Beaded antelope-like figure, with an internal metal structure wrapped in cloth. Head is oval-shaped with curved antlers and protruding triangular ears; both done in metallic grey. Face is yellow with metallic grey throughout, imitating the eyes, nose and mouth. Animal has a cylindrical-shaped body and angled legs, done in light green; chest and buttocks are yellow. Flat yellow tail hangs from back, with green fringe along the bottom edge. Concentric diamond designs circle the legs, body and neck. Concentric triangle designs across the chest and buttocks. Motifs are done in metallic grey, yellow and light green.

Seven-stringed lyre with a wooden sound chamber covered in leather skin; skin secured with nails. Triangular wood frame extends from top of sound chamber, made up of two vertical rods inserted through the leather and connected at the top by a third horizontal rod. Third rod has raised decorations on the sides and a cone-shaped protrusion on the left edge. Seven bands of braided plant fibre are tied across the horizontal rod. Oval-shaped hole towards bottom of skin cover; seven strings inserted through it and are wound around horizontal rod, overtop the braided bands. Strings are stretched over a small rectangular soundboard, adhered to centre of leather cover. Two-tiered circular decoration on back centre of sound chamber. All components of lyre are darkened to dark brown; strings are black.

Head of a female Bunraku theatre puppet (part a) with stand (part b). She has a white oval-shaped face, long white neck and elaborate black coiffure. She has a wide nose, large light grey eyes and her eyebrows are light blue. Her lips are painted dark red, teeth are black. Her hair is pulled back into three buns. Front bun is secured with cord, and the centre bun is held in place with a kushi (comb) and kogai (hair tool). Both are made of black lacquered wood with iridescent plastic decorations embedded in them. Designs are floral and coloured red, light purple, white, light pink and light blue. The bottom bun is secured with a two-pronged, gold-coloured metal hair pin. The top has a circular medallion with a floral motif. The head is attached to a wooden rod with a handgrip. Two cords, with toggles, run through the grip, and into the head, to control neck and eye movement. The grip fits into a wooden stand (part b), supporting the head at an angle.

Male Bunraku theatre puppet (part a) wearing a long heavy robe. He has a removable head (part b) and separate sword (part c). The body has an internal wooden, bamboo and paper frame, with cords and rods throughout to control arm and hand movement. There are stuffed cloth bundles around the arms, legs and stomach for added dimension. The character is wearing a long-sleeved, front-closing under-robe, coloured dark orange with elaborate white embroidery across its entire surface. Motifs consist of circular dragons with curvilinear and floral lines in between. Overtop, the puppet is wearing a short-sleeved, vest-like robe. The shoulders and lower half are pleated. Coloured dark purple with a dark grey meander pattern background. Throughout there are embroidered circular dragons divided by rows of flowers; designs in white, dark orange and dark green. Matching belt tied around waist. White wooden hands extend past the sleeves. The head (part b) consists of a beige square-like face, long beige neck and styled black hair. He has a wide nose, large light grey eyes, and wide slanted eyebrows. A pointed diagonal red line is painted across both eyes, lips are done in a matching red. He has a light blue beard and moustache. Hair is pulled into a top knot, with a paper bow secured behind. Head is attached to a wooden rod with a handgrip. Multiple cords, with toggles, run through the grip and into the head, to control eye, eyebrow, mouth and neck movement. Maker's mark stamped onto base of head and along back of handgrip. The short curved sword (part c) is sheathed. It has a black hilt with a bronze-coloured metal pommel and guard. The sheath is black with a bronze-coloured metal cap. The sheath’s grip is dark brown and has light brown flowers painted across it. Brown, grey and white striped cord tied around the blade, to attach it to the puppet’s belt.

Canvas drawstring bag with repeating silkscreen-printed thunderbird motif. The thunderbird bodies are forward facing, with heads in profile. They are made of black designs with red highlights throughout. Black band border along bottom edge with alternating triangle motif. Bottom triangles are black. Top row has black triangular outlines; the rest of the space is naturally coloured. Black drawstring ties are on the front and back centre of bag, along the top edge. Holes for ties outlined with brass-coloured metal. Seam along back centre. Interior lined with clear plastic. Paper label with design and artist information affixed to base.

