, cylindical, wooden fish spear with two sets of barbs. The spear is painted black and comes to a sharp point. Both sets of barbs are arranged in a triangular fashion around the shaft of the spear, in groups of three. The barbs are straight, with four sides, and point backwards in the direction of the spear's user. They are secured by wound string, also painted black. Wrapped around the middle of the spear is a white, rectangular piece of bark cloth. A design has been painted onto the cloth in black, and consists of circles and dots in a radiating pattern.