Belt with three bands of geometric and figurative motifs in off-white, dark red and green on a red ground. Motifs of birds, a cow, a house and geometric figures decorate the central band. Sewn at one end to a stiff thick belt irregularly cross-striped in light and dark shades of natural wool. The opposite end of the red belt is finished with 18 braids which are grouped together by a cord knotted to a very narrow woven tie with geometric patterns. A similar cord and tie is attached to the non-sewn end of the stiff belt section.

Flute consisting of hollowed bamboo held together by crisscrossed fibre. Three rings of cassowary feathers, one at the bottom, middle and top. Just below the top ring is a small hole carved out of the bamboo. The top feather ring is woven on tightly with fibre which covers this area. The stopper of the flute, above the top feather ring, is a human male figure standing full front with arms down to the side. His head is disproportionately large to the rest of his body. Standing behind him is small bird which is resting its hands on the shoulders of the human figure. Its long beak extends over the head of the human figure. The creature has ridges along its back. Tassels come out of these ridges. The bamboo and the fibre ties are covered in a black stain.

Female face carved from poplar wood. Red paint on lips and around nostrils; black eyebrows and pupils. Protruding bottom lip has oval-shaped unpainted section across top. Mouth is open, revealing a full mouth of individually carved square teeth. Human hair emerges from scalp in tufts. A long rectangular strip of rabbit fur hangs on other side of the face. Leather thong for hanging. Artist signature on inside.

A dagger with a long, tapered, brown and black bone (human? or cassowary?) blade with a modelled red clay handle in the form of a human head. The face is painted black and white and is inlaid with a cowrie shell for each eye. It has a double headband made of cowrie shells and black curly human hair adhered to the 'head'.

Three-dimensional humanoid puppet: the large head (part b) fits into a body clothed in a green patterned shirt and purple and green plaid skirt (part a), and a control rod (part c) with a long shaft that passes through the body and fits into the neck of the figure's head. The body has jointed arms, each with a long controlling rod attached. The figure has a blue face, neck and hands. The figure has light blue bulging eyes and a large bulbous nose. Lower tooth row is visible; upper and lower fangs present at each corner of mouth, between red lips. Human hair nailed in small bunches to head; bump at base of skull at rear. Torso unpainted under shirt; upper arms made of twisted cloth rope, lower arms and simple outstretched hands of wood. Head movement controlled by removable rod extending though body to handle beneath skirt.

A wig with the hair secured by being knotted into a woven grass cap. Hair is brown with short curls overall.

Carved mask attached to headpiece by fibres. Face is painted in geometric designs in white, red, and black. Shells for the eyes. Headpiece has real grey-brown hair at either side covered in white clay and an extended ridge running front to back along the middle, and is built on a frame of strips of red orange-brown wood and bark cloth. Elaborate decoration.

Rounded wooden shaft decorated with abalone shell inlay along the inner concave curve. Barb is secured with a twisted string. Has no leader.

Rounded wooden shaft decorated with abalone shell inlay along the inner concave curve. Barb is secured by a twisted flax string.

The front of the beige cloth has eleven bands of a square grid-like pattern. The lines of the square pattern are both light and dark red, painted in blood. The back of the cloth is plain except for a band of three wavy lines.