Striped sash with heavy embroidery. Stripes alternate between pale pink and dark pink, with threads extending into adjoining sections, giving stripes flowing appearance. Embroidery is along the bottom edge and upper two thirds of the sash, with a wide section of plain stripes in between. Embroidery consists of triangular sections- with backgrounds of gold, white, pale pink and dark pink- filled with floral and geometric motifs. Geometric motifs are of concentric diamonds, hexagons, diagonal and horizontal lines. All are done in white. Reeds and flowers, done in gold thread, throughout dark and pale pink sections. Pale pink, blue, purple and white flowers, with yellow, white and green leaves, embroidered overtop gold triangular sections. Silver highlights throughout the flowers. Top edge of sash is bordered with gold and dark pink zigzag motif, bottom edge bordered with gold and pale pink zigzag motif. Back of sash is pale pink and undecorated. Length edges are finished seams, width edges are folded. Characters, embroidered in gold, inside fold along top edge.

Illuminated Qur’an, with naskh script written in black ink and pages edged with gold leaf. Covers and spine made of black leather, with raised floral and curvilinear motifs throughout. Long oval in centre of each cover, with stamped motifs. Spine is undecorated. Flap closure attached to back cover. Flap lined in dark red cloth, covers lined with blue-grey paper. Each page of the Qur’an has lines of script, with circular motifs throughout sentences, bordered by simple red, black and gold lines. The first two pages are highly decorated. Motifs done in gold and blue, with pink, yellow, red and grey-green highlights throughout. Designs include plain lines, curvilinear lines, flowers, and hearts. Pink, blue and gold decorative bands divide sections of text. Some pages have floral and star-like designs along the edges. Designs done in pink, green, blue, yellow and gold.

Illuminated Qur’an with script written in black and green ink. Covers and spine made of brown leather, with painted designs on the covers. Front cover has a central oval-like shape, with curvilinear attachments on the sides. Back has an oval-like shape, with scalloped sides. Green floral designs inside of oval. Spine is undecorated. Covers lined with white paper. Each page of the Qur’an has lines of script, with red highlights throughout, bordered by stylized, gold leaf frames. Frames have dark blue lines protruding from all sides. Black and dark blue floral and curvilinear motifs decorate the frames. The first two pages of the Qur'an have additional decoration. The stylized frames have an inner white band with floral and dot motifs. Motifs done in white, pink, light blue and dark green. Some pages have large, green dots along the edges.

Illuminated Qur’an with script written in black ink. Covers made of brown leather, with incised and painted decorations. Spine made of painted cloth. Front cover has a raised, inner border, outlined in black paint on the outer edge and a wide band of gold leaf along the inner edge. Alternating incised lines and dots along the raised portion. Lines done in black, circles in gold. In the centre of the cover is a raised oval, with pointed ends, outlined in gold and black. Black curvilinear motifs across surface of oval, with impressed dots on each side. Dots are filled with gold leaf. Back cover has a raised, inner border, outlined in black and gold on either side. Covers lined with paper. Each page of the Qur’an has lines of script, with floral motifs throughout sentences, bordered by simple black and gold lines. The first two pages are highly decorated. Motifs are done in gold and blue, with pink, red, white and orange highlights throughout. Designs include curvilinear lines, feathers, flowers and arrows. Gold, red and blue decorative bands, with floral motifs, divide sections of text. Some pages have curvilinear designs along the edges. Designs are done in gold, blue and red, and filled with floral motifs. Pencil inscription on last page.

Illuminated Qur’an with naksh script written in black ink. Covers and spine made of brown-red leather, with identical floral, geometric and curvilinear motifs stamped both covers. Spine is undecorated. Edges of covers trimmed with two lines, circles in the corners. Raised, inner border, covered in motifs, surround a long oval. Circles in corners of raised portion. Ovals are filled with floral designs and bordered with curvilinear lines. Two bands, made of three plain lines and circles, extend from the top and bottom points of the ovals. They meet with the inner, raised borders. Flap closure attached to back cover, with matching designs along the surface. Spine of flap has stamped circles and lines. Flap and covers lined with white paper. Each page of the Qur’an has lines of script, with gold leaf and red paint highlights throughout, bordered by simple red and dark brown lines. The first and last page are highly decorated. Motifs on first page done in gold and blue, with dark purple, dark green, yellow and white highlights throughout. Designs include curvilinear lines, geometric forms, star-like shapes and flowers. Motifs on last page are done in gold, dark purple and blue. Designs are circular and curvilinear, text is written in red. Some pages of the Qur’an have characters written in red and black along the edges. Pages are numbered in pencil, in the bottom corners.