Whale mask, or headdress. Body has two dorsal fins, pectoral fins, a tail, and jaw that are all movable. A ridge extends up and over the nose and head from the lips. All fins are covered with designs in white, red and green. The double dorsal fins each have an oval hole at the centre. The body of the mask is painted black with white, red, and blue designs, including a scalloped design that extends from the mouth over the head to behind the dorsal fins. The face is blue around the eyes, withe and black above and below the red nostrils, the lips are red, and there are white crescent-shaped design elements beside the corners of the mouth. The tail has a painted face design.

Green, white, red and black humanoid mask with deep set eye sockets with protruding eyes, a pointed chin, prominent eyebrows and cheekbones. Copper pieces are nailed to both cheeks. Remnants of cloth are nailed along the top and side edges.

Carved wooden, crooked beak headdress, or mask. The beak has red ovoid shaped nostrils with a central frill that curves inward to the centre of the beak. The mouth is red, flat and protruding; bottom part of jaw is nailed shut. The face is black with white outline and detailing. The eyes are white outlined in black and red on a white, ovoid shaped ground; brow is black. The inside of the mask is hollow; twisted twine is tied to either side of the bottom, back edge of the mask. Attached to the top and side edges are short, bundles cedar stripes; longer pieces of cedar hang down the back. The mask is painted black, white and red with Northwest Coast stylized forms.

Long necklace made of glass trade beads strung onto metal wire. The necklace has a repeated pattern of two blue, ‘Russian’, beads next to three red, ‘white heart’ beads. At the end of the string is a large conical shaped blue bead and a Venetian ‘polychrome’ flower bead.

Skull-shaped figure with recessed eye sockets and without a bottom jaw. There are five metal nails in the bottom, and one at the top of the forehead. A length of braided cotton string is attached vertically to the back of the skull with two metal staples, one at either end. A strand of cotton string is attached horizontally across the back of the skull with two metal staples, one at either end.

Mask (c) with a hooked nose, curved incised lines on the cheeks and chin, and two rounded ear-like protrusions at the sides of the mask. The mask is painted grey with heavy black eyebrows and black on the raised areas of the cheeks and chin. The nostrils and lips are red, and the ears are painted with concentric curved lines in black, grey and red. Horse hair and cedar bark attached at top of crown. Two separate mouthpieces: a) red lips open to expose two rows of off-white teeth; b) thick red lips, slightly open.

Carved transformation mask. The exterior figure is a large thunderbird head with a yellow beak, black outlined eyes surrounded by a green ovoid-like shaped, as well as a red mouth and detailing. Nailed to the top of the bird are numerous cedar bundles. The mask opens in four directions – to the sides, up and down – exposing a painted human face with cutout nostrils, eyes and mouth. The side boards have a painted sisiutl with each side depicting a serpent head. The top has the human’s horns while the bottom open board is detailed with ovoids, U’s and split U’s. Twine cord attaches to all four sides to assist the mask in opening and shutting. The opened boards are hinged with leather and attached by staples. The mask is painted yellow, green, red, white and black with Northwest Coast stylized designs. Long, rectangular shaped handle extends from top back of mask.

Wooden wolf headdress, or mask, with narrow snout, open mouth with bared teeth and fangs, protruding rounded ears, fur across the top and back of th e head bordered by twisted cloth and cedar bark. The headdress is painted black with orange around the eyes, white ears with orange and red designs on the inside, red nostrils and lips, and white lines delineating the eyebrows, edges of the eye sockets, the top lip and the nostrils.

Mask with u-shaped red and black scale symbols above thick black eyebrows and in green and black around the mouth. Round eyes are surrounded by green, and pursed red lips protrude from a concave area with a small black moustache. The remainder of the face is off-white. There is a green cord strung from the top reverse of the mask.

Trapezoid-shaped wooden box with a hole on the top face near the widest end, and a series of 17 long metal prongs with rounded tips are elevated and secured above the box by wood and metal bars at the narrower end. Two smaller holes on the underside near the centre. The wood is stained, and five of the metal prongs are coated with red paint on the top surface. Hugh Tracey manufacturer label on bottom.