This cap was part of Brooklyn Museum curator Stewart Culin's personal collection but was originally owned by Frank Hamilton Cushing as part of his own Zuni clothing that he wore. Cushing's acceptance into the Zuni Bow Society was the culmination of his career. Cushing believed the Bow Priesthood to be the most powerful, elaborately organized of all associations. This cap of perforated buckskin is one of the badges of office in the priesthood. It is exceptionally finely crafted.

Robert B. Woodward Memorial Fund

This kneeling deer has hide antlers and feathers dangling from his chin area. (front right) Remnants of paint are on his body.

Wildcat (Tokotski) Kachina Doll. This Kachina has a body carved from one piece of cottonwood root. He is positioned with his PL leg and PL arm raised, slightly crouching. His kilt and sash with a fox tail hanging down the back are carved root. His cape is spotted fur. He wears a carved turtle rattle on the PR leg ankle. His hide bandolier is decorated with shells. He has a hide fringe on top of painted on boots. The white head mask has a snout with bared teeth, black goggle eyes set in a brown "bandit" type mask and he has black cat paws painted on his cheeks. Top of the mask has feathers. He has large red ears. Wildcat Kachina appears by itself during Angk'wa (a series of night dances). His prayers are for rain to increase their wildcat numbers so the Hopi can have more pelts.

(upper left in photo) This yellow painted clay deer has hide ears, indentations for eyes and straight legs..

Helele or Hilili are participants in a dance often chosen by a kiva to perform after the winter solstice ceremonies. This is possibly the Hilili Kachina known as the Corn Hilili. He wears a helmet style mask with long beard and feathered top. On his shoulders he wears a fur cape, body is painted red and he wears a painted dance skirt and sash. His chest and arms are painted red. He wears blue hide boots with red trim and has yarn tied around his calves.

Kachina doll with articulated arms. Footwear has been painted on the feet.

This Kachina is also spelled Mahedinasha.(taking away feces). He may come during the winter dance series or during the Koanne (the day when the Kachinas go home-six days after the Shalako). The dancers appear early in the morning and go through the village. When they come into the plaza they dance as a group accompanied by a drummer. They can sing nasty songs about the inhabitants of Kothluwala, (the spirit village where the dead Kachinas live) but really they are about the present day Zuni village. See Barton Wright, "Kachinas of the Zuni" for an explanation of how he became so ugly in appearance.

Museum Expedition 1905, Museum Collection Fund

This is a folded hide parfleche, tied in the center. It is painted with geometric designs in red, green, and yellow.