Giant (Chaveyo) Kachina Doll. Artist probably Henry Shelton. This Kachina is one of the ogres in the white ogre family. Carved from one piece of cottonwood root and painted light beige, he stands with both feet on the ground, knees slightly bent, PR arm raised and PL arm lowered. He has a snarling, fanged mouth with red showing inside, goggle eyes, black face paint with white swirls on the cheeks, and very large red ears. He wears a fur ruff around his neck and has a rayed feathered headdress. He holds whipping sticks in raised PR hand and a large sword with a swirled, snakelike design and feather tuffs in lowered PL hand. His kilt and boots are carved on. He wears a hide cape and has hide fringe knees and on the top of his carved boots. Prior to the Angk'wa (February night dances) the Ogre family appears in the village demanding food and game in large quantities. For about a week they appear going from house to house insisting they give. If not enough food is forthcoming they hoot, snarl and terrify claiming they will eat the children. Children are terrified. Everyone looks to see what they have done wrong to deserve this. The Ogre's are the reminders that everyone’s behavior is not good enough to live up to the high Hopi standards. They are the reminders to live the spiritual life. Once ridicule and punishment are over the ogres give a blessing and a social dance is held for healing. The Ogre family is forcibly removed from the village.

This is a very special spoon that might be ceremonial but not for any specific ceremony.

Bequest of W.S. Morton Mead

Navajo. The mescal seeds indicate Southern Plains or the southwest region.

These modernistic looking design moccasins are beaded with green, pink, red and dark blue beads. The front flap consists of two long, narrow beaded tassels with a blue diamond design on pink background with decorations of tin tinklers and horsehair dyed orange.

Brooklyn Museum Collection

Also called a storage bag, tipi bag or possible bag. The beads are sewn with sinew in a 'lazy stitch'. Kroeber called the design a transverse bar or lengthened checker pattern. Bag is beaded on one side with a decoration of crossed and abstracted forms in red, blue, gold and green. The edges are also beaded with metal jingles and orange dyed horsehair decorations. The two-ended pitchfork type design is typically Sioux. It is Central Plains but not Cheyenne or Arapaho. Bead workers would also do this type of beading to show off their expertise so some were also made to be ornamental or given away as gifts.

This is a flat, wooden pipe stem, painted blue-green at the bowl end. The end nearer the mouth piece is decorated with a combination of colored lines which are narrow strips of braided quillwork wrapped around to encircle the flat stem. These strips are carefully planned to create a striped design from the combination of narrow bands as they are stacked or lined up one after the other. The design is red, white, blue, and black on one side and different on the reverse, consisting largely of black triangles tipped with short horizontal bands and offset by long horizontal bands. The bands are colored blackish-purple, orange and white. A hide strap is covered with long white bird quill wrapped fringes. Red horsehair is tied on at both ends of the quillwork and bird scalps are also attached.