Ostrich egg water holder with a hole drilled into the top; leather strap inserted into hole, for carrying purposes. Incised antelope designs around sides; incisions are filled in black. On front, large antelope is shown in profile with one foreleg raised. It has detail work on its face and stripes on its leg. On back, large black antelope is depicted in profile with both forelegs in motion. Base is undecorated.

Ostrich egg water holder with a hole drilled into the top; leather strap inserted into hole, for carrying purposes. Incised geometric and animal motifs throughout; incisions are filled in black. Antelope designs are on front and back, directly underneath the drilled hole. Animal on front has its knees bent and tongue out; animal on back is standing straight. Long lines of connected diamonds run down sides, dividing the front and back of the container. Base is undecorated.

Basketry container with lid, encased in a leather holder. Container has a circular mouth that flares into a rounded body; raised braided seam around middle. Body tapers into a small flat base, with a concave centre. The lid has an inner ridge, that fits into the container body, and a raised knob on the top centre. Bottom edge of lid has braided decorations; sides of knob are covered in cowrie shells. The holder consists of three vertical straps secured together with three horizontal straps along the bottom, centre and top of the container. Front and back strap are separate pieces; left and right side made up of one long strap that extends overtop of the container, imitating a handle. Additional leather ties are looped throughout the holder. Motifs are incised and darkened across all straps. Left, right and back straps have alternating stripes and "X" shapes; front band has wide diagonal lines throughout.

Carved, three-dimensional, mask pendant. Male face has wide oval-shaped eyes, thick black brows, frowning open mouth, and a black painted beard and moustache. Area around eyes is sunken and painted blue. Nostrils and lips painted red. Rest of face decorated with design elements in blue and red. Male is wearing a red twisted ring on top of head. Leather cord nailed to back of carving. Artist inscription on back with date, title, name.

Illuminated Qur’an, with naskh script written in black ink and pages edged with gold leaf. Covers and spine made of black leather, with raised floral and curvilinear motifs throughout. Long oval in centre of each cover, with stamped motifs. Spine is undecorated. Flap closure attached to back cover. Flap lined in dark red cloth, covers lined with blue-grey paper. Each page of the Qur’an has lines of script, with circular motifs throughout sentences, bordered by simple red, black and gold lines. The first two pages are highly decorated. Motifs done in gold and blue, with pink, yellow, red and grey-green highlights throughout. Designs include plain lines, curvilinear lines, flowers, and hearts. Pink, blue and gold decorative bands divide sections of text. Some pages have floral and star-like designs along the edges. Designs done in pink, green, blue, yellow and gold.

Illuminated Qur’an with script written in black and green ink. Covers and spine made of brown leather, with painted designs on the covers. Front cover has a central oval-like shape, with curvilinear attachments on the sides. Back has an oval-like shape, with scalloped sides. Green floral designs inside of oval. Spine is undecorated. Covers lined with white paper. Each page of the Qur’an has lines of script, with red highlights throughout, bordered by stylized, gold leaf frames. Frames have dark blue lines protruding from all sides. Black and dark blue floral and curvilinear motifs decorate the frames. The first two pages of the Qur'an have additional decoration. The stylized frames have an inner white band with floral and dot motifs. Motifs done in white, pink, light blue and dark green. Some pages have large, green dots along the edges.

Illuminated Qur’an with script written in black ink. Covers made of brown leather, with incised and painted decorations. Spine made of painted cloth. Front cover has a raised, inner border, outlined in black paint on the outer edge and a wide band of gold leaf along the inner edge. Alternating incised lines and dots along the raised portion. Lines done in black, circles in gold. In the centre of the cover is a raised oval, with pointed ends, outlined in gold and black. Black curvilinear motifs across surface of oval, with impressed dots on each side. Dots are filled with gold leaf. Back cover has a raised, inner border, outlined in black and gold on either side. Covers lined with paper. Each page of the Qur’an has lines of script, with floral motifs throughout sentences, bordered by simple black and gold lines. The first two pages are highly decorated. Motifs are done in gold and blue, with pink, red, white and orange highlights throughout. Designs include curvilinear lines, feathers, flowers and arrows. Gold, red and blue decorative bands, with floral motifs, divide sections of text. Some pages have curvilinear designs along the edges. Designs are done in gold, blue and red, and filled with floral motifs. Pencil inscription on last page.

Illuminated Qur’an with naksh script written in black ink. Covers and spine made of brown-red leather, with identical floral, geometric and curvilinear motifs stamped both covers. Spine is undecorated. Edges of covers trimmed with two lines, circles in the corners. Raised, inner border, covered in motifs, surround a long oval. Circles in corners of raised portion. Ovals are filled with floral designs and bordered with curvilinear lines. Two bands, made of three plain lines and circles, extend from the top and bottom points of the ovals. They meet with the inner, raised borders. Flap closure attached to back cover, with matching designs along the surface. Spine of flap has stamped circles and lines. Flap and covers lined with white paper. Each page of the Qur’an has lines of script, with gold leaf and red paint highlights throughout, bordered by simple red and dark brown lines. The first and last page are highly decorated. Motifs on first page done in gold and blue, with dark purple, dark green, yellow and white highlights throughout. Designs include curvilinear lines, geometric forms, star-like shapes and flowers. Motifs on last page are done in gold, dark purple and blue. Designs are circular and curvilinear, text is written in red. Some pages of the Qur’an have characters written in red and black along the edges. Pages are numbered in pencil, in the bottom corners.

Leather ammunition belt, with fifty open-ended pockets across its surface for individual bullets. Belt fastens with a metal buckle, attached with a leather tab. Tab is covered by the belt loop. Opposite end of belt is made of a narrow strip of leather, with five adjustment holes along it. Holes are spaced out, at equal intervals, and lined with metal. Entire exterior surface of belt is covered in brocaded decoration. Background is pale orange, with designs overtop done in golden brown. Geometric motifs along all belt edges and edges of pockets. Designs across pockets, belt loop and area around adjustment holes are curvilinear and floral. Back of belt is undecorated.

Small, gourd mate container. Container exterior is covered in orange-brown leather, stitched together along the back side. It is oval-shaped and has a raised, rounded lip made of stainless steel. The lip slopes into a plain border, that extends slightly outward from the container. Leather is pinched in three places, along the base, to form triangular legs. Interior of container is rough, covered in dried pith.