Bag composed of two pockets with rounded sides and a flat top. Two pieces of leather extend up beyond the top of the bag to form the base for a handle of twined leather. The leather is dyed red and painted with black carbon ink in geometric patterns. There are four rings of leather in red, green and yellow securing the bases of the handle.

Commemoration mug. White cup is round, with partly tapered sides; flat base with a slight foot. On front centre is the Zambian flag with "ZAMBIA INDEPENDENCE DAY - 24th October 1964" curving underneath; flag done in colour, text in black. On back centre is a portrait inside an oval-shaped medallion; stippling throughout background. Smiling male figure has short hair, and is wearing a patterned wrap; done in black and white, with shading. "DR. KENNETH KAUNDA - THE FIRST PRESIDENT" is written underneath portrait; done in black. Base is undecorated and unsigned.

Handmade toy two-wheeled bicycle consisting of metal wires coiled together; wheels are wrapped in rubber. Wire figure seated on bike playing a drum with drumsticks; the drum is made from a Coke can. "R" and "L" written on right and left tips of drumsticks. Figure is dressed in striped shirt and floral pants, in blue, yellow, orange, white, and dark green. Head and tips of drumsticks are circular pieces of wood, painted white; smiling face drawn in marker. Musician wears a purple cardboard hat. Curved handle attached to back of bicycle, for steering and pushing. When moved, figure plays drum.

Handmade toy two-wheeled bicycle consisting of metal wires coiled together; wheels are wrapped in rubber. Figure seated on bike playing a drum with drumsticks; drum made of a Diet Coke can. "R" and "L" written on right and left tips of drumsticks. Figure under-form is made of wire, and dressed in matching striped shirt and pants; done in blue, yellow, orange, and white. Head and tips of drumsticks are circular pieces of wood, painted white; smiling face drawn in marker. Musician is wearing a purple cardboard hat. Curved handle attached to back of bicycle, for steering and pushing. When moved, figure plays drum.

Handmade toy bicycle consisting of metal wires coiled together; wheels are wrapped in rubber. Wire figure seated on bike playing a drum with drumsticks. The drum is made from a green juice can. "R" and "L" written on right and left tips of drumsticks. Figure dressed in matching floral shirt and pants, in light blue, dark blue, dark green, and white. Head and tips of drumsticks are circular pieces of wood, painted white; smiling face drawn in marker. Musician wears a white and green cardboard hat. Curved handle attached to back of bicycle, for steering and pushing. When moved, figure plays drum.

Large rectangular dyed and stamped cloth. The cloth has been dyed with a grid-like turquoise blue pattern (white ground), covered with repeating lines of stamped designs in black. The repeating designs appear to be rows with a spear, drum, axe, drum, spear, gourd(?), axe, circle (thumb piano?), spear, etc., however the order is not always consistent and some of the stamped ink in similar shapes varies a bit from one to another. The long sides are both selvedges; the shorter edges are unhemmed.

Handmade 28 page book of off-white amate (amatl) paper, illustrating different types of nzahki cut-out figures. Accordian style pages. The front and back covers have green ribbons running horizontally across the top and bottom, extending 4.5 - 5 cm past the edges. The front cover has 2 brown paper cut-out figures adhered to it, with handwritten title(?) in faded red ink (note: ink is mostly too faint to read, but ends with 1975?). Pages 1-7 have handwritten entries in blue ink (in Spanish); pages 8-28 each have a brown paper cut-out figure attached, with handwriting above and captions (name of figure?) below each one.

Book of prints. Large folding book cover (part a), holding 30 separate folded paper inserts (parts b-ee), with textured pieces of thin paper in between folded inserts. Book cover is maroon with a black insect-like design on the front in the top left corner; title and author printed across spine. Right side of cover has a large closure flap; inscriptions across interior of front cover. Inserts are: table of contents with two prints (part b); foreward with a print (part c), introduction with two prints (part d), "A White-Clad Mother" print (part e), "Leopard in Cornfield" print (part f), "Travellers" print (part g), "Opha" print (part h), "The Lord is my Shepard" photo (part i), "Adumadan" photo (part j), "Ekuoregbe" photo (part k), "Studies of Nigerian Musical Instruments" photo (part l), 4 "Mamiwata" prints (part m), "Euberamre" print (part n), "Ekhara" print (part o), "Okho Mbre Masquerade" print (part p), "Afieki" photo (part q), "Saint Paul" photo (part r), "Itan Edo" print (part s), "Ekassa" photo and print (part t), "Eshe" photo and print (part u), "Oba Aka" photo and print (part v), two "Nativity II" prints (part w), "Oranmiyan" photo (part x), "Ogiegor" photo (part y), "Amwa" photo (part z), "Adjene (second edition)" photo (part aa), "Uloho Biemure" photo (part bb), "Erhu Ivie" photo (part cc), "Eru" photo (part dd), and "Adjene (third edition)" photo (part ee). Table of contents has edition 35/250 written on it, the rest of the inserts are numbered 1 to 29; all inscriptions in top right corner. All photos and prints are accompanied by text written by the artist.

Lightbox photograph. Large digital photographic print mounted inside a painted, wood-framed lightbox, painted black. Print depicts three figures wearing grey camouflage on a mountainside. The mountainside stretches from the top left to the bottom right corner of the horizontal print. In the other half of the image, the cloudy sky is shown and another trapezoid-shaped mountain is visible in the background. The three figures are spaced evenly along the mountainside and are shown in profile. The figure higher up the slope is sitting with knees bent, head down and arms circling their knees. Figure in middle is most in focus, shown kneeling on the ground, head bent forward, with their arms stretched out in front. The figure towards the bottom of the slope is sitting with their back to the camera, with their head tilted down, leaning back on their right arm. The mountainside is covered in an assortment of grey, brown and white rocks, and pieces of obsidian.

Rectangular slice of antler with a carved seal hunting scene positioned on top. Near the centre, a hunter is standing bent over a seal hole, standing on a square piece of fur, with a harpoon resting on two stands in front of him. Across what would be a seal breathing hole is a short, curved snow wall, with the bricks outlined in black ink. Another carved male is positioned standing back behind the hunter; while at the opposite end (on the other side of the snow wall) is a carved seal (part b) lying on the 'ice'.