Metal pin consisting of a solid, semi-circular top section with two cutout bird-like figures with incised wings and legs, facing each other. From the bottom of the metal piece are two circular holes that hold two hanging cast human-like figures with a head, arms and triangular bodies along with three, thick, linked chains that attach to a triangular shaped piece of metal with liner engravings around the edges and a flower in the centre. On the bottom edge of the triangle are eight circles where seven metal rings dangle flat, circular discs. The back of the top section has a large metal pin.

Metal female figure, Mary, with child, Jesus; details of apparel, surroundings and facial features of Mary are engraved. The child is three-dimensional with little distinctive markings; back soldered to other figure.

Metal ring with a thin band; circular cutouts on each side and a large central cutout overlaid with a claddagh style motive.

Chief's wooden seat with rounded back and two side panels with decorative edges. Three wood slats on bottom at ends and middle. One on top edge. Painted back panel of figure (?), side panels painted on both sides with u-forms, ovoids and split-u forms. Bark used to tie back side bar, on left side, to back and side panel. Colours: blue, black, and red.

Warrior dance knife, or baton in the form of Sisiutl. Central front-facing head with two upward and outward curling horn-like appendages at the top and a profile head on either side, each of which has another upward and backward curling horn-like appendage at the top. Each profile head has a red tongue that protrudes outward at a slight upward angle. Painted black, red, and green.

Model of a totem pole depicting an eagle with outstretched wings and a beaver(?). Painted in black, red, and yellow. Figures are secured to a round base with nails.

Long staff with carved standing human figure joined (with wiggle nails) to the top. Six miniature coppers nailed to the staff, the uppermost nailed to the figure's chest. The lowest copper is a t-shaped scrap. A piece of abalone is glued to the front of the staff below the two central coppers, and the entire staff is painted red. The figure stands erect with his right arm outstretched, the other at his side. He wears brown-painted clothing and a red painted skull cap decorated with four pieces of abalone at front, back and sides. The face carving is highlighted with red and black paint and is heavily shellacked. Rubber cap on bottom.

Traditional shield-shaped copper with a T-shaped raised design element that divides the bottom section in half and separates the top section from the bottom. The piece has been broken and re-rivetted. A rectangular piece is missing from one bottom corner. A larger rectangular piece has been cut off and reattached at the other corner. The upper section has edges that flare outwards towards the top, and the top edge comes to a peak at the centre. The upper section is painted black with a grey border, with an animal face in grey, as well as natural copper. The base is painted black with bands of grey and natural copper running horizontally, and a criss-cross motif in natural copper.

Mask depicting a fish with round eyes and exaggerated, protruding ears (one is missing). Facial features are painted black and red.

Carved wooden, crooked beak mask. The beak has long, exaggerated, protruding red nostrils with two large circular openings in the front. Running from the brow is a large, protruding, central black, rectangular shaped frill that projects outwards then curves downwards to the top of the beak. On the top edge of the head is a smaller, rounded, black frill that tapers into the top of the head. The mouth is red, flat and protruding. The underside of the beak is black; beak is hinged with a thin piece of metal wire. The eyes are small and outlined in black and red, surrounded by a large white, sunken, ovoid-like shape; the brow is black with red vertical stripes. Back of mask is slightly cylindrical in shape; around the top, side and bottom edges are twisted pieces of cedar. The inside of the mask is hollow with the exception of pieces of fibre twine to articulate the beak; bundles of small branches with cedar strips and a piece of eagle down. The mask is painted black, white and red with Northwest Coast stylized forms.