Gold brooch carved in the design of an eagle, with abalone inlays. Eagle’s head in profile facing right; twenty one pieces of inlay in head, wings and tail. The long pin with a clasp on the reverse extends diagonally from right to left wing. Artist inscription on back: Reid 70.

Spoon with a carved goat horn handle attached to a translucent mountain sheep horn bowl by metal rivets. Handle carving depicts, from the tip, a human-like figure connected by an extended tongue to the raven below; at the base, a sea-bear with tail flukes, side fins, and upright ears displays a dorsal fin with human face.

Belt is made of rawhide, with a heavy steel chain attached that holds 5 large cowbells. Central bell is the largest, with the two on either side decreasing in size. Bells have a wide handle by which they are attached to the chain, and a single encircling wave-shaped line of decoration at midpoint. Bells have black and silver metal clappers.

Miniature totem pole brooch. A bear sits at bottom in an upright pose with knees bent, front legs raised so paws come together in front of chin. Body is red-brown. Face shows large green and black eyes, and a heavy brow, with an open mouth in red. On the bear’s head perches a large bird with wings fully spread, feathers painted in formline style on the front. Wedge shaped head has a large curved beak, and a ridge sits on top of head. Eyes are also green and black. Back of pole is undecorated but for a black line along top of wings. A metal stick pin is glued to back.

Pipe bowl in the shape of a baby bird with its mouth open wide. The mouth is rimmed with copper. The stem hole is in the bird's breast. Pipe stem is missing.

Thick square wooden carving with soft rounded corners and flat edge. Carving depicts the moon, and a frog with black almond-shaped eyes. Brass rod at centre of base for installation. Artist inscription and date on base.

Wooden figure of an animal. Creature is carved from several pieces of wood, with torso and head one piece, legs each separate pieces nailed onto the body. Tail is wide and held up at a slight angle. Neck curves upward, mouth open as if animal is calling. The large leaf shaped ears are inset and glued into the head, sticking out to either side. White, green and black eyes surrounded by long lashes are painted onto either side of the head. The body is painted red with a dense covering of small light blue dots overpainted by larger dark blue dots. Face has short lines of green and black.

Wooden figure of an animal. Creature is carved from several pieces of wood, with torso and head one piece, legs each separate pieces nailed onto the body in a wide stance. Tail (part b) is long and tapered at end. The large leaf shaped ears (parts c and d) fit into small holes bored high on the head. Animal’s mouth is open, with tongue emerging, white teeth painted along the edges. Nostrils are incised above. Eyes sit on the sides of the head and are painted white, green and blue. The body is bright pink overall with large patches of black.

Double-sided clappers (kartal style). Wooden body is shaped like two large-headed fish with tails joining at the object’s concave middle. Eyes are carved, as are parallel lines decorating the tails. At centre sits an upright metal ring with bead at top. Each fish holds two metal disks in its mouth that clang together when the instrument is shaken. Bottom of clapper is flat and undecorated.

Round, carved, wooden killerwhale pendant. Design shows a larger face below with a wide mouth showing its teeth; a smaller face is carved above. A gold metal band circles the edge. The back is smooth and concave. Three small gold screws at the back hold the band in place. Gold metal hanging ring at top. Artist's inscription on back reads RD 85-91.