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Feather Box11.694.9027

First number was X956.2. This feather box is made from one piece of wood. There is a rectangular hole in one end of the box bottom. The opposite end is broken. Inside in pencil there is what appears to be written name F.L...Something. The top has a nine point star engraved on it. It is tied when closed with leather thing tied around it. The bottom has remnants of blue paint which is an Osage practice according to Sean Standing Bear, 10/20/2000.

Culture
Osage
Material
wood, pigment and hide
Holding Institution
Brooklyn Museum
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Girl's Moccasins Attached to Leggings11.694.9002

Possibly not Osage made but Cheyenne or Arapaho woman's small boot moccasins with tall leggings. The use of black beads is more Cheyenne. Nicely done beadwork is on the vamp and partway up the leggings in white, yellow, pink and blue.

Culture
Osage
Material
hide, pigment and bead
Holding Institution
Brooklyn Museum
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QuiverX1126.35

Brooklyn Museum Collection

Material
hide
Holding Institution
Brooklyn Museum
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Tipi Bag or Possible BagX1111.1

Also called a storage bag, tipi bag or possible bag. The beads are sewn with sinew in a 'lazy stitch'. Kroeber called the design a transverse bar or lengthened checker pattern. Bag is beaded on one side with a decoration of crossed and abstracted forms in red, blue, gold and green. The edges are also beaded with metal jingles and orange dyed horsehair decorations. The two-ended pitchfork type design is typically Sioux. It is Central Plains but not Cheyenne or Arapaho. Bead workers would also do this type of beading to show off their expertise so some were also made to be ornamental or given away as gifts.

Culture
Sioux
Material
hide, bead, tin cone and horse hair
Holding Institution
Brooklyn Museum
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Scalping Knife and Sheath50.67.118a-b

The slightly curved steel blade of the knife is bound to the well-round bone (?) handle by a worked sheet of brass. This brass is finished in a series of little points at the handle end and incised with series of simple lines, both parallel and diagonal, to form bands. The sheath for this knife is worked with porcupine quills in purplish brown, orange, yellow, and natural white in a motif of connecting diamonds. The body of the sheath has an orange triangle with "V" shaped outlines at the very bottom, below the pattern of connected diamonds. The panel or cuff is striped. Many metal cones are suspended from the bottom of the cuff and one single cone, or tinkler is suspended from the bottom tip of the sheath. These 'tin-tinklers' on the panel were once quill-wrapped.The leather is thread sewn so that beige ribbon adorns the panel or cuff.

Culture
Sioux
Material
hide, metal, wood, porcupine quill, brass metal, skin, cloth, tin and sinew
Holding Institution
Brooklyn Museum
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Beaded Pouch50.67.40

Eastern Plains. Some beads missing in the back. Some undetermined matter is inside.Each side of this small pouch is beaded with a different design.

Culture
Plains
Material
hide and bead
Holding Institution
Brooklyn Museum
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Parfleche Bag43.201.156

Parfleche bag with brightly colored geometric designs painted on the front. Probably Crow.

Culture
Crow
Material
hide and pigment
Holding Institution
Brooklyn Museum
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Pair of Tobacco Bags11.694.9026

These bags are made from hide with long fringes on bottom and a drawstring top. They were possibly fashioned from leggings. The beadwork may actually be Cheyenne and an Osage may have purchased or traded and then reworked them.

Culture
Osage and Cheyenne
Material
bead and hide
Holding Institution
Brooklyn Museum
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Bow, Quiver, Bow Case and ArrowsX1126.34

Brooklyn Museum Collection

Material
hide, wool, wood, metal, sinew and pigment
Holding Institution
Brooklyn Museum
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QuirtX1126.18

Brooklyn Museum Collection

Material
elk antler and hide
Holding Institution
Brooklyn Museum
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