Goat horn container. Hollow, curved section of yellow-brown horn with a cork stopper at the pointed end and a cork plug (part b) in the large end. A narrow leather band is attached at the rim with metal studs. There's a fine incised decoration of hearts and flowers on the surface, as well as the inscription “CABECO DE VIDE / 1950”.

Shepherd’s horn for wine; brown goat horn with round metal piece at pointed end and leather band at rim with dark gold-toned studs. Twisted leather thong strung to a metal chain. A small wooden plug attached with leather thong at rim. Deep carved cross lines on surface. Small pieces of tape on surface.

Goat horn container. Yellow-brown horn with round metal piece at pointed end and leather band at rim with dark gold-toned studs. Twisted leather thong strung on a chain and a small wooden plug attached with a leather thong at rim. Horn surface is polished.

Goat horn container with round metal piece at pointed end and leather band at rim with dark gold-toned studs. Twisted leather thong strung to a metal chain. A small wooden plug attached with leather thong at rim. Incised cross lines design on surface.

Pair of soft beaded hide gloves, or gauntlets, that reach to mid forearm. On the back of the hand are three lines of beads, white and red, with the two outer lines holding three green leaves each. On the back of the wrist is a white beaded flower with dark red centre and accent. It has two vines in the same colours, also with three green leaves per vine. On the outside wrist edge of each glove is a long hide fringe. The top cuff of the glove is rounded, while the underside cuff is straight. The wrist portion of the glove is decorated front and back as well as top and bottom with scalloped edging.

Hand-made artificial limb. Made from a single piece of wood carved into a thigh height leg, wide at the thigh and narrowing toward the ankle, with a discernible knee. The thigh is hollowed out to the knee. A short blunted foot is carved at bottom, with a pad of rubber attached to back and bottom. Leather thongs are wrapped around the ankle and upper thigh, where a piece of leather protrudes holding a system for buckling that includes two metal rings.

Beaded circular hand bag with a dark brown-black velvet front and soft leather handles and fringe. A long fringe is attached all along the bottom and sides of the lower half of the bag. The beadwork on the front is a floral pattern with four flowers and leaves encircling a large flower in the centre. The interior of the bag is lined with light green twill and contains a pocket with a plastic zipper.

Small altar containing three dimensional figures representing the nativity. The exterior of the object is painted yellow-white. The side walls and top of the altar are bordered with dark blue. On each side of the altar, there are successive rows of yellow and pink dots over top the yellow-white background. The door of the object is attached to the altar with two pieces of leather that serve as hinges. There is a flower painted on the front of the door. It has pink, blue and green petals. Above the door, there is a triangular piece of wood attached to the front of the roof, giving the façade a triangular roofline. On the inside of the door, there is a pink flower with green leaves. Inside the altar, the back and side walls are painted dark blue. There are gold stars in the sky. At the back of the scene within the altar, two haloed figures stand in either corner. On the left side, the figure is a man who holds a staff in his left hand. In the right corner, the figure is a woman who has her hands clasped in prayer. Both of the figures look upon baby Jesus, who lies on a circular crib between them. The crib is yellow and has a crimped edge that is painted pink and gold. In front of baby Jesus, on the left side, there is a kneeling angel with yellow wings and a red cloak. She has her hands clasped in prayer. Opposite the angel, on the right side, there is a man in a brown hat and jacket; he plays a flute-like instrument. There are two sheep lying in front of the baby. One of them reclines on all fours. The other stands as if he is sniffing the baby. Both of the animals sit upon green mounds. There is a piece of tape stuck to the back of the object with a number written on it in blue pen.

Portable retablo containing three-dimensional figures representing Saint Cristobal and others. The altar is made of wood with fresco painted over top. The exterior walls of the altar are painted yellow-white or yellow with red borders. On the side walls, there are grey curlicues painted over the yellow-white background. The top of the altar is painted yellow with red stripes. Along the front edge, there is a triangular piece of wood attached to the top of the altar. It is painted yellow with red accents. Below, the front doors of the altar are painted pink with red curlicues over top. There are two pieces of ribbon threaded through two holes in each door. The ribbons are striped with red and white. The interior of the doors are painted with black flowers that have red and yellow centres. Saint Cristobal stands against the back wall inside the altar. He wears a yellow robe, red cape and holds a large green leaf in his hands. He has a halo, long black hair and a beard. A haloed child sits on his right shoulder with a blue ball in his right hand. Below, there are smaller figures of people and animals. The interior walls are painted yellow-white with red, black and yellow spots. Signed on the back in black paint. Also, the title of the work, location, date and a number are written in black ink.

Wooden painted carving of two oxen yoked together; part of a "San Isidro Labrador" set. Both oxen are painted black with brown eyes, dark brown horns and hooves, and have a thick ridge of muscle running around their necks. The ox on the left of the image gazes forward and has its mouth open. Its tongue extends out of its mouth to lick its nose; its mouth and nostrils are painted pink. The left ox has its tail bent and resting on top of its back. The ox on the right has white patches on its black fur, including a triangular white patch on its forehead and a line of white hair along its spine. This ox has its head tilted to the right and its mouth is closed, and its tail down. The oxen are yoked by a piece of wood which rests on the front of their shoulders. Over each torso the yoke is curved to fit the bodies and is affixed with leather rope which wraps around the left ox’s neck twice and the right ox’s neck three times. Hanging down from the yoke and attached by a piece of string, there is a long cylindrical piece of wood that extends in between the oxen bodies and further back. There is a square hole through the end of the piece. The oxen stand on a square base that is painted green-blue. Part b is a rectanglular piece with a triangular point at one end and a smaller rectangle cut out of the other end. Part c has a horizontal portion at one end which meets the remainder of the piece at a right angle. Upwards from this right angle, another portion of the object branches off at a more acute angle. There is a small hole through the object at one end.