Askos oil jar, made of bronze. Small vessel has a rounded, oblong body resting on a short foot. Neck emerges from top front of body and has a thin rim with a wide spout. A concave handle spans from back of body, splitting into two before it joins the rim. Handle is decorated with short diagonal lines pressed into the top surface.

Cotton turban. Garment is thin and very long, made of light, fine fabric that is dyed mottled shades of orange and yellow, with thin chevron patterns in green. Clusters of small gold leaf dots run the length of the fabric. At one end is an area of metallic fibre embroidery. One long edge is finished with a tight roll.

Cotton turban. Garment is thin and very long, made of light, fine fabric that is dyed mottled shades of pink, orange (tumeric), and light yellow-white. All of the orange areas and some of the white each contain three lines of light grey dots. At one end sits a thin panel of gold embroidery.

Part of a cotton turban. Thin and very long, made of light, fine fabric that is dyed mottled shades of orange and yellow, with thin chevron patterns in green. Clusters of small faded gold leaf dots run the length of the fabric. One end has been cut off. One long edge is finished with a tight roll.

Large scale aluminum abstract sculpture. Stands on, and is attached to, a thick, black, oval, stone base. Sculpture itself is made of epoxy powder-coated aluminum, with a brushed silver surface. On three legs stands a large eye in formline design, with two concentric ovals forming the pupil inside a large open space. The sculpture’s lines vary in thickness.

Wooden elbow adze. Haft formed from elbow-shaped light brown wood. Smooth, long handle increases in outside diameter to pointed elbow, from which a thicker flat section extends downwards at an approximately forty-five degree angle. Haft's top surface is cut away where the blade is lashed with wire and nailed. Underside of haft base end has lashing projection.

Large wooden bear cub mask. Face has a wide, protruding snout, mouth open to show bared and clenched teeth, incisors fitting together closely. Lips are painted red. Black eyes are very large, sitting in slightly sunken hollows, above which are wide black brows. Squared ears span across the top of the head, painted black and red. Backside of mask is hollowed, with a wire attached for hanging.

Large wooden halibut hook. Two pieces of wood, lashed together by cotton sailor's binding, to form a V-shape. Iron spike is lashed at an acute angle to shorter arm. The hollowed-out arm is carved with an animal body, with exposed ribs, a hole in the chest, and vertebrae and a tail extending over the head of a bird.

D-shaped wooden handle with carved dog-like features at one end, and a pointed tail-like feature at the other. The handle grip bulges at the centre. The upper portion of the wooden handle is long, and then tapers on each side to the lower portion where it attaches to the blade. The repurposed axe blade has an 8 cm eye for a haft. The blade is attached to the handle by two nails - one at each end.

Painted dogfish mask with oval-shaped face. The mask is carved from a single piece of wood. The dogfish has a large mouth, jagged teeth, and a long red tongue. The arched form above the head is incised with three curved gill slits and two circles. There are also four gill slits on each side of the face. Back has 'HAIDA ART' and signature 'Reid' incised near top. (On the back two eye screws are strung with picture wire and a third, larger eye screw is loosely attached to the wire.)