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One of a Collection of Briscada Angels and Doll Heads with Wings41.1275.250h

Museum Expedition 1941, Frank L. Babbott Fund

Material
silver tinsel metal, wire, cloth, hair and shell
Holding Institution
Brooklyn Museum
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One of a Collection of Briscada Angels and Doll Heads with Wings41.1275.250g

Museum Expedition 1941, Frank L. Babbott Fund

Material
silver tinsel metal, wire, cloth, hair and shell
Holding Institution
Brooklyn Museum
View Item Record
One of a Collection of Briscada Angels and Doll Heads with Wings41.1275.250b

Museum Expedition 1941, Frank L. Babbott Fund

Material
silver tinsel metal, wire, cloth, hair and shell
Holding Institution
Brooklyn Museum
View Item Record
One of a Collection of Briscada Angels and Doll Heads with Wings41.1275.250c

Museum Expedition 1941, Frank L. Babbott Fund

Material
silver tinsel metal, wire, cloth, hair and shell
Holding Institution
Brooklyn Museum
View Item Record
Collection of Briscada Angels and Doll Heads with Wings41.1275.250a

Museum Expedition 1941, Frank L. Babbott Fund

Material
silver metal, tinsel, wire, cloth, hair and shell
Holding Institution
Brooklyn Museum
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Belt (Chumpi) with Underbelt (Tayka wak a)2002.62.16a-b

Frank Sherman Benson Fund

Material
alpaca fleece, sheep wool, synthetic dye and human hair
Holding Institution
Brooklyn Museum
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Back Ornament88.89.11

Anonymous gift

Culture
Shuar and Achuar
Material
bird bone, seed, feather, cotton fibre, human hair and beetle-wing cover
Holding Institution
Brooklyn Museum
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Ogre (Chaveyo) Kachina Doll2010.6.15

Giant (Chaveyo) Kachina Doll. Artist probably Henry Shelton. This Kachina is one of the ogres in the white ogre family. Carved from one piece of cottonwood root and painted light beige, he stands with both feet on the ground, knees slightly bent, PR arm raised and PL arm lowered. He has a snarling, fanged mouth with red showing inside, goggle eyes, black face paint with white swirls on the cheeks, and very large red ears. He wears a fur ruff around his neck and has a rayed feathered headdress. He holds whipping sticks in raised PR hand and a large sword with a swirled, snakelike design and feather tuffs in lowered PL hand. His kilt and boots are carved on. He wears a hide cape and has hide fringe knees and on the top of his carved boots. Prior to the Angk'wa (February night dances) the Ogre family appears in the village demanding food and game in large quantities. For about a week they appear going from house to house insisting they give. If not enough food is forthcoming they hoot, snarl and terrify claiming they will eat the children. Children are terrified. Everyone looks to see what they have done wrong to deserve this. The Ogre's are the reminders that everyone’s behavior is not good enough to live up to the high Hopi standards. They are the reminders to live the spiritual life. Once ridicule and punishment are over the ogres give a blessing and a social dance is held for healing. The Ogre family is forcibly removed from the village.

Culture
Pueblo and Hopi
Material
cottonwood root, acrylic pigment, hide, feather, fur, horse hair, wood and yarn
Holding Institution
Brooklyn Museum
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Beaded Saddle46.78.7

Henry L. Batterman Fund

Culture
Cree-Metis
Material
hide, bead, pigment stroud wool cloth, deer ?, buffalo hair ?, old hide parfleche, metal and canvas
Holding Institution
Brooklyn Museum
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Chief's Dress Shirt50.67.5a

This shirt is very early, pre 1830s Blackfoot. The fringe along the sleeves and shirttail is the remnants of ermine and bits can still be seen. The painted figures of people are probably indicative of dead people or people the warrior killed. Should be called a War Shirt not a dress shirt. The quillwork is bird quill. Quillwork is similar to Mandan Hidatsa. Sometimes dots that are rounded indicate hailstones but then they are organized in a scattered fashion more like splashes. There are many anomalies in the quill/bead design.

Culture
Blackfoot and Piegan
Material
hide, quill, hair, bead, pigment, cloth and cotton thread
Holding Institution
Brooklyn Museum
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