Chain mail covering for upper body and arms, with open neck closed with two fasteners of leather. High collar, interwoven with leather strips. Laced at front and back bottom hem, and at neck.

Cylindrical container decorated with spiral and geometric bands in red and grey (over laid tooled lead foil) on natural and red background. Designs on the upper portion consist of upward pointing triangles in grey on red. Designs on the lower portion consist of spirals in red on natural. The lid has a star on top.

Pair of large needle-like tongs with a dark brown finish.

Plain cylindrical handle with a long metal prong in one end.

Fur covered bear mask, eyes set with abalone shell. Black painted copper plates on either side of nose, following line of mouth. Wire frame at back of mask.

A three-pronged twisted and barbed point bound with string onto a wood shaft that has two brown feathers bound with loosely coiled string.

The end of the dark brown, wooden handle has a large, leaf-like pattern to one side. The wooden handle is fitted into a scroll designed brass band. The blade is thin where it meets the handle, is bent and redirected upwards, and gets thicker towards the point.

Figure representing a standing crane with its beak pointed upwards. The figure is composed of four iron pieces joined together with screws: the body (a), the head (b), the right leg (c), the left leg (d). The crane has been painted black and the top of the crane's head has been painted red.

Standing figure of Kwannon; figure is a male (a) holding a lotus flower (b) in one had and is depicted in a loose flowing garment. There is a small image of Amida in his crown. Dark finish with traces of gilt. Kwannon was an attendant to Amida Buddhas known as the "goddess of mercy" originally represented as a male. Halo (c).

Circular open weave tray with a gently rounded bottom and a thick bamboo rim bound with metal wire.