Two skeins of heavy off-white wool (parts a-b), and some smaller pieces of wool (part c).

Mamulengo hand puppet of a 'Boizinho' or bull character. The body is carved from wood and painted. The bull (part a) is black with white spots with two long brown horns that extend forwards. Where the legs should be, it's covered by a long multi-coloured fabric skirt. The skirt is composed of four strips of fabric, each with a different pattern - the top section is yellow with large pink flowers, then shiny gold, then red with blue flowers, and then purple shiny fabric. There are neon ribbons hanging from the horns, as well as a single strip around the top of the skirt. A long black tail of a triangle of black fabric and black hair extends down the back. Operated by inserting a hand inside the body of the puppet to control its head and movements. The puppet can be placed on a stand - stick (part b) and base (part c).

Calungo hand puppet of a 'Maria Lapisaia' character. Head, hands and feet are carved from wood and painted. She has pink skin, oval eyes with black pupils, and greying black hair covered by an off-white with floral scarf. She has red lips and a rectangle-shaped moveable lower jaw that is operated by a long thin cord that extends out of the back of her head. She is wearing a long blue and white tie-dyed dress overtop of dark blue with yellow floral leggings.

Wand with heavily beaded handle. Three sections of bands of colours - dark brown, yellow, orange and light blue, with three sections of triangles in white, dark green, yellow and orange. There is a section where the shaft splits into four smaller pieces that are wrapped in light blue and black beads. Above the beading, the handle is wrapped in red fabric with two small loops of plant fibre cord attached. Extending from the other end is long, straight dark red-brown horse(?) hair over wood, that folds over on itself where the wood ends.

Large white winged horse puppet, with a bright pink human head on a long neck with three neckrings, and a length of knotted fabric. The head has a headdress or helmet, has long black hair that hangs to one side, with the hair cut short on the other side. The body has a painted green saddle, with a zigzag line border in multiple colours. There is red fabric lining the chest and abdomen. The legs are attached to the body with metal plates. A pair of large, flat, detachable painted wings (parts b-c) fit into slots on the back. Each wing is red with designs in grey, green, off-white, and yellow. A carved wooden horn-like piece (part d) is detached (possibly used as a tail?).

Power figure (nkisi nkondi). Standing male figure (part a) with left arm down at side with hand positioned to hold something, his right arm raised with fingers curled to grasp a spear (part b). The figure has inset glass eyes with painted white pupils. The face is carved with an open mouth with bowed lips, a triangular nose, and large ears. The hair is striped black and orange-brown, and wrapped at the hairline with a plaited fabric band. The body is covered with rusted nails and small triangular metal blades. Strips of fabric are wound throughout the nails, with some bone fragments included. Attached to the chest and abdomen, one above the other, are two rectangular glass-front boxes containing plant fibres and other materials. The glass is covered by grey clay with inset small red beads, leaving a small circular area through which to view its contents, and is wrapped in twine. The figure stands on a rounded rectangular wood base with a large piece missing. The wooden spear has a cylindrical shaft and triangular tip, all carved from a single piece of wood.

Large Dzunuk'wa mask painted black and red. Mask has a protruding forehead, sunken temples and cheeks, recessed narrow eyes, hooked nose, and large pursed lips. Mask has long hair parted at the middle, long bushy eyebrows, a long moustache and goatee, all made from horse hair nailed to the mask. Back/inside is plain carved wood.

Fly whisk with carved wood handle, copper decoration, and tail of hair. Handle carved to represent a kneeling female figure with marks on her abdomen and shoulders. The figure has a very elongated face with cowrie-shell shaped eyes. Below the figure is a rope-like copper covering over the section where the hair is attached to the handle.

Mask carved from a single piece of wood. Bulging forehead, prominent nose, and sunken cheeks. Cowrie shells and seedpods outline the face, and are arranged in decorative patterns. The face is covered by pounded copper sheeting with repoussé designs. Continuous lines of black beads extend horizontally across the face, around the eyes, down the bridge of the nose, and around the mouth. A large black beaded trident form on the forehead. The cheekbones and nostrils are heavily beaded in small black and white beads. Goat skin, goat hair, and raffia cloth embellish the top of the head. A woven strip hangs from the chin. The base of the mask is outlined by two rows of cowrie shells, with strings of large reddish-brown seedpods and feathers hanging down.

Devil costume mask. Black fake fur is stuck to the face, which is also painted purple. The nose resembles a black devil-like creature with a tongue hanging out, with a similar reddish-brown creature extending from the chin. Attached to the mask are two pairs of natural horns. A small animal pelt, possibly deer, hangs from the back of the mask. A pair of serpents and a pair of pumas are carved and jut out of the sides of the mask. Horse hair(?) extends down from the chin. The interior is lined with brown cord fabric, and has bungee cord strung through eye-hooks.