Maha Kola Sanni Yakka healing mask (part a) with removable side panels (parts b-c), figure (part d), earpieces (parts e-f), and fangs (parts g-h). Mask depicts a large figure wearing a headdress made of snakes, a silver-coloured shirt, and knee-length skirt with curvilinear and geometric motifs across it. The earpieces (parts e-f) protrude from either side of the head, below the headdress. They have a central flower design, with two snakes wrapped around the outer edge. The figure has a human in between its fang-like teeth, and a human tucked under each arm. Its hands are bent in front of its body, and the female figure (part d) lies across them. Blood is dripping from its teeth, down its chest, and onto its protruding belly. The figure is standing on top of a large smiling head, painted black. The face has bulging eyes, a large nose with prominent nostrils, and two fangs (parts g and h). It is wearing a headdress composed of human figures. Extending up from the face, and surrounding the large figure, is a blue wooden frame. Attached to either side of the frame are the panels (parts b and c). Painted blue, they are each composed of two columns of four multi-coloured heads, with barred teeth. At the top of each set of columns is a pink head, with large ears, wearing a triangular headdress. At the bottom of each set of columns is a large yellow flower. The panels have snakes along the outer edges. The heads rest at the top, and the tails curves around the bottom. (Hanging hardware on back of mask).

Stainless steel straw (bombilla) for mate. It has a flat rectangle-like top, that tapers downward slightly, and is bent at an angle. Raised design between mouth piece and undecorated stem, along the bend. Design is of twisted steel between two plain bands. Bottom of straw flattens out, flaring outward slightly at the end. Diagonal lines cut out on front of straw base, allowing mate to enter stem. Additional steel piece attached to end of straw on either side, curving around bottom. Piece flares out at corners, making it triangle-like in shape.

Standing wood shrine figure. Body is rectangular in shape and has geometric and linear motifs incised on the front and sides. Hide collar, coloured black, wrapped around neck. Figure has a wide nose, pronounced brow and lips, and angular eyes. Has a ponytail that protrudes sharply from the back of the head. The end of ponytail connects to the figure's back. Lines incised on portions of hair overtop of head, hanging portion of ponytail is thin and smooth. There is a small gap between the ponytail and the back of the figure’s neck. Extending from all sides of the hide collar are strands of cowrie shells. Long strings of black, red and white glass beads are tied around the ponytail with light brown thread. Two copper coins and one small brass(?) bell are attached to the bead strings, hanging down the back of the figure. Plain brown tie, with knotted ends, is strung between the ponytail and the neck of the figure.

Ifa divination tools (parts d-v), stored inside a round, two-tiered container (parts a-c). All components are made of metal. Bottom compartment of container (part a) has a flat base and protruding lip, with a raised edge. The top compartment (part b) sits on top of the lip. Along the top left and right edges of the bottom tier are notches that protrusions from the bottom edges of the top tier fit into, securing the two compartments together. The sides of both tiers are decorated with finely incised bands, consisting of cubes, and plain and diagonal lines. The lid (part c) has a long lip, that fits over the edge of the top compartment, and a circular knob in its centre. There are raised lines across the surface, dividing the lid into bands. There are finely incised decorations in the top and centre bands, consisting of dotted triangles, plain and diagonal lines, and scallops. The divination tools are small and different shapes. Most are rectangles, triangles and squares with raised geometric and curvilinear motifs across their surfaces (parts d-o). Other tools include a horn (part p), scorpion (part q), large bell (part r), small bell (part s), square knot (part t), flat semi-circle with notched edges (part u), and a semi-circle with ridged sides and pointed top (part v).

A bamboo plunge trap used for catching fish. The trap is shaped like an inverted cone, with a narrow top and wide bottom. It has a thick, circular, wooden rim at the top. Bamboo strips are joined to the rim and extend downward, growing farther apart as the distance increases. Near the rim, there are two bamboo rings, one on the inside, and one on the outside of the trap. Metal wire is woven across both rings, securing the bamboo strips in between them. Four more bamboo rings are positioned inside of the trap, and secured to the bamboo strips by metal wire. The rings grow larger the farther they extend from the rim. Between the third and fourth bamboo rings, there is a thicker, darker, rounded ring secured in place by five bamboo wedges. At this point the trap bends more sharply, so that the bamboo strips are all parallel to one another as they reach the bottom of the trap. Near the bottom, a sixth, ring made of metal wire has been woven around the bamboo strips to further secure them. The end of each bamboo strip comes to a point.

