Brown leather sandals (parts a-b) with a wide strap across the toes, back and two on the front. The top has a floral decoration with red and green velvet underlay. There are two buckle fastenings on the side. Slight tooling around the edges of the sole. The soles are nailed. Pressed into the sole is a circular stamp reading ‘Mexico’.

Case composed of two rectangles of cardboard covered in leather and folded against each other. One side of the case contains a mirror on the inside, and both sides are joined with a strip of red leather attached at the top centre of each. A loop is created at the centre of the leather strip by a band of red leather. The outside of the case is painted red with a roughly symmetrical geometric design in carbon ink and the edges of the design are emphasized with indented lines.

Case composed of two rectangles of cardboard covered in leather and folded against each other. One side of the case contains a mirror on the inside, and both sides are joined with a strip of leather attached at the top centre of each. A loop is created at the centre of the leather strip by a band of twisted red leather. The outside of the case is painted red with a roughly symmetrical geometric design in carbon ink.

Wooden headdress consisting of a rectangular piece of wood with a semi-oval cut out of the centre bottom; painted in blue, yellow, green, black and red. The front has a flower in the centre and two feathers on each side. The back has clouds and lightning with two feathers on either side. The front has a circular bundle of fibre attached. There is a thick leather strip that attaches at the back and hangs down past the edge of the wood. A second piece of leather runs horizontally across the opening.

Large, carved, wooden, raven hamatsa mask with a long beak, an ovoid shaped projection on the ridge and thin, ovoid shaped cutout nostrils. The beak is hinged with pieces of leather nailed to either side. The beak is painted black with a red mouth and nose. From the edge of the mouth to the back of the nose are a series of red u-forms ending in a split u. At the back of the mouth are two white u-forms. The bridge has white and red detailing. The eyes are white, outlined in black and red, on a white ovoid shaped background; brow is black. The inside of the mask is hollow with the exception of twine used to open and close the beak. The top has short pieces of cedar creating a fringe, while the back has longer strips that hang over the wearer. The bottom is black with a white U-form. The mask is painted black, red, and white with Northwest Coast stylized designs.

Large, carved, wooden, hokhokw mask with a long beak and circular cutout nostrils. The beak is hinged with pieces of leather nailed to either side. The beak is painted black with a red mouth and nose. Along the front end of the beak are ten, white, incised U-forms. At the back of the nose are two large black and red U-forms followed by smaller red and white split U’s outlined in black. The eyes are white, outlined in black and red, on a white, ovoid shaped background; brow is black. The inside of the mask is hollow with the exception of twine used to open and close the beak. The top and side edges of the mask are lined with braided cedar. The top has short pieces of cedar creating a fringe, while the back has longer strips that hang over the wearer. Intertwined in the cedar are a few feathers. The bottom has crooked beak depicted with black and white eyes, red and white mouth and a protruding, crooked beak. The mask is painted black, red, and white with Northwest Coast stylized designs.

Large, carved, wooden, raven hamatsa mask with a long beak and two sets of s-shaped cutout nostrils. The beak is hinged with pieces of leather nailed to either side. The beak is painted black with a red mouth and nose. At the back of the mouth are three red ovoid-like shapes. Surrounding the nose are two s-shapes and three elongated s-shapes. The eyes are white, outlined in black, surrounded by red, on a white, ovoid shaped background; brow is black. The inside of the mask is hollow with the exception of twine used to open and close the beak. The top, side and bottom edges of the mask are lined with braided cedar. The top and sides have short bundles of cedar creating a fringe. Intertwined in the cedar are a few feathers. The underside of the mouth is painted black with a small white and red design. The mask is painted black, red, and white with Northwest Coast stylized designs.

Carved, wooden, raven-kolus transformation mask. The exterior raven consists of a long black beak, red mouth and cutout nostrils. The eyes are white, outlined in black on a white background surrounded by a green ovoid; brow is black. The mask opens in four directions – to the sides, up and down – exposing kolus with a short white beak, red mouth and nostrils. The eyes are white, outlined in black on a white background surrounded by a green ovoid; brow is black. The side boards depict its wings; top its tail feathers while the bottom open board is detailed with ovoids, U’s and split U’s. Twine cord attaches to all four sides to assist the mask in opening and shutting. The opened boards are hinged with leather and attached by nails. The mask is painted white, black, green and red with Northwest Coast stylized designs. Long strips of cedar hang down the back covering the head of the wearer.

Wooden, carved, oval shaped, human transformation mask with a small bear mounted on the head like a headdress. The front of the mask is a large human face with red mouth and nose, black moustache and black outlined eyes on a white circular background surrounded by a green ovoid. The face is outlined in white. The bear has a long snout painted black with white edging. The nose and mouth are red. The mask splits down the centre and opens to expose another human/whale face. The inner face is detailed exactly like the outer face with the exception of killer whale motifs painted on the cheeks and forehead. The eyes have drilled holes. The opened boards are hinged with leather and nails; they are painted white with human hands and arms. The back of the bear has many twisted cedar strips that hang. The outer face is lined with small bundles of cedar. The mask is painted dark green, black, white and red with Northwest Coast stylized designs.

Wooden, carved, dear-human transformation mask with a long snout painted red with circular cutout nostrils. The jaw is hinged with a piece of leather nailed to the lower mouth; the sides have metal hinges. The face is dark red/brown with white edging and detailing; black outlined eyes on a green, ovoid-like shaped background; brow is black. There are two large, orange ears nailed to the top that appear to be added later. The mask opens in three directions – to the sides and down – exposing a painted human face with cutout nostrils. The three open boards are detailed with the figures hands, along with ovoids, U’s and split U’s. Twine cord that attaches to all three sides and run through the human’s nose to assist the mask in opening and shutting. The back has numerous cedar strips that would fall behind the head of the wearer. The mask is painted red, dark red/brown black, green, white and black with Northwest Coast stylized designs.