Pair of leather and rubber sandals with ankle and toe loop straps; straps threaded through cuts in insoles and nailed down. Soles are flat, rounded at toes and heels; “X”’s incised along edges of rounded sections of insoles. Straps are beige leather and have patterned bands across surfaces. Patterns consist of: triangles and zigzags, thin and thick stripes, checkered bands, and diagonal stripes. Designs done in dark blue, gold, white, dark red, and green.

Begena stringed instrument. Square-shaped resonator, covered with stretched rawhide, which is nailed in place. Triangular wood frame extends from top of sound chamber, made up of two arms inserted through the skin and connected at the top by a crossbar. The crossbar is rectangular on either end, with notches that the arms are inserted into, and a cylindrical centre where the strings are attached. The strings are fastened across the front of the sound box to wood pegs. U-shaped leather pieces placed between each string and the bridge.

Pair of ankle-high hide moccasins with ties at front; interior is unlined. Top of toe and long flap wrapping around back of heel are covered with cloth panels with beaded decorations. Designs consist of pink flowers with green leaves on a white background; dark red highlights throughout flowers. White beads border edges of flaps; edges of toe panels are undecorated. Moccasin openings are lined with white fur.

Painted drum (part a) made of stiffened skin stretched over round wood frame. Skin wraps around frame edges to the back; thin strips of sinew looped through holes in skin draw material tight. Sinew strips lashed together in centre with leather thongs; black looped cord attached to leather, for hanging purposes. Face of drum has bird, fin and sun motifs painted across surface, made up of formline design elements; done in dark blue, gold, and dark red. Artist signature and date made painted along side of drum; done in red. Drum rests inside separate square wood frame (part b) with tall walls (Metal hooks and wire in interior and on back of frame, for hanging purposes).

Male doll, in seated position, with dried seal skin face. Nose, mouth and eyes are done in relief. Eyes are coloured with dark blue ink(?). Small holes in nose, imitating nostrils. Large tongue sticking out of mouth; cleft chin is pronounced underneath. Eyebrows and hair made of seal fur. Figure is wearing seal fur clothing, consisting of a parka, mittens, pants and boots. Parka hood is pointed and has leather ties hanging from the tip. Hood, cuffs and bottom edge are trimmed with sheep fur. Matching trim along pant openings.

Male doll, seated on a basketry base, with a stone face. Eyes and mouth are incised, wide nose and hair are carved in relief. Figure is wearing fur clothing, consisting of a parka, mittens, pants and boots. Mittens are hairless. Bottom edge of parka has leather fringe. Dark brown highlights down front of boot calves. Vamps have dark green embroidery along their edges. White stuffed dog, made of sheep skin(?), in front of doll. Dog is wearing a harness, trimmed with fur, and the doll is holding the leather reins in each hand. Basketry base is undecorated.

Ostrich egg water holder with a hole drilled into the top; leather strap inserted into hole, for carrying purposes. Incised antelope designs around sides; incisions are filled in black. On front, large antelope is shown in profile with one foreleg raised. It has detail work on its face and stripes on its leg. On back, large black antelope is depicted in profile with both forelegs in motion. Base is undecorated.

Ostrich egg water holder with a hole drilled into the top; leather strap inserted into hole, for carrying purposes. Incised geometric and animal motifs throughout; incisions are filled in black. Antelope designs are on front and back, directly underneath the drilled hole. Animal on front has its knees bent and tongue out; animal on back is standing straight. Long lines of connected diamonds run down sides, dividing the front and back of the container. Base is undecorated.

Basketry container with lid, encased in a leather holder. Container has a circular mouth that flares into a rounded body; raised braided seam around middle. Body tapers into a small flat base, with a concave centre. The lid has an inner ridge, that fits into the container body, and a raised knob on the top centre. Bottom edge of lid has braided decorations; sides of knob are covered in cowrie shells. The holder consists of three vertical straps secured together with three horizontal straps along the bottom, centre and top of the container. Front and back strap are separate pieces; left and right side made up of one long strap that extends overtop of the container, imitating a handle. Additional leather ties are looped throughout the holder. Motifs are incised and darkened across all straps. Left, right and back straps have alternating stripes and "X" shapes; front band has wide diagonal lines throughout.

Carved, three-dimensional, mask pendant. Male face has wide oval-shaped eyes, thick black brows, frowning open mouth, and a black painted beard and moustache. Area around eyes is sunken and painted blue. Nostrils and lips painted red. Rest of face decorated with design elements in blue and red. Male is wearing a red twisted ring on top of head. Leather cord nailed to back of carving. Artist inscription on back with date, title, name.