A fishing basket [a] with lid [b] and rope [c]. The basket has a circular rim and square base. Very thin, flat strips of bamboo are woven across wider vertical strips to comprise the basket's main body. The weave is close, with only small gaps. The bottom of the basket is woven from wider bamboo strips, in a perpendicular fashion. Two thicker pieces of bamboo form an X-shaped base. The basket has four cylindrical feet, one at each corner. A thin strip extends from the base of each foot, and is woven into the basket so as to attach it. The rim of the basket is made from two larger, horizontal strips of bamboo that wrap all the way around. They are secured by groups of three thinner vertical strips staggered at 2-2.5 centimetre intervals. A circular piece of wood with a cut out centre is secured to the inner rim of the basket by four small nails. The top of the wood is covered with bamboo strips, which have been woven in a chevron pattern. The lid of the basket is small, flat, and circular in shape. It is made from a piece of wood, and is covered with bamboo strips which have been woven in a chevron pattern. The handle of the lid is a thin, straight block of bamboo with downward curved ends. It extends slightly past the base of the lid on both sides, and is secured through the bottom by three small nails. There is a small hole in one side of the handle. The lid was previously attached to the body of the basket via a braided, purple rope, however all three pieces are now separate. The basket and lid are both covered in a clear lacquer.

Silver straw (bombilla) for mate. It has a rectangle-like top and globular bottom. The top opening is gold coloured, flat and slightly flared at the mouth. The upper half of the straw stem is covered in raised floral motifs. The flower designs are done in diagonal rows and have gold coloured highlights. On either end of the decorated section is a plain, raised band, done in silver. The lower half of the stem is undecorated. The rounded bottom is perforated, to act as a filter.

Small, gourd mate container with engraved decorations. Container is dark brown and pear-shaped. It has a raised, rounded lip, made of stainless steel. Large circle carved on front of container, with a thick border. "Gabriel" written inside of circle, at an angle and in stylized writing. Band, trimmed with two thin lines, extends from circle and wraps around middle of container body. Inside the band are designs of hills, trees, houses and abstract clouds. All designs are naturally coloured orange-brown. Interior of container is rough, covered in dried pith.

Leather ammunition belt, with fifty open-ended pockets across its surface for individual bullets. Belt fastens with a metal buckle, attached with a leather tab. Tab is covered by the belt loop. Opposite end of belt is made of a narrow strip of leather, with five adjustment holes along it. Holes are spaced out, at equal intervals, and lined with metal. Entire exterior surface of belt is covered in brocaded decoration. Background is pale orange, with designs overtop done in golden brown. Geometric motifs along all belt edges and edges of pockets. Designs across pockets, belt loop and area around adjustment holes are curvilinear and floral. Back of belt is undecorated.

Egungun costume. One-piece mask and costume; the cloth mask, with a circular frame, is made of black velvet-like material. Metallic, silver scalloped ribbons decorate the sides and back. The front of the mask is made of a cowrie shell embroidered mesh panel, with wide gaps between the rows where the eyes would be. In the centre of the mesh panel is a hanging strand of cowrie shells and painted beads, with a small bell at the end. Strand secured to panel with plant fibre. A small red, stuffed ball is attached to the bottom centre of the panel. Along the forehead of the mask, above the cowrie shells, is a wide curvilinear motif done in sequins and beads. Fabric covered square board is stitched to the top of the mask. It has a central floral motif and short brown fringe along its edges. Heavily beaded panels hang from all sides of the board- three on the front and each side, one along the back. Panels depict curvilinear, geometric and animal motifs in sequins and beads. Back panel has “AYÏBAMA” written across it. All are lined with orange cotton. Bottom of mask has a frilled collar. Collar made of dark green velvet-like material with metallic gold ribbons, red trim and thick white and red fringe. Underneath the collar, attached to the front and back of the mask, are two weighted bags. Extending from the bags are three layers of long lappets. The top layer is covered entirely in sequins and beads. The designs are geometric, animal and curvilinear. The second and third layers are made of velvet-like material and have geometric, linear and curvilinear motifs. All beaded lappets are trimmed with metallic red zigzag ribbons. First layer of velvet-like lappets are trimmed with silver zigzag ribbons, second layer trimmed with gold zigzag ribbons. All lappets are lined with machine-printed cotton that have frog designs across them. Underneath all of the lappets is a plain red cloth, trimmed with a black zigzag ribbon.