Animal hide rolled and stitched with green thread with small flap of hide folded over at top. Quiver does not completely encase the ten ceremonial arrows it contains. Arrows have notched bamboo ends painted with red and blue bands or dots and the bamboo ends are fitted over blunt narrow wooden shafts and affixed with thread and glue. Some arrows have feathers bound to bamboo with thread.

One piece of bamboo with curved top end roughly shaped into an animal head with two long pointed ears extending to back and side. Head painted red with colour extending to first ring on shaft.

Painted dance mask with twig headdress and cedar bark fringe. Mask has a very bulbous black forehead with white painted ridge above and below curving eyebrow band. Eyes are close to nose with round hole outlined in white and enclosed by a black eye-shape. A blue contoured teardrop shape expands out on both sides surrounded by a white band. Large hooked nose with white tip and curving band dividing the black top from the red bottom and extending to corners of mouth. Very large triangular nostrils on underside of nose. Tip of nose meets large rounded chin. Deep-set mouth is slightly opening showing 2 rows of even white teeth. Red curving, contoured split u-shapes on cheeks. There is a lip around outside of mask, painted with large blue circles. The areas between are natural cedar. Three partially red painted fir boughs (without needles) are mounted into metal springs in the top of the mask, 2 with masking tape and one with leather. White ostrich feathers are attached by white thread at 5 places and around cedar bark tuff at top front. Tuff is braided to sides. Cedar bark fringe on top back is loosely tied together with white string dyed brown. The string end has passed through hole on side where leather thong is tied. Thong also ties on opposite side and at top, centre. Thong is looped at centre back. Bottom cedar bark fringe is attached to bottom of mask with string which is loosely tied across fringe in 2 rows. Cedar bark strands alternate between natural and red dyed. Inside of mask is partially covered with red sprayed paint.

Loom (parts a-d) consisting of a partially completed brown and grey-white double-faced weaving on complete backstrap loom (part a). Intertwined in the weaving is a batten (parts b) and two lease sticks (parts c-d) that can be removed along with four shed rods and two heddle rods are tied to weaving. The long looping stitches attach weaving to front and back loom bars. Detailed are three horizontal rows of abstract geometric designs of beige diamonds, x’s and triangles on a brown ground. Part b is a wooden batten, trapezoidal in shape. Parts c-d are a smaller, thinner version of part b.

Circular based chair has rectangular back and curved armrest with same decorative intertwined bamboo splints. Bamboo splints interwoven in plait-like weave on seat, surrounded by bamboo grass tied with bark. Support of 2 inverted v shaped branches, one part of branch in base the other extends behind chair; all joints affixed with black glue. Criss-crossing bark under seat, and wrapping around rim underneath gathered bamboo grass. Base: wide smooth overlapping wood strip forms circular base; crisscrossing bamboo strips extend upward from base to wooden rim at bottom of chair seat. Black adhesive is used on all joints.

Part (a) Urn shaped coiled basket (bifurcated stitches) with lid, part (b). Imbricated horizontal design of flowering plant, in dark cherry with red cherry centers, alternating with reverse colour configuration. Lid has cedar bark lip, and imbricated design of crosses, in red cherry bark with black centers, alternating with reverse colour configuration.

Part (a) Urn shaped coiled basket (bifurcated stitches) with short foot, and lid, part (b). Imbricated downward pointing arrow designs, alternating in black and red cherry bark. Six imbricated cross designs in black and red cherry bark with grass centers. Lid had coiled loop handle in centre.

Sturdy, small bamboo stick with a smooth surface. Stick is tapered at both ends. One end is pointed while the other is squared-off. The top surface is more finely finished than reverse side.

Pottery tool. Small bamboo stick that is sanded on one side more than the other. One end is pointed and the other is squared-off.

Bee mask. Slightly rounded white forehead has a black and yellow horizontal curvilinear design, red ovoid at centre of yellow; raised thick curved black brows; thin yellow line joins orbital areas at dip between forehead and large protruding bulbous snout; yellow round hollow protruding eyes with black and white bands around pupil; snout has black triangular shape at top and bottom joined by a narrow band, black outline; cluster of five holes, top hole on right has remains of 'stinger'; white, yellow and red crescentic designs around circular white hollow nostrils; white temple; defining line for cheeks melds with orbital ridge; curvilinear black line on cheek; square-like white line defines black split U on either side of mouth area; white and yellow bands around small pointed protruding red lip band, painted design converges at lower lip point; yellow triangle on upturned chin is outlined in white. Cut cedar bark, tied with white cord, folded around a folded orange-pink cloth and nailed to upper rim; white cord and red cloth are twined into the cedar bark lengths; at side on right folded white cloth, stitched with yellow thread, is nailed at temples; brown cord twined into first 7cm. of bark. On reverse, one brown cord passes through two holes in upper rim, looped and knotted through hole at each temple; second cord is looped and knotted through chin.