Carved wooden yipwon (hook figure). Flat, rectangular wood piece with a slight curve at the bottom and a taper to a rounded end. The front has three dimensional carving, starting at the top: two hooks facing each other, elongated human face with shell inlay eyes, three carved projections, one hook facing up. The base of the hook is carved in relief with a stylized geometric design. In the cuts is a white pigment.

Triangular shaped wooden prow with a cylindrical shaped base that tapers to a point. The sides of the base are incised with a repeating stylized geometric design. Attached below is a framework of triangular shapes intermixed with fish and bird heads. White pigment outlines the shapes while orange pigment is added to the engravings. Five fibre tassels hang from the base.

Mask with a concave face, protruding eyes, a looped nose, concave ears, and a dish-like oval object on the forehead. A rail runs below the face, and another bound with cassowary feathers and brown feathers are also spaced evenly along the rail. Cassowary feathers decorate the nose and sennit fibre tassels hang from the ears. The mask is made of rattan woven over a frame of wood that is thinly coated with clay. The facial features are emphasized with black and white pigment.

A round pot, tapering to the neck, then flaring at the rim. Two handles are shaped like beaks, concentric discs above are eyes. At right angles are two features comprised of an eye above a u-shaped outline of raised clay. Below, running between the handles, is a line of sockets. Pigment is white and pink.

A wide flat coiled bark belt with a pattern incised into the outside surface of the outer coil. The inside coil is entirely unadorned. The curvilinear pattern has human faces within the rounded borders of both ends. Lime white accents the pattern. Fibre and string run through a series of holes in one area. The belt ends are tongue-shaped.

Polychrome, carved wood sculpture of a standing dark brown tortoise supporting a green serpent-like dragon curled on its shell which is also surmounted by a standing white-winged, red-brown dragon ? whose front paws hug the snake body at the neck. Tail has multi-pointed plume like both wings, all of which are outlined by red. End of snake is in an upright position at the back. All three creatures face the same direction with open mouths and bulging eyes. Dragon-like figures have tall ornate crowns and fanged teeth. Face at the back of the upper figure's crown has a beak. Creatures' heads move and are held in the neck areas with pins.

Light wood piece with centre hollowed out. All features of face are pronounced: red lower lip protrudes further than black upper lip around perforated mouth slit; yellow lime covers large geometric nose, softened cheekbones and chin; recessed eye sockets have protruding white eyelids around lozenge-shaped eye perforations. Eyebrows are black arcs. One perforated hole on either temple with knotted twine; the hole on the left with length of twisted wire. Knotted tag attached to hole on the right and three stamps on inside of mask.

Soft light wood; truncated cone shape with centre hollowed out. Face on flat frontal surface has projecting geometric nose, perforated eye slits. Blue eyebrows and smiling mouth painted on; flaking white lime overall. Brown feathers placed in holes once circled entire edge of face. Many have deteriorated. Large painted u-shaped comb in pink, blue, and green projects from top of head. Sections cut out for design of pink triangle topped by a blue painted bar to separate from two roosters in profile facing each other at top.

Distorted brown sphere (part a) open at one end with a cylindrical light wood stopper (part b). Sphere (part a) has a geometric design in horizontal bands that are incised around the upper half of the outer surface. The inside is hollowed out and filled with white powdered lime? The stopper (part b) has an incised band around the upper edge. It is 9 centimetres in diameter and 2.7 centimetres long.

Flat, oval shaped wood with a stylized facial design carved in shallow relief. The negative space is covered in a white pigment. The back is undecorated and has a slight, rectangular shaped, tapered protrusion.