Carved mask of a human face. The green-brown face has semi-circular cut out hole eyes outlined by black and surrounded by a white tapering oval and an area around the eyes in suggestion of an ovoid shape with wide black brows above. The large protruding nose has the nostrils cut out. The open red mouth is showing ten white bared upper teeth. The moustache and the goatee are skin pieces. Wrinkles are carved in the forehead and in the cheeks. Skin and leather tongs are attached.

Whale-shaped mask or headdress with moveable jaw, dorsal, pectoral and fluked tail fins. The moveable parts are connected by strings which work together. Black overall with red mouth, outline around eye, nostril and details on fins. Dorsal fin at centre top is in recessed channel. It is attached to headdress with wooden pegs at bottom centre of fin; ovoid hole cut in white ovoid above face, two u-shapes above. Tail flukes also formerly pegged, peg now missing; decorated with frontal face which has black and white ovoid in ovoid eyes with red split u ears and red and white mouth. Bottom, convex surface is painted with a frontal face; black outlined round eyes and grinning mouth. Red and green details on white ground. Pectoral fins, formerly hinged with nailed on leather strips which have split down centre. One side patched and also now detached. Outside of fins are fully painted with face before double split u's; inside is black and red on unpainted wood. White s-shape on each side of whale body and white ovoid at back. Holes for string attachments in all parts. Canvas head strap on bottom with remnants of blue cloth. Piece of rope strung across bottom near back. Stains, imbedded dirt and a few scrapes.

The shape of the mask is like a high triangle, two planes intersecting on the median of the face. The heavy eyebrows are painted black, but are not raised. The brow slopes and projects sharply above the nose. Each eye is set in a concave orb in the mask. The eye is made up of a painted white ring surrounding a round hole (2 cm. in diameter, 2 mm deep). The hooked nose is long and narrow and merges with the backswept cheek planes. Up-thrusted narrow nostrils are painted orange. The mouth, encircled by a concave recess, is formed by full, protruding lips, drawn back slightly separated and painted orange. Along the top edge of the mask extend strands of black hair shredded and twisted cedar bark strands, and grey-white feathers. Inside the mask is a leather frame to fit the head.

Wooden, carved bird mask with a very long straight beak. Beak has rounded end and movable lower mandible. Shredded cedar bark at top of head has five feathers, three brown and two white, and down. Twisted cedar bark nailed along upper rim, sides and lower, unraveled ends on either side of elongated rounded protuberance at base of beak; long bent brow above orange eye area which is curved and pointed at base of beak, pointed eyelid lines have red optic liners, circular pupil; u forms on temples; conical protruding nostrils have circular ends and u forms along length; black beak has series of u forms above and below red lip band; lower mandible is slightly longer than upper beak. Frontal bird face at base of lower mandible with black and white circular pupils in orange eye areas, black broad nostril nose with circle at centre for tip of beak, white band around red continuous lip band, bared teeth. Lower mandible attached to base of head by leather hinges that have been glued and stapled into place; operated by cord tied and passed through 2 metal 'eyes' on interior of beak, looped around a wooden ball and attached to the centre of a short stick; nylon line looped and tied through two holes at base of head. Signed 'Hok Hok Beau Dick 80.'

Winalagalis hand puppet. Articulated male figure is somewhat skeletal, with leather joints at neck, hip, elbows, wrists and ankles; humanoid skulls at knee joints; pegged shoulder joints. Head: long strands of hair are inserted into holes drilled at top and back; green face has black brows, white brow line; slightly depressed eye area has white circular hole pupils in red; sharply curved nose has rounded red nostrils; white moustache-like area on red rounded upper lip, moveable lower jaw, quill teeth; circular red and black ears. Body: green ovoid with white crescent at pectorals, exposed ribs, red navel; hips are attached to rib cage with thread loops; penis on wooden extension is screwed to back of rib cage; scrotum on separate cords; rolled leather at top of each leg is inserted into hips; long wide feet have 2 sets of parallel lines indicating bones, green toenails; long arms, hands with green fingernails hang to knee level. Single strand of red beads around neck. The puppet's genitalia manipulates body movements through the use of cord and wire.

Vertically rectangular wood piece. Eagle bird design carved in the centre. Eagle has a wide, red face that is outlined by dark blue with circular abalone shell inlaid eyes surrounded by a tapering red oval surrounded by a white ovoid outlined by dark blue. Downward curved, white beak is has a lower red lip with six oblong abalone shell inlaid teeth. The red body has a vertical row of four vertically, rectangular abalone shell inlaid pieces. The outward pointing, white claws have four downward pointing, red digits. The red side wings have downward pointing, dark blue outlined, white triangular feathers. The trapezoid-shaped tail is white. Six horizontal rows of upward pointing, dark blue outlined, white triangular shapes are at either side. The background is red. Rectangular abalone shell inlaid pieces are around the border with six at either side and seven along the top. The outer edges are white with a narrow vertical wood strip painted white attached at either side by leather skin.

Pair of leather sandals. Soles are flat, rounded at toes, sides straight narrowing to square heel; three holes punched through soles, one close to top, one on either side close to heel; grey-white strap passes through hole at top and is knotted on on underside, it is looped through outside hole close to heel and then through inside hole close to heel, length left between holes to form heel support, remainder of strap is loose.

Black leather stylized representation of a figure in a dramatic dance pose, one leg stands on a snake-like creature while the other is raised to the waist. One arm holds a bow and the other an arrow over a tall tiered crown. The figure and the surrounding halo is cut out with an overall pattern to give a lace-like effect.

Brown bentwood oval box with lid (part b). Box is one piece, with bent sides with bevelled edges forming a flush side, sewn together with two parallel rows of baleen(?) and leather. Rectangular walrus tusk clasp between sewn rows with hooked appendage and six holes (or sets of holes), two form 'eyes' with hook as 'nose', attached through holes with leather strips. Two parallel grooves at top and bottom of sides. On opposite side is second walrus tusk rectangle with five sets of holes with leather strips attaching it to box. One top corner has wooden pegged (three) strip of wood; a longer damaged pegged (six) strip on end. Two holes on non-clasp side for attaching lid to box. Both are broken, remnants of one are on box, the other. Lid has a horizontal row on top of 7 beads with the central bead being light blue and the others being dark blue.

Painted dance mask with twig headdress and cedar bark fringe. Mask has a very bulbous black forehead with white painted ridge above and below curving eyebrow band. Eyes are close to nose with round hole outlined in white and enclosed by a black eye-shape. A blue contoured teardrop shape expands out on both sides surrounded by a white band. Large hooked nose with white tip and curving band dividing the black top from the red bottom and extending to corners of mouth. Very large triangular nostrils on underside of nose. Tip of nose meets large rounded chin. Deep-set mouth is slightly opening showing 2 rows of even white teeth. Red curving, contoured split u-shapes on cheeks. There is a lip around outside of mask, painted with large blue circles. The areas between are natural cedar. Three partially red painted fir boughs (without needles) are mounted into metal springs in the top of the mask, 2 with masking tape and one with leather. White ostrich feathers are attached by white thread at 5 places and around cedar bark tuff at top front. Tuff is braided to sides. Cedar bark fringe on top back is loosely tied together with white string dyed brown. The string end has passed through hole on side where leather thong is tied. Thong also ties on opposite side and at top, centre. Thong is looped at centre back. Bottom cedar bark fringe is attached to bottom of mask with string which is loosely tied across fringe in 2 rows. Cedar bark strands alternate between natural and red dyed. Inside of mask is partially covered with red sprayed paint.