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Basket2013.71.48

The Elizabeth Cole Butler Collection.

Culture
“Wintu/Wintun” ?
Material
hazel stick, pine root, beargrass and mallard feather
Made in
California, USA
Holding Institution
Portland Art Museum
View Item Record
Gift Basket2009.1.12

The Elizabeth Cole Butler Collection.

Culture
Pomo
Material
willow, sedge root, clamshell bead, abalone shell, meadowlark feather, quail and mallard feather
Made in
“West-Central California” ?
Holding Institution
Portland Art Museum
View Item Record
Gift Basket91.95.35

Feathered baskets were an important trade item and a symbol of wealth among the Pomo. They were considered appropriate gifts at special occasions and were used as offerings at funerals and mourning ceremonies. The brightly colored feathers, added to the basket as it is made, provide a design mosaic, while the basketry foundation is left plain. Flat saucer-shaped hanging baskets, like this one, were originally decorated only in red feathers. The addition of other colors and patterns was an innovation that began around 1900 as a reponse to collectors' wishes. Handmade clam shell beads added around the rim along with triangular pieces of abalone shell as pendants increased the traditional value of the basket. Magnesite beads were sometimes used as an alternative to clam shell beads. Referred to as "Indian gold," magnesite is white when it comes out of the ground. Pomo men would ceremonially heat it over a fire - causing the magnesite to turn a golden orange color - before working it into beads.

Culture
Pomo
Material
willow, sedge root, clamshell bead, abalone shell, quail feather, mallard feather and meadowlark feather
Made in
“West-Central California” ?
Holding Institution
Portland Art Museum
View Item Record
Women's Ceremonial Belt (wa-to)08.491.8925

Mrs. Ann Barber, the Maidu owner sold this belt to the Museum curator Stewart Culin. According to another Maidu informant, Mrs. Azbil, when she came into the country everyone of any wealth and importance had a belt. People could marry with them. The man gave it away. They also wore it in the War dance and this was the only way a man used it because it actually was a women's belt. This particular belt had been given to Mrs. Barber by her first husband, Pomaho, who married her with it. When he died it became hers and she was criticized for not burning it. The belt would be wrapped around the waist of the dancer twice for the Hesi, Toto of Kenu dances. The patterns on the belt mirror those used on baskets. The red triangles are composed of the scalps of twenty-five woodpeckers and are called grapevine leaves. The two narrow strips, composed of duck feathers, were named after the tongs used to lift the boiling stones out of the baskets when boiling mush. The knot of the belt where the threads come together is called the navel. Feather belts were the supreme Maidu representations of wealth and as such were prime candidates for destruction at death of the owner. Thus they are rare.

Culture
Maidu
Material
bead, mallard duck feather, acorn woodpecker feather, glass, hemp ?, jute ? and cotton cordage
Holding Institution
Brooklyn Museum
View Item Record