Round beaded staff with feathers and beads hanging from hide cords along the length. The staff is completely covered in beadwork, long stripes of animal fur and hide, so that the material of the staff itself is hidden. The top end has an elongated, off-white bird head carved in plastic (made to look like bone), ending in the pointed beak. A long hide thong attached along the side holds a combination of long brown feathers, and plastic beads on shorter thongs.

Ghost net dari (or dhari) headdress. Headpiece is shaped like an inverted-U, with a horizontal line through the middle. Five lines extend from the top of the centre line. Middle one is straight and connects with the top edge; other four form inverted-U shapes and reconnect with the centre line. Two additional curved lines protrude from the middle line, connecting with the main body of the headpiece. Curved and inverted-U shaped lines are all dark blue; straight lines and headpiece are done in olive green, dark blue and green. Headpiece has an outer green border and it is connected to the headpiece with black zigzags. White feather-like protrusions extend from outer edges of green border; protrusions in bottom corners are longer than rest and undecorated. Rest of protrusions have had their ends cut; long diagonal lines extend from tips. All protrusions are secured with wire, wrapped in green. Orange circle is tied to top centre of headpiece with three feather-like shapes extending from it. Long black "feather" in the middle, framed by smaller white and black ones, is topped with tufts of white plastic.

Large chest (part a) with hinged lid, rectangular handles on either side, secured with ornate clasps, and on wooden wheels. Interior has thin compartments on either side, with hinged lids; removable tray fits in between compartments (part b). Chest has metal inlayed decorations across front; back and sides are undecorated. Designs consist of two rectangles framing a central circle with an "A" inside it. Rectangles are filled with curvilinear, geometric and dot motifs. Additional curvilinear designs around keyhole and clasps. Rectangular metal panels are attached to edges on front of chest. Large cutouts along bottom edges on all sides, in centre; left and right side cutouts are semi-circular, front is scalloped, and back is trapezoid-like. Interior of chest lid has a raised design of four columns with five alcoves in between. Outer alcoves have circles filled with flower petals, inner alcoves are empty, and central alcove has a square mirror; columns are filled with flower-shaped pieces of cloth and sequins. Removable tray inside chest is divided into six sections; two vertical ones on either side, two horizontal ones in middle with two small square ones in between larger horizontal sections. Top centre section has a hinged lid. Linear, floral, curvilinear, and geometric motifs carved throughout interior.

Water dipper with a flat-bottomed aluminum bowl and plain wooden handle; handle is secured to back of bowl with nails and a piece of plastic(?). Exterior of bowl decorated with raised designs; top and bottom edges have braided lines, main body is decorated with repeating floral motif. Space between braids and flowers is filled with small impressed triangles; curvilinear and triangle motifs throughout. Manufacturer's mark engraved on base of bowl.

Crown completely covered in yellow beads, with long strands hanging from bottom edge (part a). Crown is conical in shape with a circular pedestal on top. Bird figure sits on top centre of it and is detachable (part b). Body of crown covered in two rows of protruding bird figures. All have large white eyes, tips of tails painted white. On front and back, along bottom edge, are faces with oval-shaped eyes, long noses, and open oval-shaped mouths. All facial features extend outward. Crown has a padded interior, covered with white painted paper mache.

Crown completely covered in white and black beads, with long strands hanging from bottom edge (part a). Crown is conical in shape with a circular pedestal on top. Bird figure sits on top centre of it and is detachable (part b). Body of crown decorated with wide black and white stripes, pedestal decorated with identical thinner stripes. Overtop stripes on main body, there are two rows of protruding bird figures. All birds are white, wings decorated with black stripes. On front and back of crown are black beaded faces, with oval-shaped eyes, long noses and circular open mouths. Features of faces are done in white and extend outward. Crown has a padded interior, covered with unbleached cotton.

Cloth doll with embroidered facial features. She is wearing a belted black dress and pants. Doll has a beaded headdress and multi-strand necklace; necklace is done in yellow and orange. The headdress consists of a ring and long woven train covered in horizontal bands made up of beads, buttons and bells; twisted fringe along bottom edge. Bells are silver, buttons are white and beads are done in orange, white, yellow, dark blue, pink, light green, and silver. Band designs consist of alternating vertical stripes, chevrons and plain horizontal stripes. Collar, cuffs and bottom edge of dress are decorated with yarn geometric designs; done in orange, yellow, light blue, pink, and white. Additional wavy silver ribbon trims bottom edge of dress. Opening of pants are bordered with wide green ribbons with heart-like designs throughout; ribbon trimmed in orange yarn, designs done in silver. Doll is attached to a wooden base.

Wooden four-legged animal figure in a standing position. Animal is carved from multiple pieces of wood; all components are painted red. Head and body are one piece. Legs, tail and ears are separate. Legs and tail nailed to body. Ears are inset and secured with glue. Nostrils and mouth are incised, eyes are painted on. All incisions are painted black. Ends of legs are painted black, imitating hooves. Eyes and inner ears are naturally coloured. Incised lines decorate inner ears. Black “V”-shaped designs painted along back of neck, imitating a mane(?). Body and legs are decorated with black three-leaf clovers. Dashes painted across figure, throughout clover motifs, and lines are painted along length of tail. Plastic bumpers attached to bottoms of legs. Manufacturer's mark on base.

Hollow brass gong with open base. Top has raised circular knob in centre, with surrounding area slightly sunken. Small circular impressions across entire surface. Sides of gong slope inwards. Two holes drilled along top side with nylon(?) cord strung through them. Knot tied towards top of cord, for hanging purposes. Ends of cord, inside of gong, have green plastic attachments.

Weighing scale, or beam balance, consisting of a plate and balance rod (part a), with separate weight (part b). Rod is made of dark wood with brass plating around the tips. There are dot motifs along the front side, with the numbers 5, 10, 20, 30, 40, 50 at intervals along the length, between the dots. Dots continue along the top of the rod. Dots are made of metal(?) and are impressed into the wood. Three holes are drilled through the rod, towards the left side, with knotted plant fibre and plastic ties inserted through them, for hanging purposes. Along the bottom of the left tip of the rod, there is a floral-shaped pendulum. Attached are two chains made out of S-hooks. One has a large semi-circular hook at the end, the other has four dark green-grey cords attached. Cords are drilled into the sides of the weighing plate. Plate is made of thin brass metal, with two ring designs incised in the middle. In the centre of the circle is a simple floral motif. Numbers are stamped into the plate's surface. The accompanying weight is bell-shaped with a semi-circular handle. Plain string tied through handle. There is a raised circular band around the handle, and two lines are incised along the top edge of the weight. Numbers are stamped on the weight’s base, matching the numbers on the plate.