Black portrait mask with thick purple rattan fringe. The dark brown mask has a rounded top with a brim, two open eyeholes, a long nose bent at a right angle and lips off to the left side of the mask. The back is lined with burlap, secured using small holes around the edge. The thick purple fringe surrounding the mask is also attached using the small holes.

Woman’s embroidered hat or headdress, consisting of a skull cap with a long, wide ‘tail’ or extension in the back. The skull cap is made of black cotton textile, which is gathered at the top to fit the shape of the head, and there is an elaborate embroidered, crown-like topknot in the centre. The ‘tail’ or extension is attached to the back of the cap from approximately ear to ear and tapers to a narrow, squared-off end at the wearer’s waist. There is a triangular embroidered motif at the centre back where the extension meets the cap at the base of the skull. On the extension, triangular and diamond-shaped embroidered motifs are worked in bright pink and red silk floss, with small accents of green and yellow, and are arranged horizontally in narrow rows down the length of the extension. The embroidery stitches are so densely worked that very little of the background textile is visible. The extension is backed with a coarsely woven textile made of a bast fibre, perhaps jute. There is a small amount of silver thread embroidery on the crown.

Embroidered patterns on cloth. Rectangular piece of white cloth (missing one upper corner) covered with multicoloured, tightly cross-stitched figures. Imagery includes: Union Jacks, various birds, flowers, rabbits, a whale, and two serpent-like heads.

Burlap rice sack printed in red and black on both sides. One side is covered with printing identifying the weight, type, and brand of rice (25 lbs, extra fancy long grain, and "Empire Rice," respectively). The other side has several characters and the inscription "The Canada Rice Mills Ltd Vancouver, B.C." printed along the bottom.

Embroidered basketry patterns on cloth. Roughly rectangular sections of burlap with multicoloured cross-stitched figures: flowers, a butterfly, birds, a whale, and a deer.

Multi-coloured saddle cover constructed of wool cut pile textile and decorated with complex geometric forms representing plants and animals. Roughly square in shape, but with two adjacent corners cut off at 45-degree angles to accommodate the shape of the back of the saddle. There is a 10 cm slit at the opposite end, close to the edge. Side edges are selvage; front and back edges are turned once and secured with a coarse running stitch.

Large, thick, rectangular rug, boldly patterned and so densely embroidered in chain stitch that the supporting textile (heavy black wool twill, glued to a layer of burlap) is all but obscured. The large design motif, which is worked with green, gold, pink, orange, and off-white wool thread, consists of circles and geometric shapes within a square frame. There are three of these motifs in the centre of the rug. A narrow edge of the black textile is visible, as a narrow border, at the edge of all four sides of the rug, and a layer of dark brown, lightweight cotton textile is machine-stitched to the back of the piece. All of the colours are faded, however, more vibrant colours are visible if the rows of chain stitches are pushed aside to reveal the unexposed surfaces that lie close to the supporting textile.

A hand woven rectangular tapestry wall hanging (or table runner) with natural linen, jute or hemp warp, and wool weft. Main design is consisting of a stylized green, and brown tree with bird motifs in the centre on a variegated yellow background. The central motifs are framed by variegated red, orange, black, and gray horizontal stripes. Fringes are along the top and the bottom. Reversible.

Rectangular wool robe with designs all around border and a long fringe along three edges. The off-white blanket has a narrow geometric border around all the edges; red and purple along the top and bottom and red, purple, blue along the sides. The off-white fringe runs along three edges with red strands between, evenly spaced all around.

Grey and white hanten (袢纏, also written as 半天, 袢天, 半纏) with short sleeve panels. The sleeves, neck and border bands are grey. There is a grey diamond pattern on a cream ground on the upper portion of the front and back. The inside is unlined.